← Sunday 23rd June 2024 →

In this show, a guest mix by O A K M I L K.

O A K M I L K is Maxim Walker, currently based in Leipzig, Germany. Born in Perpignan, France to a Belgian mother and Australian/British father - he is both a sound and visual artist who currently hosts a monthly radio show on Sphere Radio entitled “Frothed Nucleon’s Squiggly Tunes”, where he plays and talks about super weird and wacky sounds and tunes from all epochs and locations.

Self-released an EP last year called “loquacious frother, madude `;.^)”, and is currently working on composing the OST and foley for his sister’s feature film, as well as a few collaborative EPs and a solo album. He likes oysters, Cities of the Red Night, tamarind juice, cursive handwriting, Bach’s Partitia No. 2 in D minor, Moambe, table tennis, American burger cheese, and squelching his boots in mud.

Now: Imagine O A K M I L K not as a liquid but as a solid drill. A sharp drill that bores into a condensed granite like layer of 1 1/2 hours of pure DRONE OPERATØR material. The drill is composed of diamonds that shine in all colors and never wear out. Submerged into that granite DØ it makes an awesome sound. Why drill at all you might ask? Because we asked him to perforate. :)

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

In this episode, Rob pays tribute to a few punks who are no longer with us. Kicks off the summer with some blistering punk and hardcore jams. And puts together his own Punk and Disorderly list. From the BLITZ to DRY SOCKET, this one is a banger.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music by The Incidental Crack, Ruaridh Law, Weird MF5, Dane Law, Pub, Nick Rapaciolli, Simon McCorry, Maria W Horn & Vilhelm Bromander, Dusk and Blackdown, Rob Winstone, Wishmountain, Rempit Goddess, Red Wine & Sugar, Cody Brant & Carl Kruger, Posset, Karenn, Alva Noto, Jasss, Rrose, Svreca, Irazu, Material Object and other secret things.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

This first episode is dedicated to the work of Sholto Dobie, who was invited through the tekhnē open call for research projects at Q-O2 workspace for experimental music and sound art in Brussels.

Sholto Dobie Is a UK-born artist who lives in Vilnius, Lithuania. He uses an array of sound sources including home-made organs and bagpipes. He has explored ideas related to folklore and environment as sonic phenomenon and works with site specific methodologies.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by Ryōkan Taigu’s poem “out of my dreams / the distant croaking / green frogs”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode is an edit of a special mix done for Ouidire. It is based on everyday sounds, from public and domestic spheres. It makes use of various field recordings, sampling of live am/fm radio broadcasts, tv and cinema soundtracks and other online and streaming sources.
Noticeable sounds include extracts from: Sound in the Round (vinyl), BBC Sound (vinyl), Colin Stetson, Combustible Edison, Olivier Messian, Jaws theme, Spiderman theme, DJ Food, Edith Steyer, Eric Bauer, and recordings from yellow vests protests in Paris.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode, artists Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Frauke Berg, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Anna Friz, and Ralf Schreiber broadcast live from Ürzig, Broughton, Düsseldorf, Saarbrücken, Paris, Vienna, Santa Cruz and Cologne.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

‘This pressure, this texture, this smell, this gesture' - Elizabeth Veldon

Amid all our familiar scenes stand memorials of the people who were here before us and as the daylight fades on midsummer night eve we embark on an hallucinatory journey to the weed choked lay-bys, unobserved rites, violence and wild anarchy that haunts Britain's spectral pastoral.

Includes elements of:

Battle of the Bean Field 1985 (Operation Solstice) Gareth Morris, Russel Morris and Neil Goodwin

U.K Free Festivals-The 1980s, BBC Documentary

Winstanley, Kevin Brownlow, 1975

Being and Doing, Ken McMullen and Stuart Brisley, 1984

A Celebration of Midsummer ,East Anglia, 1964

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode:

"i am reading from 'The Secret Revelation of John' by Karen L. King. was given this book and plunged in..to the two available translations printed across from eachother from da Berlin Codex, differing slightly. i m reading both I.II. versions out loud, left one first, then the right one, sentence by sentence, till page 49.

have a look at the writing below if you want to know about the context of The Secret Revelation Of John, but i believe it comes across anyway. i loved it. picking up on the many 'intriguing-but-confusing ideas' and the overt criticism of patriarchy ofc. as for aeons the meaning of it invites to enquire about temporalities and timespans, linking this back to the suspension the world is experiencing now.. . for me, really its a question about whether there is any light and if so whether the varying interpretations provide any solace."

Lost in antiquity, rediscovered in 1896, and only recently accessible for study, The Secret Revelation of John offers a firsthand look into the diversity of Christianity before the establishment of canon and creed. Karen L. King offers an illuminating reading of this ancient text--a narrative of the creation of the universe and humanity and a guide to justice and salvation, said to be Christ's revelation to his disciple John.

Freeing the Revelation from the category of "Gnosticism" to which such accounts were relegated, King shows how the Biblical text could be read by early Christians in radical and revisionary ways. By placing the Revelation in its social and intellectual milieu, she revises our understanding of early Christianity and, more generally, religious thought in the ancient Mediterranean world.

Her work helps the modern reader through many intriguing--but confusing--ideas in the text: for example, that the creator god of Genesis, a self-described jealous and exclusive god, is not the true Deity but a kind of fallen angel; or, in an overt critique of patriarchy unique in ancient literature, the declaration that the subordination of woman to man was an ignorant act in direct violation of the "holy height."

In King's analysis, the Revelation becomes not strange but a comprehensible religious vision--and a window on the religious culture of the Roman Empire. A translation of the complete Secret Revelation of John is included.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

This episode features music by KK Null & Joel Gilardini, Senyawa, DiscountGnostic and more.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.