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This episode features a work by Shaq Shuka.

Louis Grace presents Teaching Computers to Love. This is a collaborative platform for artists to develop an episode sonically with a 10-20 minute body of work.

“The past is a foreign country: they do things differently there.” – L.P. Hartley (1895-1972)

• audio / visual decomposer Lepke B posits the question - "How will we live in the 21st Century?"

Mark Vernon explores concepts of audio archaeology, magnetic memory and nostalgia through his sound works. At the core of his practice lies a fascination with the intimacy of the radio voice, environmental sound, obsolete media and the reappropriation of found recordings.

A rich collection of domestic tape recordings; audio letters, dictated notes, answer-phone messages and other lost voices often find their way into his unorthodox soundworlds. These diverse elements are distilled into radiophonic compositions for broadcast, multi-channel diffusion, fixed media and live performances. A keen advocate of radio as an art form, he co-runs and curates Glasgow’s art radio station, Radiophrenia.

Works for radio by Mark Vernon and friends, comprising The Tonic Garden - A Sonic Survey Of Soothing Sounds; Audiology for Beginners; The Eldwitch Transmissions (with Barry Burns); Continue Without Losing Consciousness; and Vernon & Burns Hour.

This episode presents the best of 2023 from the Discrepant HQ. A lot of strange and easy listening that has rocked our broken boat over the past year. Some bangers here and there but mostly new weird mashers. Enter the new year void with last year's glob…

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features music made by Naviar’s community inspired by Sôen Nakagawa’s poem “morning service / offering its fragrance / a white lily”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, Shane Woolman plays tracks by Amy Cutler, SANAM, Carl Stone, and Sabreen, plus a special guest mix by Deena Abdelwahed.

New music with The Wire Magazine.

This episode features a special live mix by musician and sound artist Jo Johnson.

Background sounds: Waldeninsamkeit by Kayla Painter and field recordings of owls.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, Michael Brown (List Of Moths) joins ATTN:Magazine to talk about creation in solitude, ambiguous movements and his latest EP. Also – a selection of pieces centred on the theme of dancing.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

From the shore walk up the slope to the cairn, follow the track north into birchwood, walk through the woods towards the waterfall, cross the burn, walk up the hill, up to Hallaig.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

In this episode, playlist to listen while driving: Repentance.

Initially, I wanted to make a more feel good type of a set but seeing the SD card from my multi-track recorder on my table, and remembering there are 22 hours of recordings in it from the past long weekend, I realised I actually would listen to my demos/music anyway - so it's a mixture of both.

Named after the one in an infinity chance (it wasn't a 'lyric' model) of an occurrence where around 23:30 the neural network decides to sing 'and I repent'.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

"Substunce Sans Scrupule" is a dream. A hazy dream born in the emptiness between the words of "Igitur ou La folie d'Elbehnon" by Stéphane Mallarmé. A dream that sought Marcel Proust's lost time and constituted the light and the black void between the single frame of Gregory Markopoulos. It is the birth and the destruction of the work of art, primitivism and science.

"Substunce Sans Scrupule" is as much Georgios Karamanolaki's automatic writing on the work of Jean-Marc Foussat as Jean-Marc Foussat's on the work of Georgios Karamanolakis, imagined and recorded in 2017 in Paris and Athens. The ultra vivid dialogue and communication between the artists creates a completely spontaneous work of 43 minutes that constitutes an immersive ritual of shocking sound, illusionary image and complementarity.

In "Substunce Sans Scrupule" we witness the union of musique concrète ideas with noise, of field recordings with vocal delays, of electroacoustic music with drone. In "Substunce Sans Scrupule" the faraway splinters of jazz fuse with Japanoise, the dreamy with the real, the Magical-Religious with the Scientific.

Α fragment of time documented in 140g 12" vinyl record format, in an edition of 300 hand numbered copies.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

Kleine Pía is the alias of Pía Sotomayor, who debuted in 2003 under the alias of DJ Ruina. With a style that crosses without prejudice between techno, electro, house, breakbeat, experimental and contemporary club, she has had the opportunity to present herself on many radio stations, and in clubs, parties and festivals in Chile and around the world.

For some years now she has been experimenting with machines, editing singles for various labels such as Panal and Halcxn. In November 2022, she released her first EP Multi Level Void on the Chilean-Mexican label Filiae, an EP of 6 tracks, three originals and three remixes, by Valesuchi, Tomás Urquieta and Ron Morelli, mastered by AtomTM.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Mitamine presents a mashup of everything. Lots of feelings & emotions.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode features a mix by UNITEDSTATESOF.

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Guest mixes selected by Ian Bruner.

The parking garage is a the "inferno of the same" (the agony of eros). It is a labyrinth in which the ceiling is often the floor, a schizophrenic environment that does not allow the face to be recognized. The(se) structures or modern functional ruins are a global phenomenon and in most cases duplicate a common design. In this way the parking garage can act as a portal, an access point into multi-linear spaces (this way amd/or that). All parking garages comprise a kind of universal parking garage, when we are in one parking garage we are in all parking garages.
The global effects of the internet have displaced direction and have effectually erased all horizons. The rhizomatic connections of the internet, a(nother) decentralized and/or multicentered domain.

ARCO is Neil Luck, Adam de la Cour, Chihiro Ono and Benedict Taylor. Recording captured, and engineered live by Matt Saunders. Mixed by Neil Luck.

Costumes by Monika Czyżyk with characters from Bodyssey series and 4k videos. 360 video by Mateusz Ścibor.

Live recordings of a work by ARCO performed on loop at Colourscape, September 2023. More info here.

In this episode, Zu From All Over invites her dear friend Michael From The North Bay back to the show where they each give a sneak preview of their 2k23 Year End Top Ten Lists, featuring the best weirdo punk, weirdo hardcore, and weirdo indie-punk that the year had to offer. This year sucked! (but all-in-all not so bad).

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.