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It’s all prole art threats on this week’s episode with Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

For their first show, SubPhonics take you through their first two years or recorded improvisations and give an overview of the collective.

Jamie Turner, Giulio Dal Lago, Toby Edwards, Erin Robinson, and Timo Koch provide insight to the group’s interests and approaches. Recordings feature performances by Jamie Turner, Giulio Dal Lago, Toby Edwards, Erin Robinson, Timo Koch, Adam Paroussos, Georgia Paza, Ed Waller, Vassilina Megla, Charles Goodall, Damianakis Konstantinos, Li Song, Yinan Ji, Daisy Heath, Anna Vaughan, Michelangelo Dousis, and Antonio Castriotta.

Artwork by Nia Fekri.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Joaquín Gutiérrez Hadid (b. 1986) is a sound artist working with installation, found composition and video. Through immersive listening, he does works with field recordings, contact microphones and environmental data.

Places, objects, memories all in transit and the act of listening itself, are his main interests and sources of inspiration to instigate crossings between experience and parallel realities.

Here he presents a mix for Radio Cascabel.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

This episode is mostly dedicated to live recordings taken at Dronica's third edition at the Old Church in Stoke Newington with recordings of Fathom, Harmergeddon, Merlin Nova, Dogmilk and more.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This episode leans heavily on the mysticlal downbeat side of things, to listen to in between ocean splashes during a now familiar heatwave…Featuring: more Ondness, more Jerry Blue, more Sculpture, more more more…

Photo: Teide Volcano area of experimentation, Tenerife, 2021.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

Supported by The Renshaws; Higher Ground Studios.

Field Notes

A X-Mas Party at The Renshaws 2022 - Cocktails and impromptu solo exhibition

Side A - Voices

RENSHAWS_2A: Click and crackle of tape deck, train/storm T Renshaws Gallery; recording inside the gallery residency apartment. fade in chords. chanelle vocal. Cockatoos. drone slow down. Storm white noise and museum crowd and oliver on studio workshop timber router. Train running behind gallery with guitar drone and feedback, bird calls and distorted voice. Guitar hook

Side B - Beasts

RENSHAWS_3B: Renshaws Residency Fortitude Valley Brisbane.Bundanon birds. Kookaburras. Guitar high notes. Harmonics. Joe guitar Em slide D, C riff and crickets and lead. Crickets and museum crowd. Train, bird, train, bird. Triangle car pool laughter. 10:00 guitar fade in drones and samples, kookaburra tape slow down.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

In this episode, Misha Farrant presents music by Semay Wu, Assyouti, Julián Mayorga, Sun Yizhou, Baba Zula, and many more.

New music with The Wire Magazine.

This episode focuses on the connections we can make through music by exploring the UK live music scene and showcasing musicians met on the recent Fractures tour in the last few months.

Additionally, this episode features tracks from artists who cross boundaries in their collaborative creations, or showcase a unique outlook, creating deep listening experiences.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, Radio Picnic broadcasts from Festival Archipel in Geneva.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

"The first electronic music I ever played as a teenager was on a Hammond organ. The drum machine and rhythm generators in particular fascinated me; simplistic devices but somehow very creative, and something in the sound was strangely compelling.

I heard Lee Scratch Perry, Sly and the Family Stone, Cabaret Voltaire and Suicide do some remarkably enduring music with such drum boxes, which of course later went on to become a basic element of electronic dance music in general. With this piece I revisit some of these dusty old machines and also some of the other vintage instruments in the studio at Worm, plus my modular synthesiser and sampler, instruments from Rob Hordijk and some occasional blasts of modulated radio." – Richard Scott

Richard Scott is a Berlin-based creator and performer of forward-leaning electronic and electroacoustic music. Once a saxophonist focused on free jazz and group improvisation, for the past two decades he has been working intensely with a variety of technologies, methods and musical forms. In recent years he has concentrated his energies on creative composition, improvisation and production, with a particular emphasis on analogue modular synthesisers; including those remarkable instruments created by Don Buchla, EMS, Serge Tcherepnin, Émilie Gillet and Rob Hordijk.

Recorded and composed in the Worm/Klangendum Studio, Rotterdam, July 2024, a Worm/Klangendum/Concertzender production.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Renowned Australian soundtrack theorist Philip Brophy presents 90 minutes of loud and luscious soundtrack dynamite! Across 13 episodes, he covers five strains of film music: Electronic Soundscapes; Big Beat Jive; Hard Rock Freak-Out; Funked-Up Grooves; and Atomic Atonality. In all cases, great tracks that speak for themselves!

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of One of Us by Joan Osborne. There's no order, no lists, only stilted and exclusive material.

Gregorian monks, electrocombia lovers, metal minds, hardstyle dancers, satanics followers of Anton Lavey, sexy sax… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

Night Trippin' unearths alternative sounds from around the world, one country at a time.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

This episode was created entirely by the AI. Stop! Not quite. There was a painstaking search and editing process. And all the lyrics were handwritten by Drone Operatør. But yes, all the music here was invented by a machine brain. Of course it learned from humans. Illegal data extraction, blah blah blah....

But this is it. Here we are! When the cold, damp smell of the rehearsal room hits your nose and the smoky, smelly pub concert creeps into your brain, just enjoy the ride. You've never understood exactly how sound travels on radio waves, to begin with, so what? This is our testament. The AI testament.

(Sorry, no tracklist av-AI-lable)

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.