← Saturday 13th September 2025 →

Emerging from the cutting-edge electronic underground scenes of London and Berlin, this is artist-producer LAMIA. Known for her raw artistry and rebellious spirit, LAMIA has crafted a sound that blends experimental electronic, deconstructed club, and industrial sounds.

LAMIA’s unique voice, both musically and artistically, sets her apart as a true innovator. A graduate of Goldsmiths, University of London, she has also studied at Leeds Conservatoire, Catalyst Berlin, and The BRIT School. Her work is informed by her rare form of synesthesia, which allows her to transform music into vivid mental imagery and dreamscapes.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

The first hour of this episode features tracks from the Alien Alarms album Dystopias dismantled, and also a couple of tracks we missed in the last episode month. For the second hour, the latest instalment from the OCRU - Omnistitions 4: Transmissions from the Horse Hospital.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

For this episode, SubPhonics explore different scenes and sonic environments with the aim of providing new locations to escape to.
With lockdown fatigue firmly set in, contrasting with an optimism for what may come for all of us as we are slowly allowed to return to normal, these improvisations can be both dreamy, anxious, peaceful, and volatile.

This episode features performances by Toby Edwards, Giluio Dal Lago, Nia Fekri, Erin Robinson, Timo Koch, and Jamie Turner.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

In this episode, Dronica meets Dalila Kayros for a guest mix.

Sardinian singer and composer Dalila Kayros creates avant-garde indie electronic songs with dark ambient elements. Her music evolves through concept albums, which see Kayros creating surreal images relating to symbolism and a dystopian aesthetic, blending lead with ritualistic vocals and combining quiet and fierce moods.

"We'll walk on different terrains, from an etheric sound to a scream from the guts! So from a quiet sideral night to a screaming foggy day where the sun hits as strong as ever!" – Dalila Kayros.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

This episode features a guest mix by KAOSMOS, a solo ambient and drone project from Istanbul.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Introducing a special episode by Snezhana Reizen.

Antenna. The madness of the day...

Antenna is a series of works on transduction with the sole sound source taking place - radio waves. Here I was devoured by discontinuity and discharge inherent to the "miracle of the wireless. the omnipresence.. the overleaping of frontiers” - the radio, like it was marked by R. Arnheim.

This piece emerged in two phases: the first one can be called a transduction - a process of conveying potential energy from discharge into a signal. It was a spontaneous live radio-noise set recorded close to the closed shelter. This summer
I found myself stuck in between absence and presence in amplified senses,
confronting the avalanche of the noises erupting on us by this world, facing the chaos, “embracing alienation”, holding a degree of disbelief..
that this "disparity can be modulated”..

Yet, seeking the perceptual transmutation.

Biologists say there are two phases for the perception, so that after transduction of the signal, a transformation should take its place.
Following this logic, the second phase of this work appeared as an improvised procession with effects and filters - a real-time mix-ture, with slight subsequent recombinations.

If there's something one can call a ground for this piece, besides its sound source, it dwells upon a chance. It is a conversation with a present moment beyond the borders by a flying carpet of propagating radio waves.

"Antenna" was created drawing on ambisonic spatialisation with a mixed approach, so that some sounds move through in a chaotic manner, while the trajectories of others were meticulously calibrated. In doing so, I did not seek to determine the exact location or direction for each sound particle, but rather to underline the traces - their nomadic movements within the whole sphere of the revealed ensemble.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode Lucy Thraves plays music old and new by Ornette Coleman Trio, Dennis Bovell, Weston Olencki, feeo, Valentina Magaletti & YPY, and many more.

New music with The Wire Magazine.

The show returns from Summer break with Joe joined in the studio by artist and poet Hannah Machover for an interview around track selections including Ivor Cutler, Nick Drake & Geese.

Hannah is co-editor of the newest plates article "Memory After Memory" and they will be discussing the upcoming event at The Social on Monday 15th September.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, we are going to deep dive into ambient experimental music, shining a spotlight on evoking a sense of deep emotion through crafted soundscapes and production choices.

We’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is contribution from Duuu.

From April 24 to 26, 2025, Duuu invited artists and musicians Corentin Canesson, Charlie Jeffery, and Julien Tiberi for a residency at Duuu’s studio. Each day, from 4:00 to 5:00 PM, Duuu broadcast live to share the working sessions taking place in the recording studio. For Radia Show 1050, Duuu presents a musical piece from the final live session recorded on April 26.

This residency will result in the release of a vinyl record produced by Duuu, scheduled to launch on June 21, 2025, at the Duuu studio / Folie N4 Parc de la Villette, as part of the Fête de la Musique celebrations.

I don’t believe in computing, by Corentin Canesson, Charlie Jeffery and Julien Tiberi

Recorded and produced by Morgane Charles, Arthur Bécart and Sampson Staples at Duuu studio in Paris.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Tubthumping by Chumbawamba. There's no order, no lists, only stilted and exclusive material.

Players of the voice, retired anarchists, children of august, cumbia must be present, Homer Simpson...all are welcome in Shuffle mode.

This episode features a special guest, RM Francis.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Produced by Michael Umney and Sarah Nicol, Natural Selection presents slices of life from Kilfinane, Ireland, on location at the second HearSay International Audio Arts Festival, 20 to 22 November 2015.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.