← Tuesday 5th December 2023 →

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Back to back Possession & Trance Themed DJ Set

Jose Macabra presents solo work and other collaborations.

Verónica Daniela Cerrotta is an experimental artist from Buenos Aires, Argentina. She studied piano and visual arts. She composes music using her own field recordings, which she then mixes with other sounds and noises to create imaginary soundscapes.

Here she presents a mix for Radio Cascabel.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

The first episode in a series of recorded performances from our live score series, re-imagining scores for obscure and iconic animations. Featuring interviews with saxophonist and sound recordist Martin Clarke, and acclaimed vocal artist Ingrid Plum.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

THE JOB IS NOT THE WORK (in praise of the non-professional)

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Experimentation and collaboration with Esmé and Avel of ATATA, a vessel for live and recorded music.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

This episode is In the South of an Imaginary Island: Movement 1.

"I have an imaginary island. As part of a Groundworks project, I made a walk around the south of my island. As per the project instructions I walked between randomly chosen stopping points, each with associated ‘prompt’ words. The result is this sound work; this first half plays in January and the second half will play in February. More details, the associated text and a concertina-fold book can be viewed here."

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode begins with an unreleased track entitled My Rok Star ,a sombre, brooding meditation on the perils of fame,
with additional alteration by yours truly , from the samplerdelic trio of Die Trip Computer Die ( Xentos 'Fray' Bentos, ,Ted Barrow, Lepke B ).

https://soundcloud.com/ginger-studio/die-trip-computer-die-my-rok?in=ginger-studio/sets/die-trip-computer-die

Ted Barrow and Xentos have started a compilation of vintage DTCD material via -

https://dietripcomputerdie.bandcamp.com/album/archive-005-mobsters-from-the-id

and hear some new solo work by Ted Barrow at-

https://tedbarrow.bandcamp.com/album/60-x-60

Next is Hullabaloo , an American musical variety series that ran on NBC from January 12, 1965 through August 29, 1966.
Directed by Steve Binder, who went on to direct Elvis Presley's '68 Comeback Special,
Hullabaloo served as a big-budget, quality showcase for the leading pop acts of the day, and was also competition for another
like-minded television showcase, ABC's Shindig!.
A different host presided each week—among these were Sammy Davis, Jr., Petula Clark, Paul Anka, Liza Minnelli, Jack Jones, and
Frankie Avalon—singing a couple of his or her own hits and introducing the different acts.
Chart-topping acts who performed on the show included Dionne Warwick, The Lovin' Spoonful, The Rolling Stones,The Yardbirds, Sonny & Cher, the Supremes, Herman's Hermits, The Animals, and Roy Orbison .

Adopted by The Residents, the apocryphal Bavarian composer and music theorist N. Senada, formulated the "Theory of Obscurity",
while his "Theory of Phonetic Organization" states, "the musician should put the sounds first, building the music up from [them] rather than
developing the music, then working down to the sounds that make it up."
This method is part of the process deployed here on Hullabaloo Show #30 Dec 06 1965- with Host: Frankie Avalon .
Special guests -wildlife recordings of Madagascar from CD Madagascar Soundscapes - www.wildsounds.com

The second sonic release by Die Trip Computer Die , We Are Your Friends, includes the track Fourth Flaw .

https://soundcloud.com/alcohol-label/fourth-flaw?in=alcohol-label/sets/die-trip-computer-die-we-are

Here is some of the source material, and permutations ,from the film Liquid Dreams (1991) , music by American composer Ed Tomney.

N-V is about freedom, freedom from the Flesh.....

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

The compilation brings together new and recent projects by composers Olivia Block (US), Cassandra Miller (CA/UK) and Andrew Hamilton (IE/UK), with Sheen’s eponymous Croon Harvest (2021–ongoing) as a central starting point.

The programme explores music in a situated and embodied state, floating on noise and quiet sounds, peeling off from the brink of silence towards a good old sing-along. In each work, the voice occupies a different space in relation to other sounds, the body, technology, or notions of memory and tradition.

The project is part of Musarc’s work with contemporary composers and the ensemble’s commitment to new music – brittle and radical, in need of projection as well as protection and advocacy. The choir was joined by musicians from the Royal College of Music and Trinity Laban Conservatoire of Music & Dance.

Instrumentalists: Cara Houghton (flute), Rowan Jones (clarinet), Michelle Hromin (bass clarinet), Andrew Hamilton (viola), Andrew Liddell (viola), Rebecca Burden (cello), Steve Potter (piano).

Sound engineering and mastering by Julian Sander.

Recorded in Resonance Extra's studios on 30th April 2022, Croon Harvest is a constellation of four experimental choral works curated by Jack Sheen for Musarc.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode, Rob rips through some new releases, flies over Boston, hits it hard with some crusty hardcore and gives a shoutout to the upcoming Lie Detector Fest.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

All the music and sounds in this episode were recorded during the Chocolate Monk two-day residency at Cafe Oto. I would like to thank all the folks who performed, all the punters who turned up and all the nice folks at Cafe Oto, especially Fielding Hope. The opening section of the show comprises Aqua Dentata, Band Of Gurps (myself with Sharon Gal, Ali Robertson, Yoni Silver and Joyce Whitchurch), F Ampism & Tindegger.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode celebrates the imminent release on Cafe Oto's Otoroku of Late Works: Preparations ii, an album of recordings of prepared piano performances by Dear Laika, Finn Carter, Ted Mair & Ed Bernez at the second iteration of our event Preparations in February.

Preparations ii will be released on the 7th of August this year.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

This episode is a documentary about the importance of the "verb", which has a mysterious power because words create things.

The immensity of the orality is one of its fundamental attributes, at least this is the attitude that prevails in most African civilizations.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is a meditative journey through broken bamboos, parrot chorals and avant tape experiments. A humid nostalgic dive done under the glueing heat of an Indian summer.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode: whilst sheltering from a storm on the marshes, new sounds are heard emerging from the Lea. Featuring field recordings by Helen Frosi.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode features music made by Naviar’s community inspired by John Wright’s poem “Last bloom before autumn / Stares back at me with a smile / My younger brother”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.