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Drone Operatør's AA + session #4 takes the listener on a 2-hour journey through rough terrain. The walk starts at ground level where we pass by lively waters and layered sound strata with detailed landscapes that fade into each other.

Once in a while, familiar sightings re-emerge out from the ground and we go up and down until we finally meet up with NATHAN CORDER who takes over after this 1-hour walk. He guides us up that steep 30min climb into his very own territory filled with wild sharp rocks and beasts baring teeth that leaves you breathless and drenched in sweat.

A 30 min downhill hike after we waved goodbye to our guest and this ride is over. We hope you picked some flowers along the way.

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

In this episode, Zu From All Over and Michael From The North Bay record an impromptu set in the car on their way up to Olympia Washington, with the best Indie Slacker Punk, Lo-Fi Chaos, and relentless DIY Ethos to guide the way.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features TVO, Spatial, Agents of the Culture Industry, John Coltrane, Delia Derbyshire, Karlheinz Stockhausen, Benjamin Zephaniah, Dean McPhee, Alva Noto, Disinformation & Savion Glover, Dadavistic Orchestra, Alexander Tillegreen, hoodie x James K, Cabaret Voltaire, Burning Woman, sideb0ard, Nivhek, Pantea, Mücha, Jo Johnson, JP Hartnett, Slavoj Žižek & Frank Sin'AI'tra

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

This episode features the albums Juçara Marçal & Cadu Tenório: Anganga (2015; QTV/Sinewave, Brazil), Lucas: Panasonic (2017; Seminal, Brazil), Noturno Deposits Vol. I (compilation) (2017; Meia Vida, Brazil) and G. Paim: Sharpest Knife (2017; Subsubtropics, Brazil).

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

In this extract from the day, Christie & Leonie Kill 100 Zombies in 5 Minutes by Agnès Pe.

Agnès Pe is a multimedia artist interested in interventionist art practices and tactical media and disciplines outside the field of art.

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

For this fifth episode of his collected recordings he presents 2 works: Ultras Karaoke and Ultras Mashup.

Ultras Karaoke (2019)

This work is a karaoke version of a series of football chants. The lyrics sung by fans are combined with a midi-track version of the original songs.

Ultras Mashup (2018)

This work consists of a series of audio tracks in which recordings of football chants are mixed with the “original” songs. It explores the musical aspect of football fan supporters culture and the practice of creation through appropriation.

The recordings include repurposed versions of Giuseppe Verdi’s opera theme 'Aida', 'Gam Gam', a traditional Jewish song from Psalm 23, Marcella Bella’s 1972 Sanremo Festival version of 'Montagne Verdi', Walt Disney’s whistling theme from Robin Hood, 'La Mula de Parensio', a folk song from northern Italy, a Coca-Cola jingle called 'Buy the World a Coke', Dean Martin’s signature song 'That’s Amore', and Righeira’s 80’s summer hit 'L’Estate Sta Finendo'.

The football chants used in the tracks were recorded at the stadium and on away matches as part of Davide’s involvement with the ultras group Brescia 1911.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue.

This episode: After a mix of some recently released gems (including G-bop Orchestra, Valium, Chaotic Reality, Lucy Liyou, Alex Dowling & more) Joe goes through various materials recorded during the recent First Terrace tour in Japan, including live sets from Chihei Hatakeyama, Sofheso, Vida Vojić, Specimens & Takkiduda.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by Tachibana Hokushi’s poem “I write, erase, rewrite / erase again, and then / a poppy blooms”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features music by Amir Hossein, Wajiha Rastagar, Dinelka Liyanage, Usofragi, Disco Puppet, ArtSaves, HADI and more.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode features extracts of four pieces, listed below.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This month: The year is 2020 and Greece is filled with concentration camps... A virus threatens us all.. The US are at the verge of a race war... so I wash items because they need to be clean.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This month's show is drawn from two compilations featuring friends off the Spirit of Gravity. “WE DON’T BELONG HERE VOL.1” which is compiled by the Unwanted Attention night, and “Exploring an Exploding Soundtrack” compiled by Nil By Nose, both local, and both albums are available from Bandcamp.

“Before it all seemed so simple, things cast shadows. But now it turned out that shadows cast things, or perhaps things didn’t exist at all” – Sigizmund Krzhizhanovsky

In the second hour, Spectral Transmissions: Peripheral Visions, as the shadows start to lengthen we turn our minds to the place where the street lights end. Out here on the periphery, flickering visions and half heard noises scuff our logic with their insistent truancy. Fragments of things unbound by our narrow grasping.

“On cold winter nights we would occasionally perceive a strange glimmering of lights, a marked pulsating luminosity in the very edges of our vision accompanied by a vibrant oscillating frequency of sound, taking in certain cases, the form of bright circular waves, which seem to move from out on the periphery inward towards the centre, but if we tried to look directly at them to see them more clearly they evaded us, seeming to drift and fade, dissipating like so much smoke."

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode:

"i am reading from 'The Secret Revelation of John' by Karen L. King. was given this book and plunged in..to the two available translations printed across from eachother from da Berlin Codex, differing slightly. i m reading both I.II. versions out loud, left one first, then the right one, sentence by sentence, till page 49.

have a look at the writing below if you want to know about the context of The Secret Revelation Of John, but i believe it comes across anyway. i loved it. picking up on the many 'intriguing-but-confusing ideas' and the overt criticism of patriarchy ofc. as for aeons the meaning of it invites to enquire about temporalities and timespans, linking this back to the suspension the world is experiencing now.. . for me, really its a question about whether there is any light and if so whether the varying interpretations provide any solace."

Lost in antiquity, rediscovered in 1896, and only recently accessible for study, The Secret Revelation of John offers a firsthand look into the diversity of Christianity before the establishment of canon and creed. Karen L. King offers an illuminating reading of this ancient text--a narrative of the creation of the universe and humanity and a guide to justice and salvation, said to be Christ's revelation to his disciple John.

Freeing the Revelation from the category of "Gnosticism" to which such accounts were relegated, King shows how the Biblical text could be read by early Christians in radical and revisionary ways. By placing the Revelation in its social and intellectual milieu, she revises our understanding of early Christianity and, more generally, religious thought in the ancient Mediterranean world.

Her work helps the modern reader through many intriguing--but confusing--ideas in the text: for example, that the creator god of Genesis, a self-described jealous and exclusive god, is not the true Deity but a kind of fallen angel; or, in an overt critique of patriarchy unique in ancient literature, the declaration that the subordination of woman to man was an ignorant act in direct violation of the "holy height."

In King's analysis, the Revelation becomes not strange but a comprehensible religious vision--and a window on the religious culture of the Roman Empire. A translation of the complete Secret Revelation of John is included.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

This episode focuses on Ibukun Sunday (Nigeria), and features music by Carlos Suárez Sanchez, Deison, Hypercube, Cadlag, Rapoon, Sonologyst, Howlround, Grey Frequency, Marie W. Anders and 0.7647.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Wet assemblage of dank & dark delights. Malfuncioning themes of humidity, wetness and everything moist. Neo tropical thrills to watch the (early) sunset by...

Picture: Jambiani, Unguja Island, Zanzibar, 2015

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.