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Now, archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

In partnership, Resonance FM & Extra broadcast a summer’s worth of radical radio featuring new and archival radiophonic artworks, community activism, sound art, experimental literature, documentary, innovative music and more.

Nocturnal is an audio montage evoking the sound experiences of my night excursions into the Australian Outback in October 2024, accompanying the zoomusicologist Hollis Taylor on her night recording sessions with the pied butcherbird. In six chapters we are inducted into an alien nocturnal world, populated by creatures, humans and their mysterious activities.

Concept & Script: Kersten Glandien. Recordings: Kersten Glandien & Hollis Taylor in Alice Springs, Central Australia, October 2024. Composition except: Hollis Taylor: Green Park, Georgetown 2016 for bass clarinet and field recording, Ros Dunlop - bass clarinet. From: Hollis Taylor, double album: Absolute Bird, 2017. Production: Elsen Studio Berlin, 2025. Postproduction: Gisela Studio Berlin, 2025.

Broadcasts and new works by Sound Art Brighton, a female and LGBTQ+ artist led organisation dedicated to the support, production and dissemination of sound art. Founded in 2019 as a Brighton-based initiative, the group initially focused on bringing together individuals, institutions and organisations interested in sound art in Brighton and Hove to collaborate on shared activities, culminating in the Sound Art Brighton Festival in March 2022.

Ruby aka Solace Is a DJ and producer based in Cleveland, Ohio. Inspired by midwest electro and acid techno, she specializes in spinning breaks and twisting bass through your ears and soul. She also is a promoter for Tru_Self productions, a fully DIY event Queer Social, aiming to bring the LGBTQ+ community together, for the greatest form of resistance-joy.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

first it was a call,

then it was a fail,

thus it was a fiction,

although it was a show,

yet it was a need,

but it was a spoof,

albeit it was an effort,

so it was a part,

also it was a thing,

in the end, it is a call.

a call for shouts,

a call for action.

Musical background are excerpts of The Flood by Rrrrrose Azety / Soft and Furious.
Half-lady/half-lazy, Ada LaNerd is a radio hacker and a performer. She joined ∏Node in 2025 and mostly produces radio shows about politics and news of the independent social medias.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

Supported by Higher Ground Studios, Artspace, Create NSW and Resonance Extra.

Field Notes - “Let Me Stop You Right There”

Side A - Kinship

Mixtape 9: Electronic high notes to museum recording and fading in chords on guitar; max delay and screaming children distorted from the vinyl record; G major riff with applause on vocal pedal loop and storytelling of washing past; shaking drones with ringtone from missed call message bank; indistinguishable talking in the studio and use of power tools; recording of bus engine over museum crowds; handling of cassette tapes and players; music sample; A minor and F major riff on guitar with offset vocal loop.

Side B - Body

Mixtape 9: Screams in an institution and guitar noises; Lp needle taps with heavy distortion and delay; creaking guitar handling through high compression; feedback and chords and scales; offset vocal loop over distorted museum; guitar in G major and indistinguishable voices; birds and language lessons; phone calls and studio visits; artist borscht picnic chats; feedback on amp; Bundanon morning birds and crickets with museum sounds and guitar.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This sixth chunk of the long-duration series opens with an experiment in combining meditation with ranting. Meanwhile, an unexplained electrical fire at the British Library scuppers research into its Suppressed Safe collection.

To while away the downtime, extra shifts are taken on at the nearby antiquarian bookshop, where a friendly conspiracy theorist quizzes staff on cover-ups, before being told by the manager: "I'm going to have to stop you there. It's fascinating, but we've got to get on with things. Another time, maybe", to the disappointment of Asphyxia's creator, to whom conspiracy theories are like nectar to a hummingbird.

A hum remains in the left audio channel.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode features location-centred mixes from Berlin-based sound artist Marta Forsberg and Poznań-based composer and sound engineer Aleksandra Słyż.

The show focuses on music from each city, but also nods to the interconnectedness of different music scenes and identities. Although now based in Berlin, Marta is of Swedish-Polish heritage and Aleksandra has lived and worked in both Poznań and Stockholm. Nods to these connections can be heard throughout.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, the legendary Femmes Fauchées, emerging from Geneva’s underground music scene, create their sound using tapes sourced from around the world.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode features music and sound works by BASIC TAPE LOOPS & febrile, Alexei Borisov & Vyacheslav Ismagilov, The Lynce Trigger Gate, ASHTORETH & FORESTAAL, Worksite & Workshop, Mark Hjorthoy, Capricorni Pneumatici, and Cognition Delay.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This episode features new and forthcoming music by Lea Bertucci, Object Collection, Larum, Ziúr, Ex Agent and Endlings & VNM.

New music with The Wire Magazine.

Pausing beneath a curious domed structure at a rare high point along the lower Lea Valley, the otherworldly echoes render all material surfaces permeable, our minds inexorably expanding with thoughts of soup...

Featuring: Ed Shipsey and Andrew Ciccone Duration.

SEA MANTIS

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.