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Chaos Kitten is a DJ, producer with Jungle Vibrations, and promoter for TruSelf Productions in Cleveland, Ohio. She first got her paws on the turntables back in 2008. She has evolved and refined her skills as a breakbeat freak and junglist throughout the years- bringing her unique sound to energetic house parties, underground raves and vibrant nightclubs throughout the midwest and east coast. Electronica is most certainly embedded in her brain. She believes music is love, and love is the energy that connects us all.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In the first hour of this midwinter episode, Gravity Waves: **Founder v Founder, with tracks from one of the founders mixed by another, plus more remixes from McCloud, something new from *Spirit of Gravity** member MelJoann, plus music from around our orbit.

In the second hour, Spectral Transmissions: Fallen Shrines: A New Myth. Scrawled in spidery script on the torn remnants of the label on a scuffed C60 are the words: PART ONE: historical development. You take it home and press play: We found you! Thanks for subscribing! You'll receive an email confirmation in 1 hour.

For now, here is your 10% discount code to copy and paste at the checkout: A team of people standing around a table, actively participating in a discussion and exchanging thoughts. A man and woman stand on the moon, gazing at a photo of themselves, surrounded by the vastness of space. Congratulations, you have successfully adjusted your set.

Please find herein directions for Irregular operational activity. Find out how to Invoke a weirded and haunted modernity. Some listeners have been chosen arbitrarily. Others for their ability to haphazardly determine the thought of an era. A diverse group of individuals gathered around a table, engaged in conversation and collaboration.

A shadowy group of figures looms by the roadside, their faces obscured, as darkness creeps in around them. Two individuals are depicted in police mug shots, showcasing their faces and identification details for law enforcement records. You have a chance to be one of them.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Born and raised in Santa Rosa La Pampa, Argentina, Juan Bautista Dominguez is an experimental electronic musician.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

Iker Ormazabal is a London-based experimental musician from Spain. He started his solo project IOM circa 2004. He has also been a member of bands like Atomoog, Sorkun, FFT Players, Soizu, Oilbag, Mnemoniic, Warren Schoenbright and has published music in labels such as: Zulo Beltzak, RONF, Doministiku, Desetxea, Afeite Al Perro, Astral Noize, Attenuation Circuit, Mattoid and Hominid Sounds.

He has previously worked alongside other artists such as Arturo Blasco, Jordi Aligué, Borja Ramos, Miguel A García, Raxil4, Itto Morita, Minako Seki, Gonzalo Catalinas among others. In 2017, he was awarded with the John Leckie Award for Innovation in Audio Production for a soundtrack to "Elementary Tryptych of Spain" by Jose Val del Omar. He also runs his own effects-pedal brand, IOHM Fx.

Since 2004, London-based Iker Ormazabel has been progressing experimental music in different forms, through solo projects (as IOM or Iker Ormazabal), alongside dance performers (Itto Morita, Soizu, Minako Seki), improvising with other musicians (Miguel A. Garcia, Oier Iruretagoiena, Andrew Page, Arturo Blasco) and in bands (Mnemonic, Warren Schoenbright, Fft Players, Oilbag).

This solo work is heavily inspired by acousmatic composers, and acousmatic listening, the music and writings of Pierre Schaeffer, Eliane Radigue, Pauline Oliveros, Francisco Lopez, taking inspiration from what is known as ‘deep listening’, listening with intent or acousmatic listening. 45 copies.

For this Dronica show, he presents a selection of Spanish industrial and experimental music from the 80s.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Another freeform episode featuring some current listening as well as my return to the microphone on radio dj styles. I think last time I talk during the a show was 2017 so after 6 years you get to hear my semi serious rambling.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Joined by Bettina Schroeder we follow raindrops falling from steel grey skies, seeping through drip drain cracks in greasy tarmac roads, and deeper still into subterranean waterways. Down and down, running beneath city streets, submerging to re-emerge in streaming confluence.

Bettina Schroeder is a London-based multimedia artist. Works include painting, drawing, installation, sound art, music, poetry, video and live art. Her album with Tony Irving, Shatter Resistant was originally released on Linear Obsessional and featured on BBC Radio3, FREENESS, Vision Festival, programme by Corey Mwamba.

Her book of poetry Flirting on an Escalator is published by London Poetry Books.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode hosted by Joe Stannard features a superlative sonic selection with tracks from Klein, Knives, Dead Pioneers, Zoë Mc Pherson, and more.

New music with The Wire Magazine.

In 1991, in the last year of the Soviet Union's existence, Melodiya decided to embark on a pioneering experiment in product marketing by launching the Signal Series of records. Each record in this series contained fragments of four new albums to be released, and the envelopes contained sketches of their artwork. The listener was invited to vote for their favorite artist by sending a written request to the major's editorial office to order the record through the label's official store. In essence, Melodiya launched the process of the first democratic elections in the Soviet Union.

In total, the series included 10 LPs with fragments of upcoming albums by 40 artists respectively. Most of them were bands playing the fashionable gorby rock - the so-called “red wave” guitar music of Gorbachev's perestroika period with screaming socio-political lyrics and manifestos. However, the series also included music by Russian art-rock bands, which at that time had already become cult in underground circles and had their own army of listeners (AuktsYon, NOM, NOL, Object of Mockery and others).

I compiled this episode from the music of projects that were less honoured by listeners - their albums were never released on Melodiya in full form. And the label was shut down shortly after the release of the last LP in the series. You will hear outsider new wave, occult hard rock, national reggae, free jazz and mesmerising folk. I'm kidding though - one project on this tracklist did release their debut LP on Melodia. You have one hour to guess who it was.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

This episode features music and sound by Dang, S Glass, Brant/Krueger, Ezio Piermattei, Natalia Beylis, Maggiore/Rice, Ark Drane, FAT CHANCE, Anton Bruhin, Maria Teresa Luciani and more.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Seven days in June, seven replicated walks, each walked once, on one of seven consecutive days – seven days in June, each in the ‘same place’ - across Beringia, on Iñupiat land. This episode is Movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Time travel has long been a tantalizing concept in both science fiction and theoretical physics. While we often imagine time travel as a physical journey through past and future landscapes, it can also be experienced in a more abstract yet profound way—through sounds.

Sounds of the Past

The past resonates with echoes that we can sometimes recreate or reimagine. Ancient musical instruments, historical recordings, and even the ambient noise of a bygone era—such as the clatter of horse-drawn carriages or the crackle of early radios—allow us to immerse ourselves in history. Time capsules of sound, like phonographs and vinyl records, are portals to another time. Through these, we don’t just hear the past; we feel its texture and rhythm.

Imagine walking into a cathedral where Gregorian chants are sung exactly as they were centuries ago. In that moment, the separation between now and then dissolves. Similarly, technologies like audio restoration bring forgotten voices and music back to life, giving us a sensory experience of eras we’ve never lived.

Sounds of the Future

The future, by contrast, is harder to predict. What will the world sound like in 50 or 100 years? Speculative sound design in films and media offers some possibilities—mechanical drones, synthetic symphonies, and alien languages. Advances in technology might also bring us auditory experiences we can’t yet conceive, like music tailored to our emotions in real-time or soundscapes of entirely virtual worlds.

The idea of time travel through sound becomes even more fascinating when paired with concepts like acoustic archaeology or audio synthesis. Could we someday accurately recreate the voice of a long-dead figure based on historical data? Could we design sounds that represent the potential noises of a future city or a space station?

Living Between Past and Future

We live at an intersection of temporal sounds. While digitized archives allow us to dive into historical audio, modern soundscapes are already capturing this era for future generations. Every recording, from a bustling city street to a personal podcast, becomes a thread in the fabric of history.

Time travel, then, doesn’t require a machine. It requires listening—tuning into the echoes of the past and the imagined vibrations of what’s to come. Sounds are a bridge, a timeline written not in years but in waves and frequencies. What does your time sound like? What echoes will you leave behind?

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

In this episode, a continuous mix of new and not so new releases, featuring a tribute to Emahoy Tsegué-Maryam Guèbrou, as well as dips into the Mana and Brachielgen Tapes catalogues, synth excursions via JQ and Masayoshi Miyazaki and the first release from Bizerk tapes. Enjoy this cacophonous and disparate blend of the profound, silly, minimal and maximal.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Pumped Up Kicks by Foster the People. There's no order, no lists, only stilted and exclusive material.

Marching bands, Kahoot players, industry workers, lovers of ‘corridos tumbados’, summer reague … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

Online music publication Stray Landings invites guests from across the electronic music spectrum to discuss themes and innovations.

Night Trippin' unearths alternative sounds from around the world, one country at a time.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.