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In this episode, Dronica meets Dalila Kayros for a guest mix.

Sardinian singer and composer Dalila Kayros creates avant-garde indie electronic songs with dark ambient elements. Her music evolves through concept albums, which see Kayros creating surreal images relating to symbolism and a dystopian aesthetic, blending lead with ritualistic vocals and combining quiet and fierce moods.

"We'll walk on different terrains, from an etheric sound to a scream from the guts! So from a quiet sideral night to a screaming foggy day where the sun hits as strong as ever!" – Dalila Kayros.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

These We Have Loved is a six-hour epic specially created for Resonance Extra by Lepke.

"Boktok made like a boo-boo, we need a strange cat whose nature is true.

Lepke B, him go cut time with scissors, art monster assembly w/ ape recorder."

Lepke B is hard to find. Lepke B is an idea derived from science-fiction. Lepke B is the missing dimension in the world of matter and anti-matter. His brain is a neuronic network spread out over melodies and words that have been transmitted since the beginning of times.

This episode features music and field recordings capturing the sounds of Berlin and Mexico City, courtesy of Jana Irmert and Mabe Fratti.

In the first hour, Jana probes the intrigue of Berlin's streets and experimental music scene. Using cutting edge recording technologies, she offers us an unconventional angle on the city's soundscape, from the electronic signals surging through power boxes and neon signs to the subtle movements under the ice covering the Spree River.

In the second hour, Guatemalan cellist and composer Mabe Fratti takes us across Mexico City. Her mix features a selection of tracks from artists living and working in the city, combined with recordings of the everyday music that floods its streets: parents and children singing together, musicians improvising in bars and on street corners, and taxi drivers cranking up the radio to share their favourite songs.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Jennifer plays some of what she has on constant rotation.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This second episode begins with a short reconstruction of a conversation with former bookshop manager "Cynthia", who gives the programme-maker a list detailing the British Library's Suppressed Safe contents - a list which exceeds anything currently in the public domain.

"Cynthia" deemed it such a hot potato that she requested a voice actor completely re-record her voice. After receiving the list, oddly synchronicitous disturbances (of varying significance) materialise.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

This second episode begins with a short reconstruction of a conversation with former bookshop manager "Cynthia", who gives the programme-maker a list detailing the British Library's Suppressed Safe contents - a list which exceeds anything currently in the public domain.

"Cynthia" deemed it such a hot potato that she requested a voice actor completely re-record her voice. After receiving the list, oddly synchronicitous disturbances (of varying significance) materialise.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Thinking about electronic communication, love & the complexities of dating, Mim has mixed some archives that let us think about our physical and affective needs but also about the established norms of digital technology use.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Thinking about electronic communication, love & the complexities of dating, Mim has mixed some archives that let us think about our physical and affective needs but also about the established norms of digital technology use.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Yard Side - Side 1 - 22 minutes

Garden Side - Side 2 - 22 minutes

This work by artist Raymond Watson contains a variety of sounds ranging from the rhythmic noise of the keys of Crumlin Road Prison, Belfast, identity tags, heartbeat, an original prisoner-made grappling hook thrown at and colliding with the Belfast Peace Wall, metal prison food trays, grills and locks and sections of music on Irish flute and harp. A collaboration between artist Raymond and his daughters, Toraigh and Dara.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode we delve into two upcoming releases: Bells: the gauzy glockenspiel experiments from Broken Chip, AKA Martyn Palmer, who is based in the Blue Mountains in Australia, and Homework, an intriguing collaboration between Londoner Matt Atkins and Italian composer MonoLogue (Marie Rose).

Martyn opens the show and talks us through his process in making Bells. We also hear from Matt Atkins who discusses the alchemical and improvisatory processes which went into his collaboration with Marie Rose.

We dip into Nichola Scrutton's new release Night Vision which is based on a practice of semi-conscious writing, enjoy Manja Ristic's special sniffing rock in Croatia and join Colombian composer David Veléz as he does the dishes.

The second half of the show is a beautiful mix by Martyn Palmer of music which inspired his forthcoming album Bells.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Last year's word was ‘I’, consequently the focus was on selfless selves, linked Is, and not-Is. The first year it started with ‘you’, last year ‘and’ came to connect you to anything and everything, last year that point of connection was ‘I’—the porous one, the solo collective.

The audiovisual stream is archived here via Arraymusic

Presented by Christof Migone, Arraymusic, Resonance Extra , Constellation, FADO, Liquid Architecture, MetaObjects, NAISA, OBORO, Radius, SAVAC, Squint Press, The Dim Coast, Trinity Square Video, Tsonami and Wave Farm.

Full Programme (GMT):

• HOUR 1

SAVAC (Tkarón:to/Toronto) Presents Tazeen Qayyum (Tkarón:to/Toronto)

• HOUR 2

Squint Press (Tkarón:to/Toronto and Québec City) Presents Gabriela Areal (Buenos-Aires)

• HOUR 3

The Dim Coast (Saskatoon) Presents A Sound That Never Was (International)

• HOUR 4

Trinity Square Video (Tkarón:to/Toronto) Presents Midi Onodera (Tkarón:to/Toronto) and Claire Savoie (Tiohti:àke/Montréal)

• HOUR 5

Tsonami (Valparaíso) Presents Michel Poblete Montoya (Santiago)

• HOUR 6

Wave Farm (Acra, NY) Presents David Grubbs (Brooklyn)

• HOUR 7

OBORO (Tiohti:àke/Montréal) Presents Chloe Lum & Yannick Desranleau (Tiohti:àke/Montréal)

• HOUR 8

Metaobjects (Hong Kong) Presents Ryo Ikeshiro (Hong Kong)

• HOUR 9

Liquid Architecture (Naarm/Melbourne) Presents Machine Listening: Sean Dockray, James Parker, Joel Stern (Naarm/Melbourne)

• HOUR 10

Arraymusic (Tkarón:to/Toronto) Presents Mani Mazinani (Tkarón:to/Toronto)

• HOUR 11

Constellation (Tiohti:àke/Montréal) Presents Sam Shalabi (Tiohti:àke/Montréal)

• HOUR 12

FADO (Tkarón:to/Toronto) Presents Cindy Baker (Edmonton)

10 minutes at the end of each hour will feature audiovisual roomtones by Kate Carr, Andrea-Jane Cornell, Emily DiCarlo, Joaquín Gutiérrez Hadid, Sebastiane Hegarty, Laura Kikauka, Annette Krebs, Nick Kuepfer, Matmos, Gordon Monahan, Debashis Sinha, and Maia Urstad.

The third in Christof Migone's series of twelve annual 12-hour events taking place on December 12th from 5pm to 5am the next day. Each year the event moves through each word of the phrase ‘You and I Are Water Earth Fire Air of Life and Death’ and a group of international artists activate the word of the year in myriad ways.