← Thursday 13th February 2025 →

Running weekly, the series will broadcast the entire catalogue so far in chronological order, continuing here with Polyphonie Anarchiste by Li Tavor.

Li Tavor's Polyphonie Anarchiste from the film Unrest by Cyril Schäublin. Occupies the A-side and the B-side cause it’s that good.

Numbered + handmade in an edition of 30 copies with on-body screen print and eco-x slip; each copy contains three riso-printed cigarette cards and a separate tri-fold insert with lyrics printed in full in their French original, alongside German and English translations

Includes unlimited streaming of Polyphonie Anarchiste via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

This series for Resonance Extra is the first time much of the label's catalogue has been available to hear outside of its material form. It accepts the invitation by Resonance on the basis that none of these sounds are stored. If you want to hear it you need to be able to access the radio at midnight every Thursday.

purge.xxx releases music. It has been celebrated by The Wire magazine for its ‘disregard for the music industry, self-promotion and prevailing cultural norms,’ and an ‘ability to elevate distinct works and the obscure artists behind them.’ purge.xxx only releases music physically, unless a digital alternative has specifically been requested by a collaborating artist. It considers even the recording a compromise, but advocates things.

In this episode, Blanc Sceol (Stephen Shiell & Hannah White) invites the audience to listen with the Channelsea river, a recovering waterway in East London and home to the city’s largest combined sewage outfall.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

In this episode, an hour of recent releases by Late Works collaborators, featuring Bianca Scout, Still House Plants, Kiran Leonard, Cool Quiet, Caius Williams & more.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Online music publication Stray Landings invites guests from across the electronic music spectrum to discuss themes and innovations.

In this episode, a special guest mix by Kindohm, whose album RISC Chip was released on Conditional. Forward-thinking electronic and computer music is, as always, the order of the day, with tracks from Renick Bell, Swan Meat, PHOENE, Eric Frye, rkss and many more.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Sleep walking into looping records with visitations from Kali Malone, Terry Riley, Delia Darbyshire, Meredith Monk amongst others.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This month: Audio from points within the quantum field of the Spirit of Gravity collective, including Noteherder and McCloud live + a full hour from Brighton producer Ellis Warren - a.k.a. Zero Margin Reality presenting his Staly mode mixtape project - "A homage to Soundcloud poverty; a relentless stream of hyper self-awareness; a big ol slapp. Staly is the brine. This is R££L LYF£!"

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Radio Picnic travels with the pioneers of Asian experimental music.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this edition of Shuffle, get ready to listen to the weirdest and most mindblowing covers and drifts of **Man, It’s So Loud in Here* by They Might Be Giants. There's no order, no lists, only stilted and exclusive material.

Marimba players, robots, noise lovers, toxic social network retirees, PT1 holders, furries, club dancers,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Oddest of shows. A moody episode full of dark and sneaky shadows, arrhythmic beats, dark basement jamming, synth meddling and digital fiddling. An ode to a moonless night.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode, more than just a simple independent music label, Eirkti constitutes a basic point of reference for the music that we are in fond of, the kind of music that we keep on listening to, following, loving and supporting.

We continue enjoying years of `liberating imprisonment΄ in a musical context that determines and is being determined by the way that we experience reality.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

(web, twitter, instagram, soundcloud, mixcloud) and Lara Stumpf (twitter, instagram).

This week: What if products had a new meaning? What if we could use them in other ways? Why is this train going so fast? Is this the future? And if it is the future, is it a good future?

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

"With the apocalyptic vision of Ballard and the acerbic attitude of Céline, MUEUM scatters human detritus over the shiny Perspex of our most dearly loved vitrines." – Chris McCabe

"A showcase, ransacked with horrid delight: Fowler's MUEUM presents the placid, lurid violences of surveillance and exhibition with startling and brutal stylishness. A seething triumph." – Eley Williams

A novella of ludic menace, a puzzle without pieces, SJ Fowler’s MUEUM pictures the amassing and dismantling of a public edifice, brick by brick, in prose that refracts and breaks the light emitted by history’s ornaments and history’s omissions. Suspended in unknowable time there is a city; in the city, an event, a conflict. Amid the ash, fog and cloud, there is the manufacturing of a space—a many-winged museum on the make.

On the plinths, exquisite remnants of life present and past—adorning the walls, portraits of gentle torture sit hand in hand with brutal and statuesque portrayals of camaraderie—and the gift-shop is littered with plastic curios and gilt revulsion. Goya, as atmosphere rather than artwork, hovers amid iron age ghosts, bronzed ideas, and antiqued anxiety.

Pacing the hall, atrium and corridor, there are those who keep the museum—the various midwives to the building’s demands—and those, like the reader, who merely visit; those who pass through the vacant galleries adrift with questions. What can I touch? What is next to Egypt? What is hidden in Mesopotamia? Where do we eat? Drink? Where is the entrance? The exit? Following the tradition of the Nestbeschmutzer authors (“one who dirties their own nest,” vis-à-vis Bernhard and Gombrowicz, et al), in Fowler’s curt, spiralling, and acute work, the museum’s keepers will answer.

A four-part, unabridged broadcast of SJ Fowler’s debut novella, MUEUM — as read by the author — recorded on location in Resonance Extra's South London studios. Produced by Dominic Jaeckle and Milo Thesiger-Meacham.

Tamara Kezz is a singer, music producer, live music performer and a DJ from Serbia. She is one of the most interesting musicians from Serbia, and the first artist from this country to play at the Glastonbury Festival, where she performed 2 shows last summer. She has been releasing music from 2014, and since 2018 she has started to perform intensively in music clubs such as Klub 20/44 and Half in Belgrade, presenting her specific hybrid of live and DJ set.

So far, Tamara Kezz has released 2 EPs, 3 studio albums and more than 20 singles on compilations and in collaboration with other musicians. Together with her sister Tijana Ristić, she founded the record label and party brand Pola / Пола and recently released the first vinyl Tijamara - Owl Dance and another digital release Move On. She also composes and produces music for theater, radio, exhibitions, performances, fashion shows, and film.

In the past years she has performed solo or within various music projects in cities throughout Serbia and the former Yugoslavia, Bulgaria, Albania, Greece, Spain, Italy, Austria, Germany, Belgium, Czech Republic, Norway and the UK.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This broadcast also contains In a Cold November Wood by Joshua Bonnetta and Valerio Tricoli, from the Schneewittchen-screening-exclusive release on purge.xxx records. Using the recordings made by Joshua Bonnetta in his capacity as sound designer for the film Schneewittchen, the artist worked with Valerio Tricoli to produce this composition. The duo's debut album will be released by purge.xxx in 2025.

Tickets to see Schneewittchen on 35mm at the British Film Institute, London.

For more information on the film and international touring dates, visit schneewittchen.cloud

This recording was made in February 2024, shortly after the world premiere of Schneewittchen at the International Film Festival Rotterdam.

Following the British premiere of Stanley Schtinter's Schneewittchen (Snow White), the director speaks to producer Gareth Evans about his new film.

In this episode presented by Phil England, new music by Clipping Zakir Hussain, Lucretia Dalt, Bonnie 'Prince' Billy, Damon Locks, Janek Schaefer, Fred Moten & Brandon Lopez, Joe Armon-Jones and many more.

New music with The Wire Magazine.

Duuu Radio presents a compilation of tracks from the vinyl Lo Gëm, Mu Nekk by the artist Bocar Niang, edited and pressed by Duuu in 2023.

The vinyl is a rap album consisting of 10 tracks. The album explores its musical influences through the variety of languages that resonate within it, including Wolof, English, and French. This musical project is the result of six years of research into writing, composition, and the dissemination of music. The phrase Lo Gëm, Mu Nekk could be translated from Wolof into French as "Advient ce en quoi tu crois" ("Let what you believe in come to pass"). Bocar envisions Lo gëm, mu nekk as a slogan for young Senegalese people, offering hope and courage to Senegalese society, Africa, and its diaspora, who endure the oppressive weight of perpetuated African dictatorships.

Lo Gëm, Mu Nekk calls for dialogue, open-mindedness, and a shift in mentalities. It advocates for friendship, solidarity, and mutual respect among the inhabitants of Earth. Sound art serves as a powerful means to connect and share "good vibes."

Bocar Niang was born a griot in a family of griots in Tambacounda, Senegal. A performer, poet, visual artist, and musician, Bocar Niang is a graduate of Cheikh Anta Diop University (Dakar) and the École Nationale Supérieure d'Arts de Paris-Cergy. He is pursuing a research and artistic creation doctorate within the Radian doctoral program and was a resident at the French Academy in Rome - Villa Medici in 2022–2023. In 2013, he initiated the creation of the music label Free Label in Tambacounda. The Free Label collective works to promote and develop young creative talent from Tambacounda in all its forms.

Credits: Texts and Voice: Bocar Niang aka Bocar Freeman. Beat: Khalil Diougue, Adama Diagne, Florian della Gortiglia. Production: Studio Duuu / La Villette. Sound Recording and Mixing: Mathis Ouidir / Duuu. Mastering: Paul Castillon / *Duuu. Producers: Loraine Baud and Simon Nicaise / Duuu. Co-production: The Bureau of Invisible Hours. Drawing: Pierre Grandclaude. Graphic Design: Alice Bourdelon. Radia Show Compilation: Ariel Nisand & Arthur Bécart.

Special thanks to my friends and loved ones, my parents and griot family, to the actors of urban cultures in Africa and worldwide, to Constance, nekkalante, and LGMN.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.