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Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode features music from Simone Salvatici, Gregory A. Dugan, Dead Neanderthals, Luxul, Metalogue, Trojanovskx, Merlin Nova and An Trinse.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This episode features analogue electronics maverick Tom Bugs.

Missed the show? Catch up on Mixcloud.

Long-form gonzo radio exploration of artists on the outer edge with Eric Boros.

This episode is a mix of 10-50 second fragments from 120 tracks from the collection 'Monochrome Visions (For Dmitry Vasilyev)', by Various Artists. (Released September 23, 2018 on Korm Digitaal.).

On September 7th, 2018 we lost Dmitry Vasiljev, Russian music journalist, owner of the label Monochrome Vision and concert promoter. A tireless music enthusiast who did so much for the promotion of electronic, experimental, noise, ambient music and much beyond. This is a musical tribute to his life and work. Thanks to all the musicians involved.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This episode takes a listen to ultrasound and echolocation with Jana Winderen, Sonic alchemy from Beatriz Ferreyra and the tape and voice work of Barry Truax.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

In this episode, a guest live set from noise artist and occasional Trash Panda QC collaborator Shimmering Ice Puzzle, plus a mix featuring tracks from GS Sultan, ari liloia, pantea, Eon, SDEM, and more.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Sounds of the SHAPE Platform (Sound, Heterogeneous Art and Performance in Europe).

In this episode we explore the choral worlds of NYX and Kali Malone, get lost in Gazelle Twin’s occult incantations and check out new music from claire rousay, Beth Gibbons and BIG|BRAVE.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.

The latest new music releases are featured in this week’s show, testing the temperature of eclectic and experimental Australian waters. With tracks from the new EP by Melbourne producer Waterhouse; future bass from Sydney’s JV; smooth MDMA music from Canberra’s Bum Creek; the debut solo single from Marcus Whale; experimental R&B from Pillow Pro; remixes of work by HTML Flowers and Dylan Michél; plus Lost Salt Blood Purges, Gentleforce, Kell//ua, Hidden, Orlando Furious, and new music from Australian electronic music legends Severed Heads.

Missed the show? Catch up on Mixcloud.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

This episode, our first in three years, features an extended interview with academic and artist Mark Peter Wright whose book Listening After Nature: Field Recording, Ecology, Critical Practice probes the ethical implications and erasures at the centre of constructions of field recording.

We discuss the silence of the recordist, encounters with more than human subjects, how the 'field' is configured and the entanglement of field recording technologies with environmentally and economically extractive processes.

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

Short Manual is a sound collage program & conceptual mix show with some original production included.

In this episode, a tide walk. Two coasts across two hundred miles. A salt marsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour rest one hour. Twelve walks divided and rebuilt at random. Twelve walks each a new tide walk. This is tide walk 4.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

In this episode, more influences and loose association in response to postcards sent in by Plum Cloutman, Ines Gradot, Danny Leyland, Ella Squirrell & Tommy Brentnall, including pieces by Harry Partch, Orson Welles & Laurie Anderson.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

In this episode, Radio Picnic from the Festival Archipel in Geneva.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

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Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode features music made by Naviar's community inspired by Kawahigashi Hekigoto’s poem “The first thunder / Is likely to shake / The tiered doll stand.”

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode, Emily Bick plays new music by Valentina Magaletti (pic), Jlin, Lolina, Akio Suzuki, Conrad Schnitzler, Nick Dunston, and more.

New music with The Wire Magazine.