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In this episode, Zu From All Over confronts her anger with the best Hardcore, Beatdown, and Youth Crew from classic to modern, in order to survive this punishing heat wave.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Sôen Nakagawa’s poem “Imagine a temple, / where only white azaleas bloom— / a pure white haven.”

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, non-physical spaces, dreams as performance, and the body as instrument, object and obstacle. Featuring new music and interviews from Lou Barnell, sound & poetry collective Catching Shadows, and art-pop band MAW. Writer Abi Palmer reads from her recent book 'Sanatorium', released through Penned in the Margins. Wes Freeman-Smith and Martin Clarke host.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

"I salt my breakfast eggs. All day long I feel created" – Anne Dillard, Holy the Firm (1977)

A Table of Contents was produced, mixed and mastered by Dominic Jaeckle and Simon Tonka, © 2021; the readings were recorded at home by Polly Barton, © 2021; accompanying soundtrack, Matthew Shaw & Mason Lindahl, © 2021; artwork, Hoagy Houghton, © 2016.

Dominic Jaeckle is a writer, editor and broadcaster. Jaeckle curates and collates the irregular magazine Hotel and its adjacent projects, and runs a minor publisher Tenement Press.

Polly Barton is a Japanese translator and writer, living in Bristol. Her book Fifty Sounds is published by Fitzcarraldo Editions. Translations include Where the Wild Ladies Are by Aoko Matsuda (Tilted Axis Press) and There’s No Such Thing as an Easy Job by Kikuko Tsumura (Bloomsbury International).

Matthew Shaw is a composer, author and artist; Shaw is currently working with Shirley Collins & Brian Catling on Crowlink; a sound installation and recording project featuring Collins’ recitation of English folk songs collected over seventy years, poetry from Catling and Shaw, and fragments of letters, diaries and prose from Virginia Woolf, Vanessa Bell and the Bloomsbury Group. Shaw’s Atmosphere of Mona, a book of poetry and photography, was published by Annwyn House in 2020.

Mason Lindahl is a guitarist and composer based in New York City. His finger-picking style is largely influenced by minimalism and classical music. He grew up listening to folk and country music in Northern California, where he was first taught to play the guitar by his father. Lindahl’s recent record Kissing Rosy in the Rain was released by Tompkins Square, 2021.

A work by Dominic J. Jaeckle, Polly Barton, Mason Lindahl & Matthew Shaw. Grounded in a book that collects a roll-of-film’s worth of co-dependent photographs and prose-poems by artist Hoagy Houghton and writer Dominic Jaeckle (36 Exposures, forthcoming from Dostoyevsky Wannabe), A Table of Contents is a quilt of first- and second-hand reticulated reflections and ratiocinations; a ‘disembodied voice-over’ for a set of absent images, memories and other assorted totem poles.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

In this episode, Dan Linn-Pearl has produced a montage and homage to the river Wye which flows near his home in the border town of Hay. Field recordings, hydrophone capture and improvised synthesiser sketches are broken up with audio from a film made by Friends of the Upper Wye.

This collective has organised a citizen science project to test water pollution levels and seek out solutions to reverse the decline of the river and its wildlife. In recent years, a build up of algae is threatening the ecosystem of the river. Evidence shows an increased amount of nitrates and phosphates in the water.

These are often a waste product of farming and in particular the 'run-off' from the intensive chicken farming which takes place throughout the area. Other potential causes are the increasingly inadequate sewage systems and the 'government policy' which allows raw sewage to be distributed directly into the river. For more information visit: www.fouw.org.uk.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

From a beach to a tide-race via a deserted village and a crowing cockerel. Island Suite presents two islands, two walks, four hours across one day. This is Movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode is a mix of new music released in recent weeks featuring from work from Severed Heads alumni Garry Bradbury and Room 40 mainstay John Chantler; Regis takes on Australia’s My Disco in a remix for the Downwards label; Blake Freele & Sam Price drop a new collaboration; we tackle brute noise from Blut; and also hear new work from Panoptique Electrical, Pale Earth, Cooper Bowman, Harrow, Hextape, Fate Æffect and Catfingers.

Missed the show? Catch up on Mixcloud.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

In this episode, new records of Thiago Miazzo (Recycled C20), Marcos Campello (li o vão o sol) and the duo Lex + Bramir, ZYB. Opening the show is one of last QTV releases, a collaboration between 4Zero4 and Verjault.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features new music by Les Antonymes, Bruno Varvohza, Richard Bégin, David Kovacs, Clinker, Kaunsel, Mark Hjorthoy and M.B. & Sonologyst.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This show was curated by Angus Carlyle.

Where the Dead Voices Gather is an indeterminate process driven radio experiment that uses the book 'Where The Dead Voices Gather' by Nick Tosches as its starting point.

Songs are chosen from a series of libraries based on the structure of a haiku. Each show has 17 songs / sounds therefore each show represents a sonic haiku.

Where the Dead voices gather is exploring the sonic potentials of written text and the indeterminate.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

In this first episode Mello Gold:

In 1967, William Hanna and Joseph Barbera approached the Krofft Brothers to design costumes for a television show which would feature animated and live-action segments, with the whole show hosted by a bubblegum pop group of anthropomorphic characters, played by actors in fleecy costumes similar to later Sid and Marty Krofft characters such as H.R. Pufnstuf.
The Banana Splits Adventure Hour premiered on NBC on September 7, 1968.

Each show represented a meeting of the Banana Splits Club, and the wraparounds featured the adventures of the club members, who doubled as a musical quartet, meant to be reminiscent of the Beatles and the Monkees.
Unlike their human predecessors, however, the Banana Splits were bizarre, anthropomorphic animals: rhythm guitarist Drooper was a lion, lead guitarist Fleegle was a dog, keyboardist Snorky was an elephant, and drummer Bingo was a monkey.

The Banana Splits' bubblegum pop rock 'n' roll was provided by studio professionals, including Joey Levine (I Enjoy Being a Boy, It's a Good Day for a Parade), Al Kooper , Barry White (Doin' the Banana Split),and Jimmy Radcliffe provided his song (I'm Gonna Find a Cave).

Additional material features the Micro Ventures of Professor Carter and his two teenage kids, Mike and Jill, who use a shrinking machine to shrink themselves and their dune buggy to miniature size, to explore and experience the world from the perspective of an insect.
Professor Carter, Mike, and Jill change to micro-size to observe an ant colony ...Groovy!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

This episode features music by Aponeuron, Corp Cruid I, Expander Des Fortschritts, Pik Duzfuß and more.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

Music by Baradit, The Hardy Tree, Chelidon Frame, Tess Conway, Fellirium, Leegajus, Giampiero Boneschi, Circus of Mind, Pancy Lau, EUS/Postdrome/Saåad, Abdulla Rashim, Giovanni Tommaso, Dissolved and Repeated Viewing.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, Joe Summers plays the usual unusual and Alex interviews New York producer Daniel Klag.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode was created entirely by the AI. Stop! Not quite. There was a painstaking search and editing process. And all the lyrics were handwritten by Drone Operatør. But yes, all the music here was invented by a machine brain. Of course it learned from humans. Illegal data extraction, blah blah blah....

But this is it. Here we are! When the cold, damp smell of the rehearsal room hits your nose and the smoky, smelly pub concert creeps into your brain, just enjoy the ride. You've never understood exactly how sound travels on radio waves, to begin with, so what? This is our testament. The AI testament.

(Sorry, no tracklist av-AI-lable)

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.