← Wednesday 10th May 2023 →

In this episode, Emily Bick plays Laraaji & Kramer, People Like Us with Ergo Phizmiz & Gwilly Edmondes, Neil Luck & Mimi Doulton, THX1312, Me:You, Inga Copeland, Wobbly, Lary 7, African Headcharge, Mieko Kaji and more.

New music with The Wire Magazine.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

A nine-part retrospective of the first five seasons of the Radia network’s epochal (and on-going) radio art series. Assembled by Lee Stapleford.

In this edition, you’ll listen to three artists, with each performance lasting around 30 minutes. This event was broadcast on Naviar’s Youtube channel on the 30th April 2021.

Daniel Diaz (Argentina)

Daniel Diaz is an Argentinian multi-instrumentalist, arranger, and composer. He developed a 25+ year music career as a performing and session musician, arranger, producer and musical director in styles ranging from jazz and rock, to experimental electronic music, tango and other styles of Latin American music. As a solo artist, from 1995 to the present he recorded 20 instrumental albums, 12 EP and many singles, released independently but also by prestigious labels in the US and Europe.

Scott Lawlor (U.S.A.)

A jack of all trades, veteran musician Scott Lawlor, composes in different sub-genres such as dark ambient and light ambient, solo piano, cosmic drone and avant-garde, both as a solo artist and as a revered collaborating partner with many other well-established artists in the ambient community. Hence, Scott has built a solid reputation for himself as a cornerstone persona in the ambient community.

Boson Spin (Australia)

"By creating original work, you will further the cause of humanity." I’m Stan Magendanz & I love listening to & creating Ambient, Dark Ambient & Experimental electronica (and the occasional beatscape).

Naviar Virtual was a monthly online event hosted by Naviar Records, which aimed to bring online the spirit of Naviar’s yearly physical events during the COVID-19 pandemic.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

'Fifth Sketch for Ascent and Descent' was recorded live at Hearsay Festival, Ireland, November 2014. Featuring Willie Carr (voice), Peter Lanceley (guitar, voice), Ed Baxter (text, direction), Sarah Nicol (live sfx).

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode features an experimental mix by sound artist, composer, and producer Michel Banabila (1961).

Banabila has released music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies.

His music varies from minimal loop-based electronica, fourth world, and neoclassical pieces, to drones, experimental ambient, and punk-as-fuck tape music. His work has been released internationally by labels like Bureau B (DE), Eilean Rec (FR), Knekelhuis (NL), and Séance Centre (CA).

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

An episode in memory of David Axelrod.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Getting close to the 100th iteration of the show, episode 1 is now more than 7 years ago, back in January 2016, and it's been a wild monthly ride ever since.

This episode features a bunch of discrepancies, opening with the new album by Marc Codsi, a track by yours truly and a beautifully discordant composition by Babau, from a tape we will release very very soon!

For now, enjoy the wild random rides to shores you should know by now.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this first episode, enduring the Metal Gear Solid alert sound effect in a real-world setting, the quasi-unemployed narrator introduces his controversial "work where you like" practice; being an archivist without portfolio, researching "media of unknown origin", and clawing at the British Library's "Suppressed Safe" of restricted-access books.

Abused necks - seats of human voice - are given special attention in this episode - anatomical points of interest in the unusual (and largely unknown) literary work of Marcus S. Chambers (aka "Exact Thinker") and his anarchist counterpart Sydney Hanson. The present-day obscurity of their work forms a self-fulfilling prophecy about the silencing of knowledge, lending much unease, mystery, and squirms to outmanoeuvre "crank" vibes.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

This episode features music made by Naviar’s community inspired by Gary Clarke’s poem “Lost in tranquil seas / Where spring feels melancholy / Another sunset”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, an eclectic mix of everyday sounds, Techno, radio, and contemporary music. Recorded and edited in Shocken6.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode features a host of brand new submissions.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This month: Bristol, BS1 1AD and onwards.

Edited Arts present a series investigating UK music scenes divided by postcode area with a view to drawing attention to the often overlooked areas of the UK's artistic heritage of music, sound and speech.

A tide line walk. Two coasts across two hundred miles. A saltmarsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour, rest one hour. Twelve walks divided and rebuilt at random. Twelve walks, each a new tide walk.

This is Tide Walk 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles