← Wednesday 24th April 2024 →

In this episode Phil England presents music by Rafael Toral, Splitter Orchestra, Moor Mother, Kathy Hinde, Ko Ishikawa, Mazz Swift, Rhodri Davies, I Made Subandi, Ailbhe Nic Oireachtaigh, Sam Lee, Orchestre O.K. Jazz and many more.

New music with The Wire Magazine.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This is a three hour extract from the festival, featuring sound art, computer music, homemade instruments, DIY electronics, radio play, noise, data sonification, field recordings, radio art, sound studies, historical anchor points, niches, insider tips, and different generations of Cologne's electronic and sound art landscape.

Full details and line-up: https://www.gerngesehen.de/funkt

The FUNKT programme was developed under the project management of Georg Dietzler by Anke Eckardt, Claudia Robles-Angel, Dietmar Bonnen, Dirk Specht and Felix Knoblauch, in cooperation with Sarah Washington and Knut Aufermann.

Thanks to sponsors Musikfonds e. V. with project funds from the Federal Government Commissioner for Culture and the Media as part of the special programme Neustart Kultur, Kunststiftung NRW (North Rhine-Westphalia Endowment for the Arts), the Cultural Office of the City of Cologne.

FUNKT was a festival of electronic music and sound art from Cologne, which took place on the 16th, 17th and 18th of April 2021.

Excruciating nerve pain, giant's gardens, viking violins, an underwater city and the beauty of Australia's Blue Mountains all feature in this eighth episode of Atmospheric Densities which showcases work by the Texan composer Andrew Weathers, Finnish duo Vongoiva, Croatian composer Manja Ristic and Australia's Broken Chip among others.

We also focus on Liberty our fundraiser for Ukrainian artists and charities curated by Igor Yalivec which we were very proud to put out last week, and take a second listen to Timothy Fairless's magnificent Rising Water.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

In this episode: burning down the house, the rite of spring with Bernstein, appreciation, different languages, anti-presidency, sat on a meadow polyrhythmics, WW3, you make me wanna bliss and extasy.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

This second episode is focused on the musical/sonic use of sonance. More about this here.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

The Tyneside Sounds Society is a monthly broadcast dedicated to the recording and reinterpretation of the sonic environment and sound heritage of Tyneside in the North East of England.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features music made by Naviar's community inspired by John Hinks’ poem “Tall, wide-arching trees / Assume a cathedral shape / Until darkness falls”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, a recording of a recent live trio performance in Newham with Montañera.

Inspired by a magical piano and luminous sets from the Dogs Paw Trio (Ed Shipsey/petals/Jordan Muscatello) and the Tape Transport Bureau (Shona Handley & Andrew Ciccone).

Thank you to Robert Clarke for hosting this show at Arch 1, our favourite London venue! And thanks to Ed Shipsey for the recording.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode of Third Space sees two First Light Records artists, Louis Giannamore (Barkum Deer/Kinn) and Sean Kinnear, explore themes of space, memory, and nostalgia over the course of two deeply personal mixes. In the first hour, Louis revisits his childhood holidays in the Basque Country of Southern France, trips that are soundtracked in his memory by the heavy metal music that defined his musical youth and the rich coastal soundscapes of the region.

He reinvokes the feeling of these formative moments in a curated mix of his field recordings from the Basque, interwoven with often-overlooked ambient and balladic gems from artists that are ordinarily associated with crushing drums and chugging riffs. In the second hour, Sean narrates a history of his native Salford through music and found sound, as well as exclusive unreleased sonic experiments of his own. From the sounds of textile production to the dancefloor of the White Hotel, from New Order to Machine Woman, Sean’s mix charts a nostalgia-tinged path through Salford’s story and his own.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Dani joins up for their first show and does a deep dive into the history and expansive catalog of Japanese punk, oi!, pogo, d-beat and hardcore.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Ex-New Yorker, Tokyo-based footwork and house producer YASHA joins on this episode, layering recent breakbeat and ambient techno influences with his own styles in a reliably non-stop mix.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode of this series, Ilia Rogatchevski presents a mix that packs in carnal club sounds, spiritual jazz and ancient flutes. Plus new music from Luce Mawdsley, Adam Wiltzie and Damsel Elysium.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.