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In this episode, acousmatic vibes and musique concréte set pieces. Innovators and new-schoolers massage our eardrums into the deepest recesses of sound mangling. Radiophonic mass pieces, trips to the Italian coast and fears of drowning all make an appearance. Classic avant-garde? More like gourmet music sounds, old and new.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features Sekiguchi Satoru, Amanda Irarrazabl & Marco Albert, Luc Ferrari, Top Tomatoes, Blus/Segalen, irr. app. (ext.), Kodama, rlw, Oishi, Hali Palombo, Dagmara Kraus & Marc Matter.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Joe is joined live by musical guest Hoy Chorale (a post-Catalan, post-Americana ensemble run by Oscar G. Guardans) who performs their new single The Jingle and more from their upcoming debut album! Featuring track selections by Paul Bley, Bernard Herrmann.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Dronica meets event curators, creative directors and labels owners in 2021.

In this episode: Lichene, founder and curator at Ancestral Futuro Remoto, in Berlin.

Lichene is one of the monikers of a dj(ane) and prolific curator of events based in Berlin. She graduated in Psychology and holds a specialisation in Psychotherapy in Italy, where she was born.

In 2013 she co-founded Ancestral Futuro Remoto, a Berlin-based series of events focused on ambient / experimental music, where she also curates DJ sets and visuals.

In her practice she investigates the possible meanings of "remote future", trying to understand to which extent we can still find traces of the faraway world of the ancestors in our present, and if there really is something primordial and atavistic inside of us.

In this show for Dronica radio show on Resonance Extra she mixed part of her collection of CDs and vinyls in a live session at Studio Liebig 12 in Berlin, where she is doing an artistic residency with other collaborators.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Meira Asher’s work challenges accepted conventions of practice and genre, even within the supposed open-minded circles of the avant-garde. A composer, performer and human rights activist, she freely oscillates between, through and beyond the fields of sound art and radio art.

In the past 20 years her artistic practice has been focusing on in-depth and long- term projects, and she has been working assiduously, amassing many different projects in different veins. She is the producer of the independent Radioart show radioart106 since 2014 and a former lecturer at the University of Haifa's Art School (2012-22).

Her works were released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels, but mostly independent through her own platforms. Her recent works include TANSIKتنسيق for Radio Reina Sofia Madrid, a Hebrew version of Antonin Artaud’s radio essay Pour en finir avec le jugement de Dieu and Sonic Voyage of Resistance for Radio Art Zone.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode is a contribution by Radio Helsinki.

There are two kinds of dedicated radio listeners.Those who head for their FM Soundscape while, working, reading living and those who head for numbers and morse-code on short wave. Distracting at least one of these groups may seem like an achievable aim. While we are discussing pipeline-holes and ripped interbet-cables in the Baltic sea, the neo-rebellion in Iran and drones in circles, it had all been broadcasted beforehand.

This show is dedicated to numberstations, a way of broadcasting encrypted information via serieses of numbers or letters, using either automated voice, Morse code, or a digital mode. A methode that has been used since WW I and is still used as this signals are not sensitive to any distortion and disturbance and reach out via aether into the air and water. Foreign intelligence agenciesunder water or overseas keep on useing this practical methode of informations transportation.

Nida Live-Performance from Sept 28th 2022 was developed during a residency at the Nida Art Colony of Vilnius Academy of Arts and performed there.

Numberstations was performed again at Wien Modern, November 24th 2024 as part of a project of the collective Institute for Transacoustic Research.

Thanks a lot to the Nida Art Colony and its team especially Vasilisa Filatova and Egija Inzule.

Lale Rodgarkia-Dara – works as an author, radio producer and media artist.

She is part of the Mz* Baltazar’s Laboratory Collective, which runs a feminist art/hacker space in Vienna, the Vienna Radia Collective (co-founder of radia.fm) and the of radia.fm) as well as co-founder of Elektronik Teatime (until 2015) and the Radio Ironie Orchestra of Radio Helsinki (2019). She somehow always invents projects with literature, media art and mostly in transitory spaces or on the radio.
Initiator and co-founder of the Palais Rössl. It is an intergenerational, polydisciplinary, queer, growing symbiotic connection of artists, musicians, designers and cultural workers in the heart of Vienna. Together with Judith Unterpertinger, she forms the duo Under the given circumstances. She is currently the strategic managing director of Radio Helsinki 92.6 – Freies Radio Graz.

In recent years, she has explored the intersection between art, science and culture in a series of socio-political and artistic projects. Since 2003 she has been holding radio workshops with young people and adults and giving lectures in formal and informal educational institutions and universities. She was artistic lecturer at the TU Vienna (SKUOR, 2013-2014), lecturer at the IEM – Institute for Electronic Music and Acoustics at the KUG in Graz (2017/2018) and at the Institute for Artistic Teaching at the Academy of Fine Arts in the field of Acoustics (2018/2019, 2021/2022), since 2024 University of Applied Arts Vienna
(teaching as the collective Mz* Baltzar’s Laboratory).

Juror for the Hans Weigel Literature Scholarship 2013-2015, advisory board and juror for the the Media Art Prize of the City of Vienna 2017, advisory board Literatur&Kritik 2023-2024.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Going softly soporific ...

An Infinite Number of Monkeys

• audio / visual decomposer Lepke B posits the question - "How will we live in the 21st Century?"

Waste of energy, labor, and time, we are in an urge to analyze, revisit and dialogue about the years to come.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

They’re healthy, they’re good: We’re cooking our sonic adventure with grains and jam today.
Download Soundgrain here

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

To showcase the development of their new project Swan Song (working title), That Travis presents a series of live sessions in Resonance Extra's studios. As part of their practical research, they share music that has influenced the project, perform live and invite guests to share their work.

In this first live broadcast they share Cantonese pop music, paying respect for their heritage and the popular culture they grew up with.

That Travis is a singer-songwriter originally from Hong Kong. Their background is a mixture of a colonial English education and an indigenous upbringing. While the two worlds fight for representation within their work, they exhibit an organic mixture of all influences primarily with their voice, sonic expressions, lyrics and visual aids.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode of Third Space features sonic explorations of Brussels and Manchester, with field recordings and local music curated and compiled by Adriaan de Roover and Hayley Suviste. In the first hour, Adriaan walks us through the Belgian capital via found sounds and music.

In a novel take on the Third Space format, the musical elements of Adriaan's mix have been drawn from a single artist - Brussels hip hop collective, STIKSTOF - whose work he has sampled and stretched into beautiful ambient pieces.

The second half of the show sees Hayley Suviste weave an assortment of standout tracks from Manchester's kinetic electronic music scene through a tapestry of sonic portraits documenting the city's ever-changing landscapes - from its near-wild edgelands to the heart of its inner-city development projects.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

This episode features Maudite. Ambient drone drifts and mathematical electronic beats.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode features new works by Cadlag, Tacet Tacet Tacet, Andreas Monopolis, zzoneman, Mario Lino Stancati, Guru Bobol, Senking, Anda Volley, While, Oubys, and The Decaf Conspiracy.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

In this episode, Emily Bick plays tracks by many of the artists featured in The Wire 496, including David Van Tieghem, Coffin Prick, Quinton Barnes, Cosey Fanni Tutti and more.

New music with The Wire Magazine.

In this episode: percolating down through sedimentation, sinking through sonic layers into the river current

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.