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Instants Chavirés, Collectif Coax and Sonic Protest in collaboration present a programme of live performance, recorded at a secret space in Paris on the 21st of December 2019, between 12:21 and 21:12.

The marathon recording alternates between solo works, public speaking and unique coincidental meetings, all streamed to the world.

Performers:

Méryll Ampe, Julien Bancilhon, Cyprien Busolini, Audrey Chen, Franq de Quengo, Julien Desprez, Lionel Fernandez, Simon Henocq, La banque de jeu de pharaon : White Bouse = Thomas Dunoyer De Segonzac, Les Harry’s, Blanche Lafuente, Low Jack, Violaine Lochu, Marius Loris , Cinna 'Cikkun' Peyghamy, Mat Pogo, Janeke van der Putten, Arnaud Rivière, Magali 'Oculus Tapageur' Sanheira, Thimothée Quost, Antoine Viard

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This month, we speak to producer, DJ and designer Mehmet Aslan on his radio project Music For Books: an evolving, ever-inventive platform examining the listener relationship to reading through curated personal soundtracks. Each episode invites the audience to imagine different ways of thinking about sound and literature, and we’re delighted to present two episodes here – the first concerning ‘A Wandering Poem‘ by Christian Marques and Angharad Hengyu Owen, and a second based upon ‘Fierce Invalids Home From Hot Climates‘ by Tom Robbins.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This episode of Third Space was created by Ekin Fil (Istanbul) and Yuting Wu (Beijing).

The first half of the show captures the sounds and music of a daytime in and around Istanbul. Including the areas Kadıköy, Acıbadem, Yenikapı, Eminönü, Sirkeci, Kabataş and Beyoğlu, as well as Darıca where Fil’s family lives on the border of the city.

In the second half of Third Space, Yuting Wu takes us around Beijing from the perspective of an outsider in the city. The first part of the mix emphasises the typical impressions of Beijing: the public transportation, the crowds, the opera, along with a street musician playing saxophone in the park. Beneath these surface impressions, Wu explores the disappointment that accompanies living in such a city as an outsider where dreams and ambitions often go unfulfilled.

Artwork is by Max Howarth.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

In this episode, a Thanet Tape Centre communiqué using records, synthersizers, samples and noises, played, looped and arranged by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Ana María Romano G is a Colombian composer and interdisciplinary sound artist. Her creative interests center around acoustic and electroacoustic media and participation in interdisciplinary projects involving contemporary dance, video dance, performance and live arts.

Her creative interests stem in the intersection of gender, sound and technology, listening, soundscape, noise, experimentation, improvisation, cyberspace, body and the political dimension of the creative. Her artistic works have been featured in festivals and published in physical support and by several netlabels in Latin America, Europe, North America, and Asia.

Currently, she teaches at Universidad El Bosque and Universidad de Antioquia. She is the coordinator of the Plataforma Feminista En Tiempo Real (Feminist Platform En Tiempo Real) dedicated to the encounter between sound and technology with focus on women and LBTQ+.

She has been nominated to the CLASSICAL NEXT INNOVATION AWARD 2019 (Holland) for the work of making visible the work of women in the field of experimental sound creation with technologies through the Festival En Tiempo Real.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, Emily Bick plays JJJJJerome Ellis, Tara Clerkin Trio, Yara Asmar, DK Harrison, Mr Doug Doug, Sombat Simla, and more.

New music with The Wire Magazine.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.