← Saturday 20th September 2025 →

Casska is a Los Angeles-based DJ and producer known for heavy-hitting neo acid tracks and high energy. She has been gaining recognition in the underground techno scene, playing around DTLA for Control Room, Techno Fam, 1720 Warehouse's Techno Takeover, Closer, A.Y.C.E., and FFFUUUNNN. She has played as direct support at Atlanta’s Twisted Lines for VCL, and headlined Subterra in Phoenix, AZ.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

For their first show, SubPhonics take you through their first two years or recorded improvisations and give an overview of the collective.

Jamie Turner, Giulio Dal Lago, Toby Edwards, Erin Robinson, and Timo Koch provide insight to the group’s interests and approaches. Recordings feature performances by Jamie Turner, Giulio Dal Lago, Toby Edwards, Erin Robinson, Timo Koch, Adam Paroussos, Georgia Paza, Ed Waller, Vassilina Megla, Charles Goodall, Damianakis Konstantinos, Li Song, Yinan Ji, Daisy Heath, Anna Vaughan, Michelangelo Dousis, and Antonio Castriotta.

Artwork by Nia Fekri.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

In this episode: a guest mix by Haien Qiu, Argentina-via-Shanghai artist working as a solo musician. Formerly a member of Armanoid and collaborator with the likes of Christian Basso, Ararat, Shaman Herrera and others, Qiu debuted as a solo artist with 2015' La Despuesta, and in 2017 will present Destellos and Como un Suspiro. This mixtape features a selection of Argentinian contemporaries with her previous Chinese and Spanish-language works.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

In this episode, Dronica meets Lou Barnell.

Lou is an award-winning vocalist, sound and performance artist. She is one of Sound and Music's New Voices 2022 Composers, and Manchester Jazz Festival Hothouse Residents 2023. She was winner of the 2021 Oram Awards, supported by The PRS Foundation and BBC Radiophonic Institute in recognition of innovation in sound and technology.

Lou’s work gives language to her alienating and disorientating experiences of being a neurodivergent woman. It communicates her synaesthetic experience of sound, hyperfocus and sensory overload.

This show is dedicated to Lou's Practice and the focus of her practice led PhD called Live Dreaming. This concept reconsiders her body as a mirror, reflecting and refracting parallel states of dreaming and performance. She emulates this duality in her work by creating scores and live performances with sculpted, shapeshifting, re-useable materials such as ice and thermoplastic. She uses wearable sensors and biorhythmic data to play and score music.

"As a woman growing up with a learning difficulty, the way I experience the world does not align with the way the world experiences me. To make sense of unfathomable surroundings, I use my voice as a material. My voice can be a compass, or a totem, it can be sculpted, broken and reformed.

It is the core of all of my music and production. I use wearable instruments and sculptures to contain, shape and release my body and voice. My aim is to become more than myself, to possess ways of communicating and receiving sound that are true to how I experience my surroundings."

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features music by experimental & ambient artists from Ukraine, some of which are on Injazero Records.

Image: Cover art by Ukrainian designer Nastia Lopatiuk for Heinali's album Madrigals.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This episode is a collage of excerpts from chamber works, installations and field recordings by Assaf Shatil edited by Hagai Izenberg and Assaf Shatil.

Assaf Shatil is an interdisciplinary composer, pianist, improviser, singer/songwriter and educator based in Tel Aviv, Israel.

His practice intersects sound and poetry, investigating the intricacies of performance as a liminal space imbued with aspects of ritual, contemplation, and transfigured temporality. Premieres of his work have been performed by ensembles such as Musica Nova(Israel), Israel Contemporary Players, The Jerusalem Symphony, Jack Quartet(NYC), WasteLAnd(LA), The Sound ensemble(Seattle), Ninth Planet(SF) and others.

He completed his DMA in music composition at the University of California, Santa Cruz where he worked with Larry Polansky, Michelle Lou and David Evan Jones.

Featuring excerpts from: Gardens, Propeller/ Woods Waves/ Myers Duo, Analogue Mountains, FSH Rain, Etude - maybe one more distant quiet now dreaming, Midrash - Jacob’s Ladder, How to assemble an Opera?, El Toch Yam, Repent, Insects in Shavei Zion, Ravel Ostinato, Porto, Etude, (In) One Movement, Oto, Leviathan and The Aleph.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode Misha Farrant plays Katokye, weed420, BBBBBBB, otta, No Disc, Deer Park, excel dj, Salamat Ali Khan, gyrofield, Ted Hearne & The Crossing, Saul Williams, Carlos Niño & Friends, Xterea, 96 Back, Master Fig, Gensai Hasegawa, and Sunik Kim.

New music with The Wire Magazine.

This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode is created for the September equinox, when dark and light equalize for a brief pause in the turn of the year, a short moment before the long exhale into the next season. The piece is curated and produced by Stephen Shiell and composed using original material from NSOTA scholars and friends.

With contributions from Stephen Shiell, Skye, Venetia Allen, Tim Rabjohns, Rhona Eve Clews, Michael Timmerman, Pascal Sleigh, Hannah White, Simon McClelland Morris, Chris de Sel, Carol Melo and Breathing Space Collective.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode features Dylan Nyoukis, Sten hanson, Andrew M Jarvis & Diurnal Burdens, Luciano Maggiore, STUMPED, Spoils & Relics, Decaer Pinga, Bob Sesaulniers, Meadow Argus, S.Glass, Jerome Noetinger, Lars Gunnar-Bodin, Oishi, Y-pants, Sarah M Farmer and Christina Kubisch.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

The exhibition ‘Die Pfeile des Wilden Apollo’ (an exhibition of the art collections in cooperation with the Exhibit Gallery at the Academy of Fine Arts, Vienna) explores the transition from the Enlightenment to early Romanticism through the central role of music as a vehicle for spiritual experience and national mysticism: sounds of an early folk movement, Nordic drone scapes as an expression of a new national mysticism, bardic singing and the sounds of cosmic forces.

The video work magnetic fan fiction (The Case of Miss – –) by Liese Schmidt responds to four portraits of so-called ‘clairvoyants’ shown in the exhibition, who are under the influence of a mesmeristic treatment. The work weaves together medical, spiritualist and media-technological narratives into a speculative story of mental transmission, in which primarily female, childlike and colonised bodies appear as transmitters and receivers of thoughts, diagnoses and cosmic visions. In a fictional extension of this narrative, the so-called ‘radio pill’ is hacked to send a patient’s thoughts back into the past. The result is a ‘magnetic fan fiction’ that makes a paranoid inner world audible via invisible frequencies.

The ‘radio pill’ had an inspiring effect on the Vienna Radia Collective and prompted Fabi Lux and Karl H. Schönswetter to develop the idea of a radio station travelling through the body.

With contributions by Liese Schmidt, Fabi Lux and Karl H. Schönswetter

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joan by Whettman Chelmets is out this week and he introduces the show from his car discussing the inspiration behind this work which celebrates his grandmother.

A preview of my own piece fake creek where I try and create an underwater field recording is out next month and I play an excerpt from that and we take a first listen to Andrew Weather's forthcoming Sciatic Assemblage: a spikey, jangling and discombobulating take on our domestic spaces.

Plus a special mix from Leena Lee and Vania Fortuna drawing on work which inspires them and relates to their wonderful new album Niebla.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition, get ready to listen to the weirdest and most mind-blowing covers and drifts of Where Is My Mind? by The Pixies. There's no order, no lists, only stilted and exclusive material.

Rumba bands, super special Youtube stars, eminences of bardcore, piano lovers, dutch speakers, Fight Club fans, Misters and misses robots, rocker babies, zoologists, … all are welcome in Shuffle formula radio mode.

This episode features a special guest: Youtuber shonkywonkydonkey. Since 2016, he's been regularly uploading memes, mashups and other quirky content he feels like uploading. Formerly known as "the firefly guy" and "the Onision vocoder guy". Now better known as 'the "but it's all my voice" guy'.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Produced by Michael Umney and Sarah Nicol, Natural Selection presents slices of life from Kilfinane, Ireland, on location at the second HearSay International Audio Arts Festival, 20 to 22 November 2015.

This mix was initially titled "vultus tela vibrat" (translating as “thy countenance shakes spears”, a sentence Gabriel Harvey used to describe Edward de Vere). But then I changed it to "You and I, We Are the Two Greatest Musicians Ever Lived", which someone I knew said to me while they lay on a hospital bed...

Dedicated to Edward.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

a response to what didn't exactly happen last weekend:

“Within Must Not Be Underestimated” is a collaborative performance and installation by Anastasia Freygang, Lia Mazzari, Dovilė Šimonytė and Sholto Dobie.

an attempt to let it come into being in some ways

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.