← Wednesday 13th March 2024 →

In this episode Chris Bohn plays tracks from John Butcher, Gudrun Gut, Woman Of Noise For Palestine, Otaco, Howlround, Li Jianhong, Glamorous Pharmacy, and more.

New music with The Wire Magazine.

This episode features music by Subversive Intentions, DAIMON, Sleep Orchestra & Nohltanon, CHÖD, Memorie Elettroniche Sonore, Lian YiYuan, Peristalith, Richard Bégin, Lars Bröndum and Joel Gilardini.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

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Eclectic musical face-off between German electronic musician and producer Ulrich Schnauss and Nathaniel Cramp (Sonic Cathedral).

This episode kicks off with a piece from Homework, the alchemical collaboration between Italian composer MonoLogue and London-based percussionist Matt Atkins.

We also take a first listen to Ginestra, the forthcoming album by Iranian multi-instrumentalist Ava Rasti.

The rest of this show is given over to an exploration of the Greek experimental music scene, starting with Cafe Oto's release of violinist Dimos Vryzas' wonderful live set from January.

Dimos has also prepared a beautiful mix of music from the Greek experimental and alternative music scene which comprises the second half of the show.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

This month, Foldable Sound's Daniela had the mad pleasure of interviewing Maria Abramenko (@mariabramenko) - an independent curator and art writer for Nasty Magazine.

We touch on sound art and sound curation in a "contemporary art" context, and talk about Palermo Art Weekend’s first edition (@palermoartweekend), a programme of digital and sound art in Sicily’s capital curated by Maria herself, to which Daniela had the pleasure of co-curating the research programme along with Giulia Anselmo (giulia__an).

As usual, the mix is punctuated by our open call submissions along with two pieces from Palermo Art Weekend by Gili Lavy (@gili_lavy) and Cyphr (@cyphrrrr). It’s cold out, so buckle up, rig your speakers and wriggle south - deep into the Med.

The Foldable Sounds Collective presents Foldable Soundbath. The collective formed during the April 2020 lockdown and is composed of three artists: Daniela Maria Geraci, Lucy Rose Cunningham and Isabelle Pead. Individually dealing with sound as an archival, performative and narrational tool, collectively they interrogate sound’s potential to sonically transport the imagination outside one’s four walls, drawing on a global need for freedom of movement.

A Looperama smorgasbord, where mystery abounds! Unknown sounds and a mystery guest!

Commencing with some unidentified library music (aka production or stock music)... Bright and upbeat melody with urgent and propulsive beats, just right for the modern ear... neither alive or completely dead.

Featuring a segment of Offrandes for Soprano and Chamber Orchestra (1921) by Edgard Varese superimposed with random found (Professor Pyg?) radio broadcasts and fragments, some eerie music from a Halloween sound effects compact disc, other sonic snippets intersperse around the thudding ostinato of Electric Lady (1973 ) by Geordie, a British rock band from Newcastle, most notably active in the 1970s.

Geordie line-up included: Vic Malcolm (lead guitar), Tom Hill (bass guitar), Brian Gibson (drums) and Brian Johnson (lead vocals).

To conclude, a surprise appearance from a mystery guest ...guess who! With music that you can dance to, - whatever wavelength you're on!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode revisits a project undertaken by Tyne & Wear Archives & Museums in 2012 called Half Memory, which explored the excavation of memory and imagination, the fleeting moment and The forgotten story.

The project invited artists and musicians working with sound and the moving image to unearth material from the vast collections of Tyne & Wear Archives & Museums to inspire new work.

It’s a emotional mix and the oblique and fractured narrative of the voices combined with Steve’s lush ambient productions provide an emotive and moving listening experience.

The Tyneside Sounds Society is a monthly broadcast dedicated to the recording and reinterpretation of the sonic environment and sound heritage of Tyneside in the North East of England.

In this episode, a two hour mix of Chocolate Monk releases that hit the streets on the super unhip compact disk recordable format.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this fifth episode: the collective fights through the jungles of South America's Northern regions in search of the fabled El Dorado. Following three explorations from Europe, expect records ranging from Krautrock film soundtracks to Amazonian soul.

Roamer's Gap is a unique exploration of global sounds through the medium of vinyl records by Sticky Buttons' Alex Wight, Jack Headford and Alex Headford.

This episode features music made by Naviar's community inspired by Kobayashi Issa’s poem “taking it easy / the mouse sleeps too... / spring rain”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features extracts of four pieces, listed below.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

In this episode, Brandi plays the top hits from yesterday and today.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

In this episode, a short DJ set from Trash Panda QC and a guest live set from Bay Area spatial media artist Shatter Pattern.

/// Website /// Tumblr /// Soundcloud ///

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, a short DJ set from Trash Panda QC and a guest live set from Bay Area spatial media artist Shatter Pattern.

/// Website /// Tumblr /// Soundcloud ///(r)

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode of this series, Ilia Rogatchevski presents a mix that packs in carnal club sounds, spiritual jazz and ancient flutes. Plus new music from Luce Mawdsley, Adam Wiltzie and Damsel Elysium.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.