← Wednesday 8th November 2023 →

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode features new music by Abu Ama + BedouinDrone, Rafael Diogo, Jarl, Ardemar, Loo(p)cy, Mario Lino Stancati, Triswara, Yudol & Hladna.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

In this episode, Theo plays an eclectic selection of music from The Divine Comedy, Tangerine Dream, Nico and more.

Electronic musician Theo Sayers transports listeners with a mix of electronic, ambient, spiritual and new age music.

A 22-hour radio project in 7 episodes by Milo Thesiger–Meacham. An unnamed narrator moves house and pieces together a world of recording devices, names, crime, real-world characters and media from across the globe, featuring 10-second audio extracts from over 6000 individual videos found online, original sound recordings, music, hand-held camera audio and writing. Commissioned by the European Capital of Culture, Esch2022 for the temporary radio art station Radio Art Zone. Follow Fox Neame for more.

In this edition: "TamarindoEs" - written for the South American PhoNographic Mornings’ project during 2017. The recordings are made in Parque Centenario, Plaza Baquerizo by myself in December 2016 and a Mirlo by Cerro Blanco Forest by Juan José Ripalda. The sellers calls are very common in squares and streets in Guayaquil. Water, socks, and Tamarindo juice (Tamarindo Es) meaning “tamarindo it is”.

Some synthetized sounds copy the venders calls, bird songs and parraquite singing (Typical of christmas).
Parraquites (pericos) arrive in flocks during the last days of december, and fly all through Guayaquil until the month of March, resting in many parks and city trees.

Stéphane Marin presents a weekly series of fifteen short soundscapes recorded in the mornings at various locations throughout South America. Entitled « South American PhoNographic Mornings » this series for Resonance Extra forms part of a wider project, « Each Morning of the World », which invites sound artists, composers and recordists globally to share their own specific point of listening, either through a raw field recording or original composition.

In this episode, Sonic Darts is extremely happy to welcome the artist Victor Mazon and to hear about the transdisciplinary research platfrom Terra Ignota.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

This episode takes the idea of sonic journeys as its starting point. It features interviews with the British artist Tim Shaw and the French artist Valérie Vivancos. Tim and Valérie share a focus on listening, live improvisation and walking and we chatted to them about the trajectory of their work until today, as well as how they see it evolving and changing in light of the pandemic. There is also an artist showcase on Antti Tolvi.

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

Dronica meets events curators, creative directors and labels owners in 2021.

In this episode, Dronica meets Shahin Entezami, co-curator at SET Experimental Art Events, in Tehran.

Shahin Entezami, also known by his stage name “Tegh” is a musician and sound artist and practitioner based in Tehran, Iran. In his music, Tegh tries to bring new aural experiences to life by using various audio elements and complex soundscapes. These experiences usually manifest his personal perception of facing new stories, geographies and different situations. The ways he usually tries to express these ideas take root in Noise, Drone and Experimental electronic styles and sometimes manifest themselves in the form of electroacoustic compositions.

He has also released albums and singles on labels like Opal Tapes (UK), Zabte Sote (IR), Hibernate Recordings (UK), Dronarivm (RU), Inner Ocean Records (CA), Midira Records (GE), Futuresequence (US), Flaming Pines (UK), Bitrot Recordings (IR) and more.

Also, based on his eagerness to discover the world of other artists he has been involved in many collaboration projects like “Artirial”, “Temp-Illusion”, “Umchunga & Tegh” and so forth. He’s one of the curators at SET, Experimental Iranian festival in Tehran.

Shahin presents a two-hour mix focused on presenting music from my favorite artists considered as a part of Iranian Experimental Electronic Scene, from around the world, a mixture of both promising and well-known artists.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This episode features a guest mix by photographer Isabel MacCarthy titled Child of Love.

Don't think -

Feel

and then

think-again.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.

This episode features three new LPs of Brazilian experimental music. Negro Leo's Coisado is a soundtrack of an exhibition about German poet Hubert Fichte, who lived in Brazil during the 80’s. The third volume of Oco series with guitar player Marcos Campello and experimentalist J.-P. Caron. And Tapetes, a collaboration between Ricardo De Carli and Diego Dias released by Mansarda Records.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

The Foldable Sounds Collective presents Foldable Soundbath. The collective formed during the April 2020 lockdown and is composed of three artists: Daniela Maria Geraci, Lucy Rose Cunningham and Isabelle Pead. Individually dealing with sound as an archival, performative and narrational tool, collectively they interrogate sound’s potential to sonically transport the imagination outside one’s four walls, drawing on a global need for freedom of movement.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode features music made by Naviar’s community inspired by Marco Alessi’s poem “Endless echo / footsteps on an empty house / once full of life”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode is a collage of excerpts from chamber works, installations and field recordings by Assaf Shatil edited by Hagai Izenberg and Assaf Shatil.

Assaf Shatil is an interdisciplinary composer, pianist, improviser, singer/songwriter and educator based in Tel Aviv, Israel.

His practice intersects sound and poetry, investigating the intricacies of performance as a liminal space imbued with aspects of ritual, contemplation, and transfigured temporality. Premieres of his work have been performed by ensembles such as Musica Nova(Israel), Israel Contemporary Players, The Jerusalem Symphony, Jack Quartet(NYC), WasteLAnd(LA), The Sound ensemble(Seattle), Ninth Planet(SF) and others.

He completed his DMA in music composition at the University of California, Santa Cruz where he worked with Larry Polansky, Michelle Lou and David Evan Jones.

Featuring excerpts from: Gardens, Propeller/ Woods Waves/ Myers Duo, Analogue Mountains, FSH Rain, Etude - maybe one more distant quiet now dreaming, Midrash - Jacob’s Ladder, How to assemble an Opera?, El Toch Yam, Repent, Insects in Shavei Zion, Ravel Ostinato, Porto, Etude, (In) One Movement, Oto, Leviathan and The Aleph.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode: emerging from torpor for a fledgeling flight. Blinking in ultrasonic echo as dusk and day realign.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, Chris Bohn plays tracks by Klein, Chaba Malika Medda, Raphael Rogiński, Lucy Liyou, Rie Nakajima, Olivia Louvel and more.

New music with The Wire Magazine.

It’s musical meltdown time in this episode with Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, tracks selected in response to postcards sent in by Patrick Thomas, as well as excerpts from the plates (x5) launch of Alphabetical Processions Laid Him on The Green Vol.1..

Featuring Caius Williams & feeo, M. NourbeSe Philip, Oneohtrix Point Never & Elizabeth Fraser, DUNCE and Matana Roberts.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.