← Saturday 11th May 2024 →

Slvj, hailing from Madrid, Spain, is an accomplished DJ and music creator. Embracing a butch aesthetic, she crafts captivating music that seamlessly blends field recordings, vocals, and electronic beats. Her unique sound has caught the attention of renowned labels such as FuturepastZine, Solar Complex, and Caballito Netlabel, which have featured her tracks.

As a dedicated sound researcher, Slvj fearlessly traverses musical genres, erasing the boundaries that confine them. Her versatility has led her to perform at a diverse array of venues and radio stations, including CA2M Móstoles, Matadero Madrid, Festival Sonoras Valencia, Hafenklang Hamburg, Buka Milano, El Parche Bogotá, and Drift Ashore Radio Berlin, among others.

Slvj passion for inclusivity and representation is evident in her involvement with TeKM, an exclusive party collective in Madrid that welcomes and celebrates women and the LGTBIQA+ community. By actively participating in TeKM, Slvj strives to create an inclusive and empowering space within the music scene.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode features a one hour mix by AAS collective entitled "Half-Sun Gift" plus music from Shatter, Gish Billions, Olivia Louvel and f.ampism in The Spirit World. For a full track-listing, visit: pastebin.com/k1xVW9gF.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode: moments prepared in recent sessions along with recordings from our time together are processed through the swash and turbulence of the wave machine.

We welcome collaboration in all its forms, to get involved please email hello@subphonics.com

We are especially on the lookout for a label to work with for a planned release over the next year, as well as any performance opportunities. If this relates you and you like what we do please get in contact.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

In this first episode artists Knut Aufermann, Sarah Washington, Katharina Bihler, Stefan Scheib, Anna Friz & Ralf Schreiber broadcast sounds from Ürzig, Saarbrücken, Santa Cruz & Cologne.

Produced by Mobile Radio with support from π-node

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

In this episode, Nicola presents the first of a series of special episodes dedicated - individually - to London-based artists. This time, it's Ben Vince, talented saxophonist and producer. An insight of his release 'Assimilation' out on Where to Now? including interview with Ben himself talking about the release as well as his musical approach, release concept and more.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

The Science Museum and Resonance 104.4FM presented a live performance to a capacity audience of Sketch for Ascent and Descent featuring Dudley Sutton at the Science Museum’s Media Space on the opening night of Aleks Kolkowski’s exhibition The Exponential Horn: In Search of Perfect Sound, 19 May 2014. The Orchestra comprised Ed Baxter (text, score, electric bass), Dudley Sutton (voice), Adam Bushell (vibraphone), Peter Lanceley (electric guitar, voice), Chris Weaver, Sarah Washington and Knut Aufermann (electronics)

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

In this episode, back to the free-styling roots that defined this show, records pulled randomly, a bunch of new stuff – not necessarily new releases but recent listenings down at Discrepant HQ.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This compilation of music showcases the influence of seasonal emotions. Perhaps the moon, the sun, or even the planets play a role in shaping these emotions. The exact cause remains uncertain, but such is the prevailing sentiment in the present day.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

hearth crackles, flute in the fire, chiming with inner ear, waves of sound, seven voices pulled by the moon, turntables by candlelight

Expanding on our collaborative study of Pauline Oliveros' Sonic Meditations Pacific Tell and Energy Changes to mark the winter solstice, Tarik Haskic and Littoral Transmissions open up telepathic communication across time and space with Blanc Sceol (Stephen Shiell & Hannah White), Gardyloo, Shona Handley, and Montañera.

This broadcast is a combined recording of 6 separate performances made simultaneously in 6 locations in Bogota (Columbia), London (UK: Hackney, Newham, New River Studios), Wiltshire (UK, close to Avebury Stones), and a beautiful woven carpet in a tiny countryside house in Slovenia looking at the sea.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, Emily Bick plays Shellac, Earth Ball, Tomeka Reid Quartet, Sisso & Maiko, Robyn Rocket, and more.

New music with The Wire Magazine.

There is currently a structural water crisis in the Palestinian Occupied Jordan Valley. Not a climate or geographical water crisis, a deliberate socially and politically engineered crisis. Israel, since it invaded the West Bank in 1967, controls every public aspect of civilian life in the Jordan Valley. Israel administers two populations, the Israeli settlers and the indigenous Palestinian residents. Israel deliberately and strategically deprives Palestinian farming communities of access to fresh, clean and reliable water supplies, water that is needed for crops and herds, as well as for the Palestinian farmers and herders.

This can mean either not permitting them to be connected to municipal water supplies, despite the Israeli settlers having such access. It also entails not permitting Palestinian people to sink new wells on their own land, and blocking their access to existing wells and springs, either by fencing off the water source or destroying pipes bringing the water to the herders and farmers. The end result is frequently that either the farmers have to pay extortionate prices to purchase water from the Palestinian authority, or if they cannot afford this option they are forced to abandon their land and way of life.

Featuring the water truck driver, co-activists Natasha and Nitsan, shepherds community of Khalet Makhul, shepherd ‘W’, shepherds community of Hirbet Samra and Aref Daragmah. Translation from Arabic: Laila Abd El-Razaq. Introductory text: Liam Evans

Meira Asher is a composer, performer and human rights activist. She primarily uses the medium of sound-art and radio-art. Graduate of CalArts and KonCon, she was co-founder of the Bodylab art foundation with Guy Harries (2001-11), where they produced several projects including Infantry and Woman See Lot of Things. Former lecturer at University of Haifa's Art School (2012-2022) and producer of the independent radio-art show radioart106. since 2014.

Her works have been released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels. Her recent works include Antonin Artaud’s radio essay To Have Done with the Judgement of God, Sonic Voyage of Resistance for Radio Art Zone 2022, and the Catastrophe trilogy by duo Asher.Zax featuring Dave Phillips, Ensemble Musica Nova, and more.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, extemporaneous composition by Alexandre Joly & Johnny Haway. Looper, electric motor, gong, ventilator, sticks, musicbox, strings, voices, organ…

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is a contribution by Radio Panic.

Unbewitch Finance (2017) is a self-proclaimed, Brussels-based lab composed of researchers, activists, artists, designers and various allies engaged to reclaim power over parts of our life in society which are owned by the economic and the financial system. Through rituals, speculative writings, radio documentaries, hybrid performances and exhibitions, the lab develops a pragmatical magic meant to unbewitch ourselves from the curse of TINA* and to think of desirable futures.

*There Is No Alternative

Standard Sono Magique is a sound ritual recorded at Recyclart (BXL) during the release party for the a five chapter radio documentary, Glossary of Finance and Sorcery (Glossaire de la Finance et de la Sorcellerie).

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Excruciating nerve pain, giant's gardens, viking violins, an underwater city and the beauty of Australia's Blue Mountains all feature in this eighth episode of Atmospheric Densities which showcases work by the Texan composer Andrew Weathers, Finnish duo Vongoiva, Croatian composer Manja Ristic and Australia's Broken Chip among others.

We also focus on Liberty our fundraiser for Ukrainian artists and charities curated by Igor Yalivec which we were very proud to put out last week, and take a second listen to Timothy Fairless's magnificent Rising Water.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Tina Turner's Private Dancer. There's no order, no lists, only stilted and exclusive material. Public and private dancers, non-binary voices, Finnish superstars, peaches, orchestras, strong women, workers who hate their jobs … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this show, Mark Leckey entrusts Kinn with re-contextualising several of the Turner Prize-winning artist’s works from 1999-2021. From his recent commission at the Tate Britain, O’Magic Power of Bleakness (2019) which was released on vinyl by Boomkat earlier this year, to his greatly influential Dream English Kid, 1964 - 1999 AD (2015) and Fiorucci Made Me Hardcore (1999).

Providing Kinn with access to his archive, Kinn began extracting the audio from his films, re-harmonising and sampling moments that possessed “musical potential” or "evocative phrasing" and transforming them into instruments which he then wrote the album with, delving into the contemporary artist’s conceptual framework as inspiration for the music.

The result is Mark Leckey’s career-spanning vision translated into the format of music, his favoured themes of nostalgia, dread and anxiety are exaggerated and punctuated by bold and articulate musical expression, providing an emotionally rich auditory journey which fans of both artist’s works will recognise and love. Resonance Extra premiers this collaborative work as more of an album transmission akin to the early days of John Peel Sessions rather than a radio DJ mix.

Kinn describes the work as “sitting firmly in the middle of my last record (Anamnesis Landscape, released on First Light Records last year) and where I am moving forward with my sound, a schism of classic instrumentation and harmony being enhanced by contemporary sound design, Albini-fan-boy recording techniques and studio wizardry”.

Also features additional instrumentation by Will Langstone (Cello) & Louis Giannamore (Percussion).

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

In this episode, Andrew Jarvis takes a listen to the wider realms of the electromagnetic spectrum with an exclusive contribution from Jez Riley French, sounds from Christina Kubisch, ultrasonic bat calls and new releases from Rosanne Robertson and Alessandro Bosetti.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

"again finished in the morning, the new mix is featuring tracks where i messed up the code and instead of artificial intelligence/GANsynth minstrels playing gittern it drifts in and out digital noise + ml generated happy hardcore tunes i nicked from secret hacker discord socities, some panharmonium ambient/modular ramblings, garden party jams with annoying neighbours (the other day my annoying neighbours were having a garden party -and im the one who supposedly is loud- and a song they were playing were in sync with my sketch.

i tried to record but failing i knocked their door and telling the situation they told me the track name but i asked for them to play it one more time but louder so i can record it from my room with the bird sounds involved cause it initially was like that, though when i played it back from my window they texted me to tell that it sucks) and even relatively a four-on-the-floor-ish tune from the upcoming album - which strongly resembles another alias and therefore am a bit reluctant about. the title 'Song of Songs' is inspired by the British Surrealist artist, Ithell Colquhoun. war x"

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Gamba.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

In this episode: Feedback.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Sounds of the SHAPE Platform (Sound, Heterogeneous Art and Performance in Europe).