← Thursday 14th November 2024 →

Running weekly, the series will broadcast the entire catalogue so far in chronological order, continuing here with Z32 / Between Fences by Trevor Mathison.

The second LP by Trevor Mathison.

Generated in part by his 2022 exhibition in London and produced to coincide with his 2023 exhibition at Argos, Brussels. Includes contributions / interventions from Gary Stewart, Aniruddha Das (AKA Dr. Das / Asian Dub Foundation) and Kate Shortt.

numbered + handmade in an edition of 250 copies only; 180gr vinyl in custom-made screen-printed outer (sealed), containing two risograph inserts with a specially commissioned essay by curators Appau Jnr Boakye-Yiadom and Oliver Fuke; no digital.

This series for Resonance Extra is the first time much of the label's catalogue has been available to hear outside of its material form. It accepts the invitation by Resonance on the basis that none of these sounds are stored. If you want to hear it you need to be able to access the radio at midnight every Thursday.

purge.xxx releases music. It has been celebrated by The Wire magazine for its ‘disregard for the music industry, self-promotion and prevailing cultural norms,’ and an ‘ability to elevate distinct works and the obscure artists behind them.’ purge.xxx only releases music physically, unless a digital alternative has specifically been requested by a collaborating artist. It considers even the recording a compromise, but advocates things.

This episode features a work by Shaq Shuka.

Louis Grace presents Teaching Computers to Love. This is a collaborative platform for artists to develop an episode sonically with a 10-20 minute body of work.

In this episode, a selection of audio in response to postcards sent in by Ez Goomi. Featuring Angelo Badalamenti, Nina Simone & Peter Schickele.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, Joe & Alex spin some recent favourites, including tracks from Space Afrika, Loraine James, Cõvco, Speaker Music and many more.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

On the long term effects of hiding. One of hour bee music by Ben Drew with additional vocals samples by Vito Acconci, Isla Cameron, Arianne Churchman and some people of YouTube.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

The sound installation AUI OI is the winning project of the competition dedicated to creativity held by Transart, in collaboration with the Museion Foundation and the Südtiroler Künstlerbund.

A sound journey on the Renon Cable Car, which will take place as part of the Rosengarten Festa.

With Ulrike Bernard, Caroline Profanter, JD Zazie, j/zemmeler, Johnny Haway, Daniel Kemeny and Ernst Markus Stein.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is a guest mix from Agnès Pe, entitled Sound Storytelling Approaches Sound by Relating It to the Imagination and to the Memory of a Series of Amorphous Moods Triggered by the Temporality of Listening.

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A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode heavily tipped on the mystical downbeat side of things, to listen in between ocean splashes during a now familiar heatwave…

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode explores sounds from various fields of music from the city, with an addition of field recordings from within the Athenian infra structure (Arriving to Athens via car, via plane, via bus plus city ambiance etc...).

Athens Inner City Broadcast aims to create a lucid state between being alert and dreaming, based on the notion of a Site specific transmission.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

This episode features music by The Cosmic Tones Research Trio, Bardo Todol, L'arbre Nu, Galen Tipton and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This instalment contains opportunistic content made during a 'pure volunteering' trespass into an archival recording facility, where a vanishingly rare - possibly unique - acetate record (originally found in a bin) is digitised, cryptically titled Baz Kromagnum. Varying fidelity ensues.

Fittingly, this old record - nominally skiffle - sings of unresponsive culture, failed endeavour, and perseverance, heralding sympathetic elongated remixes, and philosophical enquiry on the nature of experiment, passion, presentation, and pratfall.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

LAMIA is a musician, producer, vocalist, and practice-based research academic based in London. She combines haunting vocals, cinematic soundscapes, and industrial sounds - a noise-influenced style inspired by music production training in Berlin.

LAMIA writes, performs, and produces her own material. LAMIA is currently performing 'Simulacra States', an audio-visual set made in collaboration with computational artist Brian Hart, combining 3D rendered artwork and her self-produced music (project funded by MusicBoard Berlin).

Key performances include Berghain Kantine (DE), a Live Session with BBC Introducing 2023 (UK), PureGold Festival at Goldsmiths University 2023 (UK) and Changeover Festival (SRB).

LAMIA has just graduated in 2024 with a Distinction in a Master of Music (MMUS) from Goldsmiths, University of London, where two scholarships supported her. LAMIA co-runs South East London underground collective Crossovers and has been involved in Berlin-based collective Eclat Crew for several years. Her self-produced album was released in Oct 2024.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, a guest mix by musician C.Diab, who is releasing a new album 'White Whale' on Injazero Records on the 5th June 2020.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This episode delves into the realm of kinetic, beat-driven music, from a more textural standpoint to music that makes us want to move, journeying to the more experimental use of language in music. Expect everything from modern day computer-generated communication to glitches, mistakes, human error and computer error.

Background music: Disintegration Loop DLP 2.1 by William Basinski.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode hosted by Lucy Thraves features new and recent tracks and re-releases by Moin, Bridget Hayden, The Body, Sun Araw, Terry Riley, The Apostles, YATTA, and many more.

New music with The Wire Magazine.

A live performance recorded in Les Ateliers Magellan, Nantes, France, on the 4th of July 2024.

With: XM Tran, sound, voices, linocut, ink on paper & Barylin Tone, baritone guitar, objects.

"Naufrage". First edition: Fleches d'etranges jours; nuits source de liberte. The book “The Castaways of Barbados” was published in 1904 and describes the accidental arrival of a white family on a Caribbean island. The characters are first horrified by the lack of local comfort, then frightened and fascinated by the “savages” populating the place, as well as amused to kill animals for sport. As a child of a Vietnamese refugee whose ship trajectories are not just accidental mishaps, the book turns into a collection of deeply personal and decolonial poetic works.

As a queer person of Vietnamese descent, XM Tran’s artistic work focuses on the issue of identity, and in particular on the void left by exile, with the need to recreate fictions to repair family memory. By celebrating the diversity of identities of the Vietnamese diaspora, the artist aspires to highlight their ghosts through revolutionary practices such as sound creation, poetry and linocut, between technical mythologies and fantasized landscapes.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.