← Saturday 24th May 2025 →

Kiki Blossom is a 90s kid, growing up at a time when vinyl was going out of style. As a teenager, she saw a 1210 DJ set up for the first time; her sister’s boyfriend was selling his gear. The fascination stuck. Fast forward ten years: she explores the electronic music scene in Glasgow as a dancer, but after a few years, longs for an experience without curfews and decides to move to Berlin in 2013. Just before leaving, she scores her own turntables.

Slowly she builds a record collection and teaches herself how to mix. But soon it becomes clear she got the music bug bad, leaves the academic world of art history behind, and starts working part-time as a record cataloguer in 2020. One could say she’s a late bloomer; only after bedroom-DJing for 8 years, she played her first gig. Her love for 80/90s US House runs deep, and her mixes will always include tracks with powerful vocals singing about love and heartbreak.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode features music from the latest release on the Spirit of Gravity label. Any money made from downloads will be donated to the fundraising scheme for venues that have supported Gravity Waves and The Spirit World for the last decade.

The first half contains a lengthy piece by Melbourne based artist Gillian Lever who has played for them several times as The Vainglories.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode we take a break from group sessions for the festive period, so we’re sharing some solo works from Erin Robinson, David Williams, Konstantinos Damianakis/Carolina Cury (Hyper Eyes), and Giulio Dal Lago, before playing a long for performance recorder at Avalon Café in December for the TIDES Sound art night (featuring Jamie Turner, Erin Robinson, Helen Tate, Toby Edwards, David Williams, Giulio Dal Lago, Konstantinos Damianakis, Dave Findlay, and Mario Jerome).

We Are actively looking to expand our group of collaborators and more permanent members, If you’d like to work with us or would like to book us for a show then please contact Jamie on hello@subphonics.com.

Artwork by Erin Robinson.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

In this episode, Dronica meets Giuseppe Capriglione and Vince Gagliardi, founders and curators at Modern Bon, in Berlin.

Dronica meets event curators, creative directors and labels owners in 2021.

Giuseppe Capriglione (a.k.a. Skrei) is a music producer. His live set is made up with loop-tape, guitar and synthesizer. Processing and working with multi-tracks tape recorders, he creates an alchemic mixture of Noise/Drone sounds. He is co-founder of “Modern Bön” and founder of the label and promotion agency “Metzger Therapie”. His latest album has been recently released on “Dio Drone”.

Vince Gagliardi (a.k.a. Vū) is a 3D artist and music producer. Vū is a dark electronic and ritualistic music project filled with different percussions and vocal mantras. He is the founder of the label “Vumantra Records”, co-founder and artistic director of the collective “Modern Bön” and creator of the audiovisual project “The Nent” (Cyclic Law), well-known for its impactful A∖V live performances.

In this podcast for Dronica radio show on Resonance Extra, they present a selection of Modern Bon favorite experimental electronic music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A special guest mix from Bruno Silva AKA Ondness this month, taken from a theatre piece he worked on. Here’s what AKA Ondness has to say about it:

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Higher Ground Studios and Resonance Extra.

Field Notes

Recorded at Potter’s Studio, Kanimbla Valley, Radio Jam. Bruna Volpi, Chanelle Collier, Jake Terrey, and Joe Wilson.

ESCARPMENT

We were kind of happy that day

talking about sticks on the balcony,

Screaming and playing hard.

We could see the light up there on the escarpment.

(Delay distort)

Some kind of happy

Side A

Slow beat, thump, drone and JT guitar, JW vocal. Feedback electric buzz effecting track. Vocal to cassette looped and fast forward and rewind. Shaker percussion dominates through mid to late, comes away eventually; 11.00 good layers of noise and sound build up for a change in lead guitar, paired with vocal feedback.

Side B

Recording of bees in a tree and a jam Jake Terrey, Joe Wilson and Chanelle Collier, recorded in mono direct to cassette.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

In this episode, Join Shane Woolman presents an exclusive guest mix from vocalist and composer Nadah El Shazly as well as tracks by O$VMV$M ft gnome GOD, Kin’Gongolo Kiniata, El Kontessa, Bad Sound & DJ Marfox, Miso Extra and many more.

New music with The Wire Magazine.

In this episode, artist Joe Moss joins Joseph Bradley Hill in the studio to discuss upcoming shows, influences, brass bands & Harley Davidsons, with track selections including Pharaoh Sanders & Peter Gabriel.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

This episode features Cody Brant & Carl Kruger, TVE, Caroliner, RNA Organism, Aunt Sally, Karen Constance & Duncan Harrison, Yannick Dauby and more.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Joining Kayla in this episode is award-winning film composer, performing artist and multi-instrumentalist Alexandra Hamilton-Ayres.

Her critically-acclaimed work blends sound worlds with her love for the piano, orchestrated into a rich palette of electronica and classical music.

Background music: Echoes of Pluto by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of All Star by the American band Smash Mouth. There's no order, no lists, just exclusive, overwrought fandom material. Noise theorists, Youtube star, Coldplay fans, banh mi verlag chief conductor, melon lovers, pianists, smashup creators... all are welcome in Shuffle mode.

This episode features two guests: Jack Callahan and Mattin.

Jack Callahan introduces us to the work All Star Mixtape released on his own label, Bánh Mì Verlag, and Mattin gives us an insight into the ideology behind the music video, as well as offering us a cover of the song.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

This episode features WANDA GROUP, Kristin Malossi and Claire Tolan.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

To showcase the development of their new project Swan Song (working title), That Travis presents a series of live sessions in Resonance Extra's studios. As part of their practical research, they share music that has influenced the project, perform live and invite guests to share their work.

In this second live broadcast, they perform live alongside Tata Cheng and Miles Lukoszevieze, with a special feature and pre-recorded session with sound artist Eva Leung.

That Travis is a singer-songwriter originally from Hong Kong. Their background is a mixture of a colonial English education and an indigenous upbringing. While the two worlds fight for representation within their work, they exhibit an organic mixture of all influences primarily with their voice, sonic expressions, lyrics and visual aids.

In this edition, a recording of an improvised work performed live on the 6th November 2021 by Sanbonya (三本矢) featuring Neil Luck (synth, vocals), Chihiro Ono (violin, vocals) and Alex Paxton (trombone).

One-off live broadcasts from Resonance Extra's South London studios.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.