← Saturday 9th March 2024 →

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of One of Us by Joan Osborne. There's no order, no lists, only stilted and exclusive material.

Gregorian monks, electrocombia lovers, metal minds, hardstyle dancers, satanics followers of Anton Lavey, sexy sax… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

A 22-hour radio project in 7 episodes by Milo Thesiger–Meacham. An unnamed narrator moves house and pieces together a world of recording devices, names, crime, real-world characters and media from across the globe, featuring 10-second audio extracts from over 6000 individual videos found online, original sound recordings, music, hand-held camera audio and writing. Commissioned by the European Capital of Culture, Esch2022 for the temporary radio art station Radio Art Zone. Follow Fox Neame for more.

For the penultimate show in this run Ilia Rogatchevski presents a mix of club sounds from Olof Dreijer, Ana Zhdanova & Karpesh, ambient post-rock from Trupa Trupa, and remembers Montreal with recordings by Danielle Boutet, Open Reel Ensemble and Enfant Magique. Plus new music from Keeley Forsyth, Vanessa Bedoret and Laura Kampman.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.

In this episode, a two hour mix of Chocolate Monk releases that hit the streets on the super unhip compact disk recordable format.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

A strange episode. I found my Ivor Cutler records and decided to play them randomly with recent purchases as well as some other bits and bobs, the effect is weirdly relaxing, sparse, fluid. Like a swim!

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode, an hour of recent releases by Late Works collaborators, featuring Bianca Scout, Still House Plants, Kiran Leonard, Cool Quiet, Caius Williams & more.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

In this episode: retracing steps to re-find our selves once more by the river at sunset.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode Chris Bohn plays tracks from John Butcher, Gudrun Gut, Woman Of Noise For Palestine, Otaco, Howlround, Li Jianhong, Glamorous Pharmacy, and more.

New music with The Wire Magazine.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Featuring (in order of appearance) …

Hannah Regel, Nicolette Polek, Iain Sinclair, David Grubbs, Lucy Sante, Imogen Cassels, Jess Cotton, Joan Brossa, Stanley Schtinter, Edwina Attlee, & Wayne Koestenbaum.

Order a copy of Seven Rooms direct from Prototype Publishing. Read Jaeckle & Chandler’s introduction to the collection, ‘Forethoughts.’

Seven Hundred Horses assembles a select thread of live recordings and materials from the London launch of Seven Rooms at Presse Books / FormaHQ (Regel, Sante, Cassels, Cotton, Attlee and Koestenbaum) alongside choice cuts from the Hotel Archive (Polek, Sinclair, Grubbs, Brossa, and Schtinter). 


& in which ... 

Hannah Regel reads Mahmoud Darwish’s ‘Eleven Stars Over Andalusia,’ Nicolette Polek reads a short story called ‘The Rope Barrier,’ Iain Sinclair reads ‘Animal Drums,’ a cut-up impromptu to SJ Fowler’s motion-picture-poem of the same name (at the Whitechapel Gallery, 2019), David Grubbs reads a slice of his feature-length poem, ‘Good night the pleasure was ours,’ Lucy Sante reads a poem called ‘Call My Baby,’ Imogen Cassels reads a poem called ‘Two Types of the Same Return’ and ‘Moss’ (as in Kate), Jess Cotton reads a poem called ‘States of Bewilderment’ and a poem called ‘Aloof,’ Stanley Schtinter reads Joan Brossa’s ‘Astral Summary’ (Parts I and II of III), Edwina Attlee reads a poem called ‘Refrigeration’ and a poem called ‘Australia Day,’ and Wayne Koestenbaum reads a poem called ‘Stigma Pudding.’

A Suite for Seven Rooms (700 Horses) was co-produced for Resonance Extra by Dominic J. Jaeckle and Milo Thesiger-Meacham; the readings at Presse Books / Forma HQ were recorded on location by Caroline Heron.

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Hannah Regel is a writer based in London. She has been published in The Poetry Review, Fantastic Man, Granta, Hotel and Canal, amongst others. She has published two collections of poetry, When I Was Alive and Oliver Reed (both Montez Press, 2017 and 2020 respectively). Her debut novel, The Last Sane Woman, will be published by Verso Fiction in 2024. 


Nicolette Polek is the author of Imaginary Museums (Soft Skull, 2020) and the forthcoming novel, Bitter Water Opera (Graywolf Press, 2024). She is a recipient of a Rona Jaffe Writers' Award, and a recent graduate of Yale Divinity School.



Iain Sinclair is a British writer, documentarist, filmmaker, poet, flaneur, metropolitan prophet and urban shaman, keeper of lost cultures and futurologist.



David Grubbs is Distinguished Professor of Music at Brooklyn College and The Graduate Center, CUNY. He is the author of Good night the pleasure was ours, The Voice in the Headphones, Now that the audience is assembled, and Records Ruin the Landscape (all published by Duke University Press, 2022, 2020, 2018, and 2014 respectively). He was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with Tony Conrad, Susan Howe, Pauline Oliveros, Will Oldham, Loren Connors, and many others. 



Lucy Sante’s books include Low Life (Farrar, Straus and Giroux, 2003), Kill All Your Darlings (Verse Chorus Press, 2007), The Other Paris (Farrar Straus & Giroux, 2015), Maybe the People Would Be the Times (Verse Chorus Press, 2020), and—in 2024— the memoir I Heard Her Call My Name (Heinemann).



Imogen Cassels is the author of various pamphlets, including Chesapeake (Distance No Object, 2021), VOSS (Broken Sleep, 2020), Arcades (Sad Press, 2018), and Mother, beautiful things (Face Press, 2017). Her writing has appeared in the London Review of Books, the Times Literary Supplement, The White Review, and elsewhere.



Jess Cotton is a writer based in London. Her book on John Ashbery was recently published by Reaktion Books. 



Joan Brossa (Barcelona, 1919–1998) began writing when he was mobilised in the Spanish Civil War and would fuse political engagement and aesthetic experiment through sonnets, odes, theatre, sculpture and screenplay within a neo-surrealist framework. Brossa founded the magazine Dau al Set in 1948, and his collections include El saltamartí (1963), Poesia Rasa (1970), and the six volumes of Poesia escénica (published between 1973 and 1983).

Stanley Schtinter has been described as an ‘artist’ by the Daily Mail and as an ‘exorcist’ by the Daily Star.


Edwina Attlee is the author of two pamphlets, Roasting Baby (if a leaf falls press, 2016) and the cream (Clinic, 2016). She teaches history to students of architecture in London. 



Wayne Koestenbaum has published over twenty books of poetry, criticism, and fiction, including Ultramarine (Nightboat Books, 2022), The Cheerful Scapegoat (Semiotext(e) / Native Agents, 2021), Figure It Out (Counterpoint, 2020), Camp Marmalade (Nightboat Books, 2018), My 1980s & Other Essays (Farrar, Straus and Giroux, 2013), amongst other publications. He is a Distinguished Professor of English, French, and Comparative Literature at the CUNY Graduate Centre.

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A new entry in the occasional broadcast series from Tenement Press and Prototype Publishing, Railroad Flat Radio, Seven Hundred Horses is a suite of readings by eleven poets and makers to mark the publication of Seven Rooms, an anthology of works from across the Hotel series, 2016 to 2023, co-published by Tenement and Prototype, and edited by Dominic J. Jaeckle and Jess Chandler. 

It’s spring time and we’re finally feeling the rays on our faces. Take a dip in this month’s Soundbath on Resonance extra, with a light shower of ambient electronic and soft vocals, drifting around a beautiful chat with multidisciplinary artist and Foldable Sounds day 1 trooper, Elena Lo Presti.

Foldable Sounds’ Daniela Maria Geraci shares in a moving conversation with the Italian, London-based artist, discussing her practice of ‘giving importance to the tiny things’ via ceramics, retelling generational stories and the proliferation of craft as an act of caregiving.

Recline, take a moment. This one’s a wild ride of emotions, so settle into these swirling depths.

The Foldable Sounds Collective presents Foldable Soundbath. The collective formed during the April 2020 lockdown and is composed of three artists: Daniela Maria Geraci, Lucy Rose Cunningham and Isabelle Pead. Individually dealing with sound as an archival, performative and narrational tool, collectively they interrogate sound’s potential to sonically transport the imagination outside one’s four walls, drawing on a global need for freedom of movement.

The show from International Institut for Research on Radio and Magic. The correct translation for "Uscite dal mondo" is indeed "Exits from the world" and not "To leave the world.” The exits indicated here are openings, cracks towards possibilities. What is behind the curtain?

Performances and experimental music on concepts such as trance, magnetism, hallucination...

With: Eleonora Polato, Paul Courlet, Jonathan Frigeri, Liviu Poenaru, Alexandre Mezzorana, Simone Aubert, POL, Plastique Ono

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is contribution by Rádio Zero.

This piece proposes a sonic journey through the depths of the unconscious mind. Patterns repeat, evolve, mutate and dissipate into other shapes, just like a dream where you can wander freely without ever knowing exactly where you are, when it begins or ends – just a blank space to be filled in the void.

Rita Silva (PT, 1993) is a Portuguese composer and multi-instrumentalist with a focus in analog synthesizers and algorithmic composition.
Part of this year’s roster of Shape +, a renowned european platform for innovative music and art.

Rita released in 2022 her debut album “the inflationary epoch“, which resulted in several media mentions and positive feedback. She has played in venues and festivals such as Out.FEST, Zigurfest, ZDB, GnrATION, Paard, Madeira DIG, The Grey Space In The Middle, among others.

Currently, her research is focused on the use of recursive melodic patterns that can manipulate the listener’s cognitive processes, where the boundaries between sound, space and time are intertwined in a psychoacoustic cosmos.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode celebrates the pending release of Iranian composer Ava Rasti's powerful album Ginestra, which is out on Friday.

We also delve into Mute Frequencies' forthcoming Svalbard Soundtracks, which re-imagines the aural world of three silent documentaries about this remote archipelago.

My new album Fever Dreams on Mana Records gets a spin, and we dip into Cath Roberts collaborative work ahead of her gig with Graham Dunning at TACO gallery this Thursday.

Bill Thompson destroys a mini disc and we close with Blanc Sceol's beautiful new release Orbit which features a self-built spinning instrument on Otoroku.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, we feature two artists pushing back against the tyranny of the machine in electronic music - capturing inputs and processing outputs in ways that rely less directly on spending face time with the laptop screen.

Alex White talks about Nadir, his noise collaboration with Ben Byrne, which rejects dark, power noise in favour of a light and bright counterpoint; and jazz musician Jacques Emery discusses the wide range of electronic output on his Sounds Are Sounds label, all of which favour art over craft, and – much like jazz - focus on a constant refinement of improvisational practice.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Camilo Franco presents new and emerging sounds from Latin America.

This episode takes a listen to the Icelandic aurora borealis, sounds from North Finland, underwater transmissions, Horspiel, and readings from the streets of New York.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

This hour is mixed by Meg Woof.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

Experimentation and collaboration with Esmé and Avel of ATATA, a vessel for live and recorded music.

Sounds of the SHAPE Platform (Sound, Heterogeneous Art and Performance in Europe).