← Sunday 17th December 2023 →

This episode features TVO, Spatial, Agents of the Culture Industry, John Coltrane, Delia Derbyshire, Karlheinz Stockhausen, Benjamin Zephaniah, Dean McPhee, Alva Noto, Disinformation & Savion Glover, Dadavistic Orchestra, Alexander Tillegreen, hoodie x James K, Cabaret Voltaire, Burning Woman, sideb0ard, Nivhek, Pantea, Mücha, Jo Johnson, JP Hartnett, Slavoj Žižek & Frank Sin'AI'tra

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

In this episode, Jennifer plays some new and newish releases all in between a little Screaming Females sandwich.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Wajid Yaseen is a Manchester-born, London-based artist whose work draws on an inter-disciplinary approach to develop sound-based works encompassing installations, live performances, acousmatic music, graphic scores, and sound sculptures.

He is the director of the sound art research cooperative Modus Arts, the co-founder of the destructivist Scrapclub project, and director of the Ear Cinema project. His early career as a music producer led him to be signed to Mute Records, Planet Mu and Ad Noiseam, paving the way for collaborations with i.a. Lydia Lunch, Alan Vega, Dälek, Terry Edwards, and Franko B. Delving into inter-disciplinary practices, he has worked with a number of contemporary dance groups and choreographers such as Candoco, Athina Vahla, and Mara Castilho.

He holds an MA in Arts and Design with a focus on Sonic Arts, and his work has been exhibited and performed at the ICA Gallery, Arnolfini, Queen Elizabeth Hall, the Whitechapel Gallery, Laban, and the Freud Museum.
http://www.wajidyaseen.com/

Jose Macabra presents solo work and other collaborations.

ID Spectral is a multi-disciplinary record label and arts collective, showcasing the spectrum of innovative creative identities worldwide.

In this episode, a tide walk. Two coasts across two hundred miles. A salt marsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour rest one hour. Twelve walks divided and rebuilt at random. Twelve walks each a new tide walk. This is tide walk 4.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode features a special live session recorded by Tomer Baruch & Adam Cohen. Baruch and Cohen play as an Israeli instrumental duo named Sikrikim.

Tomer Baruch - Synths. Adam Cohen - Drums, Trumpet. Recorded & Mixed by Adam Cohen.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show which deals with live mixing and processing of field recordings together with radio broadcasting and concrete sounds. Fresh raw materials including everyday sounds, samples from tv & radio, news editions and advertisements are all gathered on a regular basis and then mixed together with live sources (FM and AM stations and other live online streaming sources) and objects (such as amplified/hacked toys).

Short Manual is a sound collage program & conceptual mix show with some original production included.

The first half of this episode was made with visual artist Tarzan Kingofthejungle, who presents a series of dense and sinuous compositions of personal field recordings from Central America, North Africa, Albania, Bulgaria, Japan, Sri Lanka and London.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode, a selection of tracks that evoke double-gravity drunkenness, stomach electricity and other such states of human experience, narrated from the farmlands of Throop in Dorset.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

This episode features Recordings from Pokhara Nepal plus an unreleased track from my upcoming record on Coherent states of Athens, plus an unreleased track by Jay Glass Dubs.

“The bombastic and Repetitive Sounds Of Tashi Ling Buddhas In Pokhara, Nepal” is a sound mix of Pablo Picco and María Victoria Arener’s trip. The first side is including field recordings by the Buddhis ceremony in Pokhara Nepal, that took place on the 6th of February, 2012. Side b includes various recordings from river, caves and a wedding band, recorded on the same day between 10 AM and 18 PM. The cassette include a 40min mix of their experience, and absolutely ethnological document, that is already documented as a full length experimental film under the name “Kalinga Utkal”. Released by More Mars Records

Mortal path is part of the upcoming record by G.Karamanolakis on the Athenian label Coherent States, a concrete approach to a non existent spiritual electronic cult.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Eclectic musical face-off between German electronic musician and producer Ulrich Schnauss and Nathaniel Cramp (Sonic Cathedral).

This episode celebrates the release of new music, including Kayla’s new EP Ambient Owl Core Vol.1. A journey through releases, live tape loop improvisations and soundscapes.

Background music: What is keeping you alive makes me want to kill them for by Kathryn Joseph (Unofficial Jilk Remix).

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode draws a big line from frantic breakbeat magic to rolling ambience.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This contribution comes from Radio Papesse.

Armen is a sound work and collection related to diasporic music which Andrius Arutiunian has been developing since 2016. It traces obscure Armenian disco releases from the 80s, remakes little-known pop songs from different parts of the Armenian diaspora, and navigates this treacherous sonic field in polyphonous, and sometimes contradictory ways. Armen is also a homage to one of the most common Armenian names.

In 2017 an iteration of Armen was published as a vinyl release. As writer Monika Kalinauskaitė wrote in her text for this publication: “But right now, at this moment, on a rug, in a car, by the monotonous music machine, the only circles you draw are your first ones, spinning the body and thought, breaking the world’s axis into millions of dancing small figures. You may as well hear of those rivers – it’s a miracle, but they reach everywhere, populating the world with gold-headed fish. Only blood and bodies alter their flows, oh look, we are now trapped in an island that was not here before, I believe we are also humming songs we never knew, but somehow remember.”

Andrius Arutiunian is a sound artist and composer based in the Netherlands. He works through sound and hybrid forms of media, with a particular interest in sonic artefacts, aural identities, and digital, automated technologies.

Sonic dissent, alternate modes of political and musical organisation, and playful investigation of esoteric and vernacular histories form Arutiunian’s most recent works. Using hypnotic and enigmatic forms, Arutiunian’s works often question the notion of musical and political attunement.

In 2022 Andrius Arutiunian represented Armenia at the 59th Venice Art Biennale with a solo show entitled Gharīb. Other recent solo shows include Counterfates (Meduza Vilnius, 2023) Diaphonics (Centrala Birmingham, 2023), and Incantations (CTM and Silent Green, Berlin, 2021).

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.