← Saturday 27th September 2025 →

Carolina Arroba, known professionally as Caro Arroba, is an Ecuadorian musician, producer, and performer currently based in Chicago, Illinois.

Active since 2002, she specializes in modular synthesis, crafting music that spans genres from acid techno to experimental techno. Throughout her career, Caro has showcased her versatility by performing in various formats and collaborating with diverse artists.

Her live performances are noted for their improvisational nature, often utilizing modular synthesizers to create unique soundscapes.

In this broadcast, she presents a live modular performance exclusively for female:pressure.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode presents the outcome of a particularly exciting rehearsal of ours from May, and also contains tracks from our rehearsal archive that have been used for an upcoming release of ours, set for an end of October release! Keep an eye out on our Instagram!

As always if you’d like to get in contact with us for collaborations, performance or recording opportunities, or just to say hi, please email hello@subphonics.com

Bunhill Open Studios Sound Walk and Scoring Workshop Signup

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

In this episode, Dronica meets Giuseppe Capriglione and Vince Gagliardi, founders and curators at Modern Bon, in Berlin.

Dronica meets event curators, creative directors and labels owners in 2021.

Giuseppe Capriglione (a.k.a. Skrei) is a music producer. His live set is made up with loop-tape, guitar and synthesizer. Processing and working with multi-tracks tape recorders, he creates an alchemic mixture of Noise/Drone sounds. He is co-founder of “Modern Bön” and founder of the label and promotion agency “Metzger Therapie”. His latest album has been recently released on “Dio Drone”.

Vince Gagliardi (a.k.a. Vū) is a 3D artist and music producer. Vū is a dark electronic and ritualistic music project filled with different percussions and vocal mantras. He is the founder of the label “Vumantra Records”, co-founder and artistic director of the collective “Modern Bön” and creator of the audiovisual project “The Nent” (Cyclic Law), well-known for its impactful A∖V live performances.

In this podcast for Dronica radio show on Resonance Extra, they present a selection of Modern Bon favorite experimental electronic music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features a guest mix by Chantal Michelle.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode: pausing for breath at the tunnel's mouth, on the threshold of a threshold. Resonances haunt endlessly, back and forth, echoing around the next bend.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, Phil England selects music by Adrian Sherwood, Cosey Fanni Tutti, Public Enemy, Woody Guthrie, Neti-Neti, Olan Monk, Dale Cornish, Autechre and more.

New music with The Wire Magazine.

In this episode, Joe is joined in the studio by artist and writer Louis Scantlebury for some readings and an interview amongst track selections. Including Jon Brion, Alex G & Fire-Toolz.

Louis Scantlebury is an artist and writer who lives between London and Hamburg. He’s a co-editor of the plates article Memory After Memory, and performed a reading at our plates event earlier this month. He makes films with puppets, writes stories and draws comic books.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode we dive deep into ambient experimental music, shining a spotlight on long form tracks and textural, sonic soundscapes that exist in their own time.

We’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is a contribution by TEA FM.

In the spring of 1745, Johann Sebastian Bach, weary from years of composing and performing across Germany, embarked on an unexpected journey south. Rumors of the vibrant music and golden light of Andalusia had reached Leipzig, whispered by travelers and fellow musicians. Intrigued and seeking inspiration, Bach set his sights on Seville.

Upon arriving, the composer was struck by the city’s intoxicating mix of Moorish architecture, orange blossom-scented air, and the ever-present rhythm of flamenco echoing through cobbled streets. He was welcomed by local musicians, curious about the German master whose music, though foreign to them, stirred something familiar in their souls.

One evening, in a small courtyard lit by lanterns, Bach joined a gathering of Spanish guitarists and singers. They played bulerías and soleás, their hands moving like fire across strings and palms. Bach, fascinated, responded with improvisations on his clavichord, echoing the passionate melodies with Baroque flourishes. The music transcended language. In those moments, the sacred and the earthly met.

Before leaving Seville, Bach climbed the Giralda tower. From its heights, he gazed across the red rooftops and the Guadalquivir River, listening to the distant strum of guitars. He did not write down what he heard—but in his final compositions, there would linger a warmth, a rhythm, and a hint of Spain that no one could quite explain.

And so, though unrecorded in history, Seville left its mark on the master of counterpoint—just as his music left echoes in the alleys of Andalusia.

Based on the show Improbach. The Intangible Infinite. Dance–Choreography–Texts: Alba Lucera. Piano: Pierre Mancinelli. Sound Design: Chuse Fernandez.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode is opened by Leena Lee and Vania Fortuna introducing their album Niebla which examines the symbolism and mythologies of the quetzal bird.

We also hear Andrew Weathers heating up a TV dinner, a first listen to Timothy Fairless's Rising Water, and new releases from Renato Grieco, Tom White and Natasha Barrett.

The Weird Field Recording Album of the month is Michael Lightborne's Ring Road Ring. We close with a piece from Kaleidoscope, our fundraiser for Ukraine.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Wuthering Heights by Kate Bush. There's no order, no lists, only stilted and exclusive material.

Tiny robots, string quartets, italian stars, celtic hearts, ukelele lovers, ghosts who feel lonely, instigators of collective happenings…all are welcome in Shuffle formula radio mode.

This episode features Shambush: Makers of The Ultimate Kate Bush Experience. Creators of imaginative, tailored, theatrical encounters, performance spaces and nonsensical events for five to five thousand.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Produced by Michael Umney and Sarah Nicol, Natural Selection presents slices of life from Kilfinane, Ireland, on location at the second HearSay International Audio Arts Festival, 20 to 22 November 2015.

Inspired by — mostly MMORPG — game soundtracks, this mix is the Councils anti-metaverse-hype (enabling of digital scarcity and installation of a virtual absolute global order of property coinciding with the thirst for annihilation), nostalgia factory composed of SuidAkra covers, Ultima Online PvP sounds x Iced Earth mash-ups and, SCORCHER OST (if you know, you know - I could barely manage to make this not solely composed of this) & music to read Dragonlance to.

Dedicated to Kaan Berksoy.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode:

"i am reading from 'The Secret Revelation of John' by Karen L. King. was given this book and plunged in..to the two available translations printed across from eachother from da Berlin Codex, differing slightly. i m reading both I.II. versions out loud, left one first, then the right one, sentence by sentence, till page 49.

have a look at the writing below if you want to know about the context of The Secret Revelation Of John, but i believe it comes across anyway. i loved it. picking up on the many 'intriguing-but-confusing ideas' and the overt criticism of patriarchy ofc. as for aeons the meaning of it invites to enquire about temporalities and timespans, linking this back to the suspension the world is experiencing now.. . for me, really its a question about whether there is any light and if so whether the varying interpretations provide any solace."

Lost in antiquity, rediscovered in 1896, and only recently accessible for study, The Secret Revelation of John offers a firsthand look into the diversity of Christianity before the establishment of canon and creed. Karen L. King offers an illuminating reading of this ancient text--a narrative of the creation of the universe and humanity and a guide to justice and salvation, said to be Christ's revelation to his disciple John.

Freeing the Revelation from the category of "Gnosticism" to which such accounts were relegated, King shows how the Biblical text could be read by early Christians in radical and revisionary ways. By placing the Revelation in its social and intellectual milieu, she revises our understanding of early Christianity and, more generally, religious thought in the ancient Mediterranean world.

Her work helps the modern reader through many intriguing--but confusing--ideas in the text: for example, that the creator god of Genesis, a self-described jealous and exclusive god, is not the true Deity but a kind of fallen angel; or, in an overt critique of patriarchy unique in ancient literature, the declaration that the subordination of woman to man was an ignorant act in direct violation of the "holy height."

In King's analysis, the Revelation becomes not strange but a comprehensible religious vision--and a window on the religious culture of the Roman Empire. A translation of the complete Secret Revelation of John is included.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.