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In this episode, Zu From All Over celebrates her love of pro-wrestling by marking out over the best hardcore, metal, and badass entrance themes to hit the ring to.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Tan Taigi’s poem “The cormorant in the forest; / The cherry blossoms / Along the evening path”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode of Third Space was created by Ekin Fil (Istanbul) and Yuting Wu (Beijing).

The first half of the show captures the sounds and music of a daytime in and around Istanbul. Including the areas Kadıköy, Acıbadem, Yenikapı, Eminönü, Sirkeci, Kabataş and Beyoğlu, as well as Darıca where Fil’s family lives on the border of the city.

In the second half of Third Space, Yuting Wu takes us around Beijing from the perspective of an outsider in the city. The first part of the mix emphasises the typical impressions of Beijing: the public transportation, the crowds, the opera, along with a street musician playing saxophone in the park. Beneath these surface impressions, Wu explores the disappointment that accompanies living in such a city as an outsider where dreams and ambitions often go unfulfilled.

Artwork is by Max Howarth.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

Renowned Australian soundtrack theorist Philip Brophy presents 90 minutes of loud and luscious soundtrack dynamite! Across 13 episodes, he covers five strains of film music: Electronic Soundscapes; Big Beat Jive; Hard Rock Freak-Out; Funked-Up Grooves; and Atomic Atonality. In all cases, great tracks that speak for themselves!

Tim Shaw is a sound artist based in North East of England - he gave me access to field recordings he's made in and around River Tyne in the North East of England over the last 12 months - I've mixed an hours worth of material that offers a slow meditation on this once busy and heavily industrialised river.

It presents a dense portrait of marginalised and liminal spaces along, in and on the river. On board dredgers, underneath bridges and down manholes Tim used hydrophones, contact mics, electromagnetic pick ups and more traditional sound recording. Much of this material was used in collaboration with film maker Leah E Millar for her 16mm film Un.s.scene.

The Tyneside Sounds Society is a monthly broadcast dedicated to the recording and reinterpretation of the sonic environment and sound heritage of Tyneside in the North East of England.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Marcus Whale has been straddling the worlds of experimental music and alternative pop throughout his career, from his early improvisational work as Scissor Lock, through the densely layered electronic pop of Collarbones to the taut, politically charged Black Vanilla project he formed with Guerre aka Cassius Select.

Celebrating the debut solo release under his own name, Marcus Whale talks with Stuart Buchanan on Out From Under about his work, his personal growth and his political intent, and reflects on the outcomes - one foot astride both sides of the channel.


Missed the show? Catch up on Mixcloud.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features music by NIMH, Helecho Experimentar, David Lee Myers, DBC-Unit, Mario Lino Stancati, The Great Old Ones, Mario Guida and Hans Castrup.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Time flies - in this episode, it's the final studio studio session for the album Is Under Location Surfaces! Plus, what might have been a deep listening mix gets sidetracked into computer music beats territory, with everything from LSD Dream Emulator to Big Stick to Mark Fell.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

This episode features a candid story from the Genoa G8 Summit, 2001.

Missed the show? Catch up on Mixcloud.

Long-form gonzo radio exploration of artists on the outer edge with Eric Boros.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, Anna Homler is in conversation with Rupert Clervaux, talking about her new release on First Terrace Records, show at Cafe Oto and more. Preceded by selections by Joe Summers & Specimens.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Nøthing more to say…

In contrast, we present some Cornelius Cardew (†1981) pieces written between 1960 and 1970.

Cardew’s music of the 1960s brought together ideas from both the European and American avant garde at the time, influencing everyone from Alvin Curran, Morton Feldman and Robert Wyatt to latter-day luminaries like US musicians Jim O’Rourke and Sonic Youth.

An upcoming online performance by the Aonghus McEvoy Ensemble is a rare opportunity for UK audiences to hear the music of this most revolutionary of composers. Irish composer Aonghus McEvoy convenes a group including musicians David Lacey, Ailbhe Nic Oireachtaigh, Rob Casey and renowned UK improviser/ musician Rhodri Davies to perform selections from his experimental period (1960-1970).

Online performance: October 9th & 16th, 7pm at Lutherhaus & St. Finian's Church, Dublin ///
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Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.