← Sunday 7th May 2023 →

Reveil will be mixed live in:

• London (Soundcamp: Grant Smith, Hannah Kemp-Welch)
• Santiago (Tsonami: Fernando Godoy)
• Sunshine Coast (Biosphere Soundcapes: Leah Barclay)
• Chania (Soundcamp: Maria Papadomanolaki)

Listen on Resonance Extra, Wave Farm WGXC and over 20 participating stations. Reveil 10 is supported by the Creative Europe programme of the European Union, Southwark Council and private donations.

Reveil is a 24+1 hr radio broadcast that follows sunrise around the earth on Dawn Chorus Day, travelling west on live audio streams sent in by streamers at daybreak from their locations. Reveil brings city yards, remote rural sites, fresh and salt water bodies into communication, creating a collective audit of planetary soundworlds over one earth day and is accompanied by a parallel programme of transmission works, talks, walks and remote performances by partners of the Acoustic Commons network. Follow the expanded radio programme.

In this episode, we journey to Powys, Mid Wales and talk with Ellis Green to explore the musical genre of Dungeon Synth. We discuss its origins, aesthetics and shed light on Ellis' new DIY cassette-based label Verdant Wisdom.

The conversation is interspersed with a selection of Dungeon synth, Forest Ambient and other like-minded sonic offerings. Featuring tracks from Mortiis, Fåntratt, Lunar Womb, Sunken Grove, USKK, Oaklimb, Winter Seer, Middlewood. Find out more about the Verdant Wisdom label.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Now: In My Dreams You Are Always Lost. v3sta x aicb.

//Athens 28 May 2018

void setup () {
dec name: {“in my dreams you are always lost”};
dec artist: {“v3sta”};
dec channel {“AICB”};
}
void loop () {

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

The second iteration of Overheard was realised at Install, Glasgow, in November 2010, commissioned by Arika and broadcast live from the streets of Glasgow as well as at Tramway. Featuring Tam Dean Burn and musicians Barry Burns, Luke Fowler, Mark Vernon and Chris Weaver. This is a two hour edit of the full 48 hour broadcast performance. Concept: Ed Baxter and Chris Weaver. Text: Ed Baxter.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

A tide line walk. Two coasts across two hundred miles. A saltmarsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour, rest one hour. Twelve walks divided and rebuilt at random. Twelve walks, each a new tide walk.

This is Tide Walk 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

In this episode, Rob tears through some of the finest in punk rock. He goes deep into the bins to put together another stellar show of everything from Corrosion of Conformity to Sick Thoughts.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This episode begins with a 40-minute guest mix from London-based musician BWU.

Having built a collection of live musical performances spanning 40 years, both found and recorded first-hand, BWU posits themselves as an apparition, transient and anonymous, an audience once-removed.

Revisited online and in solitude, these recorded, ripped and re-recorded audio files develop with their degradation a distinct, self-reflexive overlay of absence.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.

Conceived as a diffused oratorio that crosses over between the city and the domain of radio broadcasts, Zoom conversations and the space of the book, The End of the World Service sees the body of the choir endure a modern-day tarantism of colour and sound in the streets and open spaces of the old town.

First, composer Neil Luck (UK) taps into the double trope of the city as a film set and traditional locus of mystery plays with three short tableaus populated by props, choral extras, a wind band and onlookers who happen across the scene at night, pining for a view of the surreal action playing out in the yellow light of Taranto’s street lanterns.

Then, Joseph Kohlmaier (UK/AT) takes the audience on a slow-moving choral procession that ambulated through the narrow streets of the old city, a remorseful, humming and mumbling crowd carried along by the sound of the drums and steel instruments of the Complesso Bandistico Città di Crispiano, culminating in a choral and communal recital of a libretto written for the occasion by members of the ensemble.

The End of the World Service is part of Bodies as Infrastructures – a season of events and performances staged in the city of Taranto by curatorial platform Post Disaster Rooftops. With new works by Aga Beaupré (PL), Mela Boev (IT), Marie Hamilton (UK), Joseph Kohlmaier (AT/UK), Neil Luck (UK), Sara Rodrigues (PT).

Musarc is one of the UK’s most progressive choral collectives. Founded by Joseph Kohlmaier at the School of Art, Architecture and Design, London Metropolitan University in 2008. The choir has collaborated with Jennifer Walshe, Lin Chiwei, Laure Provost, Ed Atkins, Jenny Moore, Lina Lapelytė, Sam Belinfante, Fritz Hauser, Neil Luck and many others.

It has worked with numerous festivals and arts organisations in the UK and abroad – including the BBC Proms, London Contemporary Music Festival, Palais de Tokyo (Paris), the Royal Academy, CCA Goldsmiths, Museum of London, Extra City (Antwerp), Serpentine Gallery, MK Gallery, Wysing Polyphonic, STUK (Leuwen) Cafe OTO, Bold Tendencies and Whitechapel Gallery.

A series of live performances in Taranto, Italy, on the 27th May 2022 by choral collective, Musarc. Featuring Neil Luck and Joseph Kohlmaier in collaboration with Post Disaster Rooftops.

This episode features music by Voices of The Cosmos, David Lee Myers, Cévennes, Kasra Faridi, PLUHM, James Murray, Darja Kazimira & Zura, Makharadze, Francisco López, Yousef Kawar, J S-Horseman and Iriamu.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode features music made by Naviar’s community inspired by Natsume Sōseki’s poem “The rain is over: / South Mountain puffs out / Spring clouds".

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.