← Sunday 5th February 2023 →

Each artist plays for 20 minutes and starts their set before the previous act has finished, creating a constant flow of music.

Full Lineup:

• Nicola Serra

• Yewen Jin

• nunez

• That Travis

• Superasylum (Jeff Plink Plunk)

• Yeah You!

• Rick Jensen

• raxil_4 (Andrew Page)

• _subsignal (Thomas Rosser)

• Miles Lukoszevieze

• SW1n-HUNTER (Adam Dentone)

• XOLO (Edward Griffiths)

• estener + Egle Saka

• Mariam Morshed (Mariam Bergloff)

• Blood Music (Simon Pomery)

• Thomas Daley

• Jonathan Crabb

• kerosene (Mimi)

• ecolagbohrsac (Atay)

• Richard Crow (Miss Schreber)

• Hems (Henrique Matias)

• Nnja Riot (Lisa McKendrick)

• Bioni Samp

• Eight Fold Way (Mark H. Geary)

• Disgusting Cathedral (Tim Drage)

• Christian Duka + Avsluta

• Sculpture

• en creux (Lucia H. Chung)

• Oliver Torr

• Ravishing Rick Rude (Chris Smith)

• xname (Eleonora Oreggia)

• DHANGSHA (Aniruddha Das)

• Howlround (Robin The Fog)

• Hivern Liminal + Isa Barzizza

Over the course of 12 hours on 18th December 2022, Iklectik Art Lab brought together more than 25 artists to each play the noisiest live set they could. All ticket proceeds went towards The British Association for Performing Arts Medicine, a registered UK charity composed of health and creative industry professionals working together to support the performing arts.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

In this episode:

"i am reading from 'The Secret Revelation of John' by Karen L. King. was given this book and plunged in..to the two available translations printed across from eachother from da Berlin Codex, differing slightly. i m reading both I.II. versions out loud, left one first, then the right one, sentence by sentence, till page 49.

have a look at the writing below if you want to know about the context of The Secret Revelation Of John, but i believe it comes across anyway. i loved it. picking up on the many 'intriguing-but-confusing ideas' and the overt criticism of patriarchy ofc. as for aeons the meaning of it invites to enquire about temporalities and timespans, linking this back to the suspension the world is experiencing now.. . for me, really its a question about whether there is any light and if so whether the varying interpretations provide any solace."

Lost in antiquity, rediscovered in 1896, and only recently accessible for study, The Secret Revelation of John offers a firsthand look into the diversity of Christianity before the establishment of canon and creed. Karen L. King offers an illuminating reading of this ancient text--a narrative of the creation of the universe and humanity and a guide to justice and salvation, said to be Christ's revelation to his disciple John.

Freeing the Revelation from the category of "Gnosticism" to which such accounts were relegated, King shows how the Biblical text could be read by early Christians in radical and revisionary ways. By placing the Revelation in its social and intellectual milieu, she revises our understanding of early Christianity and, more generally, religious thought in the ancient Mediterranean world.

Her work helps the modern reader through many intriguing--but confusing--ideas in the text: for example, that the creator god of Genesis, a self-described jealous and exclusive god, is not the true Deity but a kind of fallen angel; or, in an overt critique of patriarchy unique in ancient literature, the declaration that the subordination of woman to man was an ignorant act in direct violation of the "holy height."

In King's analysis, the Revelation becomes not strange but a comprehensible religious vision--and a window on the religious culture of the Roman Empire. A translation of the complete Secret Revelation of John is included.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

A 22-hour radio project in 7 episodes by Milo Thesiger–Meacham. An unnamed narrator moves house and pieces together a world of recording devices, names, crime, real-world characters and media from across the globe, featuring 10-second audio extracts from over 6000 individual videos found online, original sound recordings, music, hand-held camera audio and writing. Commissioned by the European Capital of Culture, Esch2022 for the temporary radio art station Radio Art Zone. Follow Fox Neame for more.

Louis Grace presents Teaching Computers to Love. This is a collaborative platform for artists to develop an episode sonically with a 10-20 minute body of work.

In this episode, Rob revisits some of the best bands he saw in 2022. This action-packed hour covers many of favourites, including Twompsax, Warthog, Inyeccion and Electric Chair.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode opens with a special introduction by Finnish AV duo Vongoiva where they discuss the inspiration and process behind their new album Jatuli Observatory. We also listen in full to Hadi Bastani and Maryam Sirvan's trans.placed and take a first listen to three upcoming releases which are all inspired by errors.

Greek composer Savvas Metaxas, Iran's Kamran Arashnia and London-based Jonathan Higgins all offer up their unique takes on the possibilities of mistakes. Madeleine Cocolas' new one gets a spin and the show closes with an edit of Rubbish Music's live set earlier this month at Cafe Oto.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

This episode features music made by Naviar’s community inspired by Stan Magendaz’s poem “Paper lantern bright, / Floating in the dark night sky, / Guiding spirits home.”

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.