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Lena Mega and LoA are musical collaborators who explore a wide range of sounds and styles, from fast-paced rhythms to humorous and sensual tones, as well as otherworldly experiments and chopped beats.

Their shared research interests include topics such as plants, mushrooms, gardens, playing with mud, and ecological explorations, which often find their way into their music.

Based in and around Berlin, Lena Mega and LoA have created a unique sound that draws inspiration from their diverse interests and experiences. Their music can be found on Soundcloud, where they have multiple accounts featuring their individual and collaborative work.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This month: a reflective episode on the remembering and misremembering of childhood from adulthood, SubPhonics has used this month to discuss early beginnings and strange, nearly psychedelic experiences from being little. We have also been creating pieces that explore the importance of play and how to facilitate this into adulthood.

Featuring: Suzie Shrubb, Helen Tate, Erin Robinson, Nia Fekri, Lewis Baxter, David Williams, Toby Edwards, Giulio Dal Lago and Jamie Turner.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

In this episode, artists Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Frauke Berg, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Anna Friz, and Ralf Schreiber broadcast live from Ürzig, Broughton, Düsseldorf, Saarbrücken, Paris, Vienna, Santa Cruz and Cologne.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

This episode features Beachers, d-Thed, A'Bear, Trianglecuts, Harmergeddon, theskyisthinaspaperhere and Ruido.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

In this episode, acousmatic vibes and musique concréte set pieces. Innovators and new-schoolers massage our eardrums into the deepest recesses of sound mangling. Radiophonic mass pieces, trips to the Italian coast and fears of drowning all make an appearance. Classic avant-garde? More like gourmet music sounds, old and new.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This particular compilation serves as a formal ceremony or ritual, in a broad sense. In this ceremonial gathering, a variety of songs from various genres and eras are brought together, alongside certain web-source documents.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

A mixture of mixtures of live performance & sampled audio from YouTube, Spotify and SoundCloud. This includes noticeable extracts include Laurie Spiegel, Nasa Soundcloud and news editions.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Meg Woof plays Tongue In The Mind, Gordan, Weird Weather, Marta Forsberg, Tadleeh, Aidan O'Rourke, Gomid and more.

New music with The Wire Magazine.

Joining Kayla in this episode is award-winning film composer, performing artist and multi-instrumentalist Alexandra Hamilton-Ayres.

Her critically-acclaimed work blends sound worlds with her love for the piano, orchestrated into a rich palette of electronica and classical music.

Background music: Echoes of Pluto by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, a piece of radio theatre about marriage in the Wolof culture. How does tradition intertwine with modernity?

Intergenerational benevolence promotes the advancement and development of other worldviews by integrating the heritage of the past into the present to shape a more open and tolerant future.

In French and Wolof languages.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

RadioActive – on Water is a six episode podcast series, exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist/group of artists who engage with water politics and the politics of listening through the medium of radio. This show contains two excerpts from each episode, selected by the series’ curators.

Creators: Blanc Sceol (Stephen Shiell and Hannah White), Lisa Blackmore and Leonel Vásquez, RE-PEAT, Margarida Mendes, Carlos Monleon and Nathaniel Mann, Meira Asher.

The episodes:

An Ear to River ~ counterflows by Blanc Sceol (Stephen Shiell & Hannah White) invites the audience to listen with the Channelsea river, a recovering waterway in East London and home to the city’s largest combined sewage outfall.

River song, singing rivers by Lisa Blackmore and Leonel Vásquez, navigates the Bogotá River in Colombia through a more-than-human song created in collaboration with the living forces that shape the watershed’s ecosystems.

Watered by RE-PEAT collective approaches water justice through imagining the perspective of water nself, by drawing stories and definitions of bodies of water, and n’s entanglement in relation with other bodies, bogs, bugs, sundew, moss and more.

Sonic Traces by Margarida Mendes, is a journey from the deep ocean to the Mississippi river, to expose how traces of pollution, sonic and chemical, travel through watery space impacting communities across ecosystems.

River Breathing by Carlos Monleon and Nathaniel Mann, examines the impact of irrigation systems on human and more-than-human communities through the Ebro river in Spain and its endangered clam population.

Liquidation by Meira Asher interrogates the politically engineered water crisis in the Occupied Palestinian Jordan Valley where Israel deliberately and strategically deprives Palestinian shepherd communities of access to water.

Curated by Meira Asher and Stephen Shiell
Production – Meira Asher, radioart106
Mastering – Daniel Meir
Web design – Laetitiia Boulud
Produced with the support of the Pais council for Culture and Art, Israel
Image by Pablo Sanz from a project along the Manzanares River in Madrid

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

In this episode, some long-form listening as well as our first special mix! Three lengthy tracks open this episode, which showcases the December releases for Flaming Pines. Featuring Tonkyn Pearson's rose-coloured Erbium which is inspired by the quietness of New Zealand's lockdowns.

Alabama composer Ben Link Collins explores field recordings as fiction in his new album Fictionalism, and Greek/Italian duo Valeria Miracapillo and Dimos Vryzas offer some improvised magic from their first studio session in Athens to be released as Discipline of The Slow.

The second half of the show is a special mix by Vietnamese composer Nhung Nguyen, who also releases as Sound Awakener, featuring her own compositions and field recordings from Hanoi.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Bitter Sweet Symphony. There's no order, no lists, only stilted and exclusive material.

Chip tuners, bardcore (or contemporary medieval stuff), Rolling Winds, karaoke stars, babies, brave bands from Mexico, copyright victims by copyright fanatics, cumbia - Britpop dancers,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode: does music have to be serious? Does music have to be rational? Does music need to conform to the rules? According to contemporary postmodern artists, no.

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.

This episode takes a listen to the shortwave radio improvisations of Michael Snow, with experimental voice works from; - Neil and Elaine mills, Bruce Nauman, Gregory whitehead, Sue Tompkins and Kurt Schwitters.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

This mix was initially titled "vultus tela vibrat" (translating as “thy countenance shakes spears”, a sentence Gabriel Harvey used to describe Edward de Vere). But then I changed it to "You and I, We Are the Two Greatest Musicians Ever Lived", which someone I knew said to me while they lay on a hospital bed...

Dedicated to Edward.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Julian Fairshare.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

This episode of Listening Experience consists of material acquired and created during the Multiversal MultiNorth IV tour of Oslo, Copenhagen, and Berlin, in January 2018. 

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Prague-based artist Gertie Adelaido opens this episode with her special multilayered collage, starting with total trash to sophisticated avant-garde. Then Drone Operatør continue in the same vein of brutal handmade bangers and atmospheric electronic tones. Jazz is not a genre – jazz is a mental st4te. Make it worse!!!

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.