← Saturday 17th August 2024 →

A‑B was born in Hamburg and spent her formative years in Berlin, where she discovered her love for techno music. She started to DJ when she moved to Southern Germany for her studies, where she eventually started to play at bigger events and club venues.

She also became part of the queer-feminist DJ collective FemBPM. Together they strive for more diversity and visibility behind the decks and a stronger culture of awareness in the clubbing scene.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode features recordings from our little experimental music festival hosted at Isla Ray in Deptford as part of Deptford X fringe. We had a beautiful evening with beautiful people and now you get to enjoy a best of from the eve.

Featuring performances by Lucy Havelock, Tam Lin, BAIABAIA, Zeyn Mroueh, Autojektor, and us!

We’d love to host more nights like this so if you’re listening and you’d like to come and perform with us please email us on hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Lloyd Dunn, Anna Friz, Ralf Schreiber, Rodrigo Ríos Zunino and Nástio Mosquito go live from Ürzig, Broughton, Saarbrücken, Paris, Vienna, Prague, Vancouver, Cologne and Valparaíso.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

In this episode, Dronica meets Robbie Judkins, who has created a mix for the show.

Robbie Judkins is a composer, performer and DJ. He works under the name Left Hand Cuts off the Right; an outlet for exploratory methods and composition mixing zither, repetition, noise, bent electronics, piano and field recordings. He is the host of Parallax View on Threads Radio and creator of Animal Sounds on Resonance FM. His work has been featured in the ICA, Barbican, Wire Magazine, Cafe Oto, NTS, Whitechapel Gallery, Brachliegen Tapes and more.

The programme is a selection of sound and music that remain a source of inspiration and intrigue, have recently brought me joy or solace or have been made by those close to me. Traditional music, cyclical riffs, crackling and humming ambient, shining and shimmering noise, vast dub, pensive harmonies, strange grooves and more. Including Anne Briggs, Laaraji, Black to Comm, Lee Perry, Autopsy, Junior Kimbrough and more.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A volcanic inspired mix this month after the recent eruption in neighbouring La Palma island. Decided to stay on the lowkey, meditative and moody selections and avoid the obvious ‘explosive’ choices. Big love and support to the people affected by this strangely persistent force of nature.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Ilan Barkani is a multidisciplinary artist, composer, improviser and teacher, living and working in Jerusalem, a founding member of the artist collective Sedek, and a member of the interdisciplinary collaborative ensemble Ptilia.

"A geography of sound [...] is the geography of encounters, misses, happenstance and events: invisible trajectories and configurations between people and things, unfolding in the dimension of the actual while formlessly forming the dimensions of its possibility" – Salomé Voegelin, The Political Possibility of Sound

In this piece, called halls (joining), Barkani continues his exploration of combining field recordings and minimal/reductionist instrumentals, to compose and perform imagined, semi-coincidental, (what Voegelin calls) “impossible territories”.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Shane Woolman presents a guest mix by Beirut based artist Mayssa Jallad, plus tracks by Ziúr, Maulawi, James Ellis Ford and more.

New music with The Wire Magazine.

This episode focuses on space – ahead of NASA’s upcoming mission to search for signs of life on Jupiters frozen moon, Europa – featuring some new releases from Kayla ahead of her debut album release, Fractures, inspired by and written about this space mission. New releases also from an array of artists working with noise, found sounds, and our environment.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode features Cody Brant & Carl Kruger, TVE, Caroliner, RNA Organism, Aunt Sally, Karen Constance & Duncan Harrison, Yannick Dauby and more.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Zärtlich Geht Die Welt Zugrunde: Still Looking for Medusa is a tribute to corals, the sensitive critters of Gaia’s underwater realms, showcasing their profound ability to forge symbiotic relationships. Corals, as holobionts for zooxanthellae, epitomize interdependence; as reefs, they offer shelter to many marine creatures; as strong formations, they modulate the ocean’s ebb and flow into gentler currents. As the ancient ancestors of Medusa, they hold the spirit of nature’s often misunderstood and transformative powers. Medusa herself, a female figure of Greek mythology, represents the recurring theme of metamorphosis and the complex dynamics of power and seduction, banished to safeguard the male gaze.

Through a rich saturation of marine bioacoustics, noise pollution, mythic tones, Nina M. W. Queißner and Linda Weiß beckon you to immerse yourself in the deep, dark blue soundscape. Here, lose your way, welcome the feeling of otherness, and give yourself to the waves of yearning, and acknowledge cold shivers. Picture Medusa, whose symbiosis sustains the life that thrives beneath the waves.

Underwater sound recordings: Coral reefs (Red Sea, Egypt), shipping traffic on the Main River and the English Channel of the Alabaster Coast; additional sound recordings: Baking soda in water, hot oil, ice cubes, crystal glass and water, tadpoles, rain on polyamide, etc., synthesizer, melodica, Sansa. Concept and production: Nina M. W. Queissner.

Nina M. W. Queissner adopts a poetic and research-oriented approach using recording technologies and soundscape composition to explore the experiential dimensions of sound and listening, closely integrated with multidisciplinary concepts of landscape and environment. Linda Weiß creates immersive installations that examine the dynamics of shared spaces, engaging in dialogue with more-than-human collaborators such as fungi and bacteria.

Together, they work on the ongoing project *Looking for Medusa that invites audiences on a journey through past and future mythologies. Starting with Ovid’s Metamorphoses, the project weaves together references from cosmologies and ecosystems to create an experimental habitat for speculative future coral creatures. Their audio-visual installation was first exhibited at the Senckenberg Nature Museum in Frankfurt am Main, Germany, in 2023. More on their research at tempe-corals.tumblr.com.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

From jet-lagged homesick soundscapes from Thailand, odes to strawberries and our lost seasons to music made out of a toilet plunger and the howls of seals this is a very jam-packed edition of Atmospheric Densities. Featuring new releases by more eaze, Gamardah Fungus and Liew Niyomkarn, a tribute to Ian Rawes in the form of his posthumous release From Dawn til Dust on Persistence of Sound.

We also give a big shout to Phil Maguire's Verz's label as it closes up shop by dipping into the label's final release by David Donohoe and David Lacey, dive into Cath Roberts piece on split via Fractal Meat Cuts. On the Flaming Pines side of things we mark the pending release of Kamran Arashnia's Bounds Elimination and dig a bit deeper into the forthcoming albums by Jonathan Higgins' and RUBBISH MUSIC.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode: a guest, Literally.

L’amour toujours also named "I'll Fly with You" is a song co-written and recorded by the Italian DJ Gigi D'Agostino. The title "L'amour toujours" means "love every day" in French. However, the song is recorded entirely in English and the title does not appear in the lyrics.

The song was released to American clubs and dance radio in July 2000. In Europe, the song was released in October 2000. The song is from D'Agostino's 1999 album of the same name. Ola Onabule is the vocalist of this song. He performs all the vocals on the track and on all versions of the song. In 2001, the song became extremely popular in the American dance club scene. It became an international success and a huge hit throughout Europe, Latin America and Asia.

In this edition of Shuffle, get ready to listen to the most weird and mind-blowing covers and drifts of “L’amour toujours“ from the inventor of lento violento, Gigi d’Agostino. There's no order, no lists, just exclusive, overwrought fandom material. Marching bands, violinists, catholics, life lovers, soundcloud stars, ambient addicts, ... all are welcome in Shuffle mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

(web, twitter, instagram, soundcloud, mixcloud) and Lara Stumpf (twitter, instagram).

This week: What if products had a new meaning? What if we could use them in other ways? Why is this train going so fast? Is this the future? And if it is the future, is it a good future?

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

In this episode: walking along the shore listening to fairport convention whilst avoiding violent men.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This first show of 2022 brings together a set of musical sketches composed of semi-meaningful audio messages (such as the piece the name of the show is deriving from) on WhatsApp/Telegram and a few ideas/demos to be sold/exchanged (these sadly were unsuccessful…) on the DarkNet markets of music production and sound design.

On a personal note, this monthly practice of creating an hour long musical piece (must note last two including this one is very poor in terms of composition as they were made in great hurry and with limited resources) was a meaningful way of not-entirely-forgetting about some material which I knew wouldn’t make it to any album under any alias and otherwise would be lost in the oblivion of my external hard drives and my stupid mind.

However, finishing the last piece, I realised this time in a regressive manner, this mix inspired the missing and last piece of the trilogy of albums and a number of visual and literary pieces I have been working on for some time now. Given my rather personal relationship with Nick Drake (even considering the references on the previous album), I again am reminded how magical Lyfe really can be hearing him sing the words I wrote for a friend and didn’t even realise that the hyper-fiction after all did bleed into reality as a message on WhatsApp. Though I must confess, hearing it during our morning tea, my mum felt rather sorry for the Poor Boy :-)

Lastly, as ever, this mix too includes some modular sketches as well. These were inspired by Coil’s ‘Time Machines’ - However must note these stupid ass things didn’t work (yet).

Have a lovely 2022 everyone and keep in mind that the first DOOM took place in 2022 :/ !! xoxo

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Gonz.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Drone Operator returns after a two-year pause. We are happy to melt your fatuous little brains with the finest selection of free jazz, noisy electronics and avant-garde improvisation again. Sometimes shrill and loud, sometimes quiet and melodious, we will watch in amazement as the most delicate sound palaces collapse and disappear into chaos, only to be rebuilt in new forms shortly afterwards.

This episode features Alice Coltrane in a Slowed & Reverb Special and picks up exactly where the last one left off. A ten minute Kratzr Records Store live recording can also be found in this fine eclectic mix, which should sweeten your probably shitty day.

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.