← Saturday 5th July 2025 →

A memory from the past or a message from the future, a reflection. Whatever they are, weird dreams feel creepy but also like freedom. This show is just a try to translate some random dreams generated while sleeping with some news in the background.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, an hour of reflective music on the theme of summer and its links to community.

Featuring: David Williams, Lewis Baxter, Nia Fekri, Timo Koch, Erin Robinson, Toby Edwards, Giulio Dal Lago and Jamie Turner.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode, an eclectic mix of everyday sounds, Techno, radio, and contemporary music. Recorded and edited in Shocken6.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Joseph Stannard plays tracks from Rufige Kru, OSEES, Youth Code, Loop, Solypsis, The Sabres Of Paradise, and more.

New music with The Wire Magazine.

In this episode, Joe is joined in the studio by Josh Barfoot (Shovel Dance Collective, Gentle Stranger) for a live set on the hammered dulcimer, with an interview and track selections including Eric Chenaux, Annette Peacock & Robert Wyatt.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Footsteps Whistle Through My Valley is an audio paper detailing and exploring interactions with the Tees-Exe Line, a physiographic boundary stretching from the mouth of the River Tees in North Yorkshire to the mouth of the River Exe in Devon that roughly divides Britain into its lowlands and uplands.

Harvey Young is a composer, sound artist and writer. His work examines dialectal interchange, psychogeography and temporality. He uses extended vocal techniques, field recordings and granulation to create electroacoustic and acousmatic works. He has exhibited across Europe and North America, and is composer-in-residence at the Abeceda Institute in Ljubljana, Slovenia.

In summer 2023, George experienced a ruptured eardrum that made working with headphones or stereo sound temporarily impossible. So, when visiting Argyll in August, he decided to field record with equipment that could be monitored with one ear, or not at all.

All edits are 'in camera' and he deployed a wide range of extended micing techniques to change the quality of the audio. Starting on the ferry to Dunoon and ending at Glasgow Central Station, Argyll distills the whole three-day trip sequentially into one saturated object.

Argyll is a field recording sound object created by sound artist George Rayner-Law. It consists of recordings made directly to cassette in Argyll, Scotland.

In this episode, an hour of new music by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Seven days in June, seven replicated walks, each walked once, on one of seven consecutive days – seven days in June, each in the ‘same place’ - across Beringia, on Iñupiat land. This episode is Movement 7.

You can find out more about the work at here.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Four musicians of The Music Box Project deliver synchronised breath-length phrases to microphones, their presence doubled by the simultaneous lo-fi local broadcast diffusion of their music through the domestic radios they carry. The radios also diffusing field recordings played to air by a fifth performer, composer-producer Stephen Adams, operating the mixing desk of the Imaginary Radio Station. The installation looping in on itself when the musicians shift to using their radios to play the microphone feedback. All five artists interacting within a shared space of improvised sound-making and intense listening.

Performed by Elizabeth Jigalin (recorder, radio, voice), Naomi Johnson (flute, radio, voice), Jane Aubourg (violin, radio, voice), Joseph Lisk (trumpet, radio, voice), and Stephen Adams (live mix, field recordings and other pre-recorded material). Concept developed by Stephen Adams for and in in dialogue with The Music Box Project and collaborating dramaturg Nikki Heywood.Produced by Stephen Adams.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The first Atmospheric Densities show in six months, and of course that means there is a lot to listen to! We go deep with Cody Yantis' new album Opticks, a meditation on the landscape of America's Southwest made from two field recordings and one synthesiser.

We also dip into two release from the label late last year: Metal the energetic collaboration between Czech inventor and musician Petr Válek and improvisers Ondřej Merta and Jara Tarnovski, performed in part on Válek's metal sculptures. And Liz Helman's drone and field recording work The Colour of Water produced out of her daily ritual of walking in London.

I had a few things which came out late last year so I play a few pieces from these releases, namely: A Field Guide to Phantasmic Birds, and my ode to sauerkraut On cabbages, salt, bacteria and transformations.

And we close with the two pieces from Soundwalkscapes the forthcoming album from the legendary improviser Viv Corringham who has an album launch at Hundred Years Gallery on March 15th. Be there or miss out!

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Believe by Cher. There's no order, no lists, only stilted and exclusive material. Aliens, nu metal singers, banana lovers, bardcore makers...all are welcome in Shuffle mode.

This episode features music by two guest artists: Lower Mars and S1m0nc3ll0.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode, RE-PEAT collective approaches water justice through imagining the perspective of water nself, by drawing stories and definitions of bodies of water, and n’s entanglement in relation with other bodies, bogs, bugs, sundew, moss, reeds, drops, rivers, will-o’-the-wisp and us.

Through collectivity, music and sounds, we follow a feminist subjectivity, watered, inspired by Astrida Neimanis’s call to “chart our politics of location in a way that recognises our diverse aqueous implications and responsibilities”.

With contributions from Moss Pit, the River Besòs in Barcelona and the Salween River in Thailand by Helen Ganya Brown.

RE-PEAT is a youth-led collective with a mission to change the narrative around peatlands across the UK and Europe - what we term a “peatland paradigm shift”. We strongly believe that peatlands are ecosystems for our times – representing both a vast existential risk and a huge potential for positive transformation, the course of which we follow depending on the actions of those alive today. We also see that these ecosystems can offer insights into a wide array of eco-societal features, including deep time, what we collectively choose to remember/forget, and how we can think beyond binaries.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

This episode features a special guest performance from New York: an aria by enourmousface aka Kalan Sherrard, alongside the sound of fatty b's three cylinder lister engine recorded on the River Lea by Walthamstow Marshes/Springfield.

With a series of resets prompted by let's return to the staircase in the first half, ragamash looking to guitar in the second half.

Chorus:

when then was

a her in him

alas dont do the snake

hit delete

refresh the source and ancestry

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.