← Friday 17th November 2023 →

This episode features music made by Naviar’s community inspired by an unknown author’s poem: “a black dog / transformed into a lantern! / the way in snow”.

According to The Penguin Book of Haiku, this poem was first published in 1765 in the pamphlet Yanagidaru I.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Eclectic musical face-off between German electronic musician and producer Ulrich Schnauss and Nathaniel Cramp (Sonic Cathedral).

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode, guest DJ Hilmar spins from the history of punk pirate radio.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

In this episode of Third Space, More Eaze is first to take the reins with an eclectic mix of music and found sound that captures the vibrant creative scene of Austin, Texas.

Then, in a variation on our usual theme, we take over for the second hour, with a selection of tunes from the First Light Records catalogue woven in among field recordings that document the ever-expanding city of Manchester.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

This episode features tracks from Yves De Mey, Hyacinth & Aidan Baker, Isobel McKenna, EVOL, Southfacing, Dylan Henner, Hoavi, Inturist, Virusmoto, Glues Browling, and more.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ashington is in the North East of England with a population of roughly 27,000 . It’s a former mining town and was once one of the largest colliery sites in Europe. Woodhorn Museum is based on the site of the former Woodhorn Colliery.

http://www.experiencewoodhorn.com

We were invited by Woodhorn Museum to work with the young people at the YMCA group based in Ashington town centre and help connect the museum to the different communities and cultures in Ashington and South East Northumberland.

http://www.ymcanorthumberland.org.uk

We created mixtapes of their favourite music using compact cassettes, made sounds with samplers and DIY synthesisers, used time coded vinyl to create cut and paste mixes and remixes of the music they love. We introduced them to the culture of field recording and taught them interview techniques and how to use digital recorders. As part of a national takeover day of museums in england on 17th November, the group, who are all aged between 13 - 17, donned hi vis jackets and hardhats, interviewed visitors and made recordings around the Woodhorn Museum site, we also played their mixes and sounds we recorded in the galleries and buildings of the museum

The Ashington Mix is a fun and energetic composite of all the mixes, interviews and sounds they made.

The Tyneside Sounds Society is a monthly broadcast dedicated to the recording and reinterpretation of the sonic environment and sound heritage of Tyneside in the North East of England.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Dronica meets James Shearman.

London born James Shearman is a noise and sound artist who has been active in the DIY and underground scene since 2014. Their work ranges from noise to harsh noise wall; from black metal to industrial and more. They have performed at Dronica under the aliases Prolonged Version, Roadside Dead and James Shearman.

Shearman's mix for Dronica is a blend of lo-fi black metal, harsh noise wall, industrial, performative acts.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode was inspired by Pierre Bastien, and takes a look into a few examples of mechanical and self playing instruments and other automatic music. Selections from Pierre’s back catalogue in hour two.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Brooklyn-based Olivia Bradley-Skill presents Lo-fi Goddesses, live sound collage and original radio artworks inspired by female-fronted post-punk bands and experimental dance music.