← Thursday 25th September 2025 →

In this episode, the sound of destruction. Bring items that definitely should get destroyed. Ceramics, glasses, figurines, tech, furniture, kitsch, presents that you never liked, and join the last breath of that rubbish in the ultimate radio show.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this episode, pessimism; machinic self-dissolution; periodising musical entropy; frustrated temporality; subalternity & repetition; rhythmic irregularity; hyper-work & hyper-consumption; relations of (re)production.

Monthly investigations of music politics with Paul Rekret.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined in the studio by artist and writer Louis Scantlebury for some readings and an interview amongst track selections. Including Jon Brion, Alex G & Fire-Toolz.

Louis Scantlebury is an artist and writer who lives between London and Hamburg. He’s a co-editor of the plates article Memory After Memory, and performed a reading at our plates event earlier this month. He makes films with puppets, writes stories and draws comic books.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Produced by Michael Umney and Sarah Nicol, Natural Selection presents slices of life from Kilfinane, Ireland, on location at the second HearSay International Audio Arts Festival, 20 to 22 November 2015.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this end of season special, Athens Inner City Broadcast goes sonically full circle, with a retrospective mix of its past 19 hours of material.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Wuthering Heights by Kate Bush. There's no order, no lists, only stilted and exclusive material.

Tiny robots, string quartets, italian stars, celtic hearts, ukelele lovers, ghosts who feel lonely, instigators of collective happenings…all are welcome in Shuffle formula radio mode.

This episode features Shambush: Makers of The Ultimate Kate Bush Experience. Creators of imaginative, tailored, theatrical encounters, performance spaces and nonsensical events for five to five thousand.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Nøthing more to say…

In contrast, we present some Cornelius Cardew (†1981) pieces written between 1960 and 1970.

Cardew’s music of the 1960s brought together ideas from both the European and American avant garde at the time, influencing everyone from Alvin Curran, Morton Feldman and Robert Wyatt to latter-day luminaries like US musicians Jim O’Rourke and Sonic Youth.

An upcoming online performance by the Aonghus McEvoy Ensemble is a rare opportunity for UK audiences to hear the music of this most revolutionary of composers. Irish composer Aonghus McEvoy convenes a group including musicians David Lacey, Ailbhe Nic Oireachtaigh, Rob Casey and renowned UK improviser/ musician Rhodri Davies to perform selections from his experimental period (1960-1970).

Online performance: October 9th & 16th, 7pm at Lutherhaus & St. Finian's Church, Dublin ///
Stream info ///
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Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Carolina Arroba, known professionally as Caro Arroba, is an Ecuadorian musician, producer, and performer currently based in Chicago, Illinois.

Active since 2002, she specializes in modular synthesis, crafting music that spans genres from acid techno to experimental techno. Throughout her career, Caro has showcased her versatility by performing in various formats and collaborating with diverse artists.

Her live performances are noted for their improvisational nature, often utilizing modular synthesizers to create unique soundscapes.

In this broadcast, she presents a live modular performance exclusively for female:pressure.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode features a guest mix by Chantal Michelle.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode we dive deep into ambient experimental music, shining a spotlight on long form tracks and textural, sonic soundscapes that exist in their own time.

We’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, Phil England selects music by Adrian Sherwood, Cosey Fanni Tutti, Public Enemy, Woody Guthrie, Neti-Neti, Olan Monk, Dale Cornish, Autechre and more.

New music with The Wire Magazine.

This episode is a contribution by TEA FM.

In the spring of 1745, Johann Sebastian Bach, weary from years of composing and performing across Germany, embarked on an unexpected journey south. Rumors of the vibrant music and golden light of Andalusia had reached Leipzig, whispered by travelers and fellow musicians. Intrigued and seeking inspiration, Bach set his sights on Seville.

Upon arriving, the composer was struck by the city’s intoxicating mix of Moorish architecture, orange blossom-scented air, and the ever-present rhythm of flamenco echoing through cobbled streets. He was welcomed by local musicians, curious about the German master whose music, though foreign to them, stirred something familiar in their souls.

One evening, in a small courtyard lit by lanterns, Bach joined a gathering of Spanish guitarists and singers. They played bulerías and soleás, their hands moving like fire across strings and palms. Bach, fascinated, responded with improvisations on his clavichord, echoing the passionate melodies with Baroque flourishes. The music transcended language. In those moments, the sacred and the earthly met.

Before leaving Seville, Bach climbed the Giralda tower. From its heights, he gazed across the red rooftops and the Guadalquivir River, listening to the distant strum of guitars. He did not write down what he heard—but in his final compositions, there would linger a warmth, a rhythm, and a hint of Spain that no one could quite explain.

And so, though unrecorded in history, Seville left its mark on the master of counterpoint—just as his music left echoes in the alleys of Andalusia.

Based on the show Improbach. The Intangible Infinite. Dance–Choreography–Texts: Alba Lucera. Piano: Pierre Mancinelli. Sound Design: Chuse Fernandez.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.