← Wednesday 17th September 2025 →

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features music by Mario Guida, Wukir Suryadi, Santiago Fradejas, Dödsapparaten, Vongoiva, Tremolo Audio, Loo(p)cy, Michael Valentine West and Subterranean Source.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

This mix was initially titled "vultus tela vibrat" (translating as “thy countenance shakes spears”, a sentence Gabriel Harvey used to describe Edward de Vere). But then I changed it to "You and I, We Are the Two Greatest Musicians Ever Lived", which someone I knew said to me while they lay on a hospital bed...

Dedicated to Edward.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of Art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’. Probes tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

This sixth programme continues to explore probes into pitch through the preparation and modification of conventional instruments – looking at the many tapings, wrappings, clampings, clippings, attachments and impairments applied across the family of strings, before moving on to the less familiar territory of prepared winds. Some people get up to some pretty strange behaviour in the pursuit of unusual sounds.

Transcript available here:
http://rwm.macba.cat/uploads/20130909/06probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA

(Originally broadcast Thursday 7pm, repeats Sunday 7am, Tuesday 7am and Wednesday 9am)(r)

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

This episode features music made by Naviar's community inspired by Tagami Kikusha’s poem “revealing in the dark / the sadness of things / a fisherman's torch”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode is a collage of excerpts from chamber works, installations and field recordings by Assaf Shatil edited by Hagai Izenberg and Assaf Shatil.

Assaf Shatil is an interdisciplinary composer, pianist, improviser, singer/songwriter and educator based in Tel Aviv, Israel.

His practice intersects sound and poetry, investigating the intricacies of performance as a liminal space imbued with aspects of ritual, contemplation, and transfigured temporality. Premieres of his work have been performed by ensembles such as Musica Nova(Israel), Israel Contemporary Players, The Jerusalem Symphony, Jack Quartet(NYC), WasteLAnd(LA), The Sound ensemble(Seattle), Ninth Planet(SF) and others.

He completed his DMA in music composition at the University of California, Santa Cruz where he worked with Larry Polansky, Michelle Lou and David Evan Jones.

Featuring excerpts from: Gardens, Propeller/ Woods Waves/ Myers Duo, Analogue Mountains, FSH Rain, Etude - maybe one more distant quiet now dreaming, Midrash - Jacob’s Ladder, How to assemble an Opera?, El Toch Yam, Repent, Insects in Shavei Zion, Ravel Ostinato, Porto, Etude, (In) One Movement, Oto, Leviathan and The Aleph.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This very special episode of Third Space pairs two forerunners of the contemporary ambient scene, Nairobi-born, Berlin-based KMRU and Liverpool's Beau Beaumont.

In a Third Space first, all the music you hear throughout the show has been created by the artists themselves, offering an intimate window into their relationships with their cities.

Prodigious and fast-rising star of the underground electronic community KMRU takes the reins for the first half of the show, exploring the sonic character of Nairobi through his vast library of field recordings and luscious synth meditations.

Meine Nacht curator Beau Beaumont (fka Breakwave) takes over for the second hour, premiering a piece called L8 - a journey into the vibrant city of Liverpool through the lens of her fine-tuned creative practice.

Artwork by Michael Skeen.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Jennifer plays lots of newbies.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Dreamscape 1994 is a plunderphonics type radio show recorded using a box of rave tapes, found tapes and home recordings. Improvised and mixed live with no overdubs on three tape recorders, expect to hear experimental, noise, sound art and new age music.