← Thursday 26th January 2023 →

In this episode, browsing through CDs and tapes sent to ZHELEZOBETON warehouse in February. New tracks from the experimental, ambient & post-industrial scene in Russia and worldwide, plus a couple of long forgotten pieces from the 90s.

“Time clips me like a coin and there’s no longer enough of me for myself…”

An array of experimental and post-industrial underground music from the vaults of Russian label and distributor ZHELEZOBETON, selected by DJ Kryptogen from his St. Petersburg studio.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

Presented by Theresa Elflein and Martin Clarke, this month we speak to Kodian Trio and duo Marco Scarasssatti and Abdul Moimême about their recent / upcoming releases on OEM Records. Venturing outside, we explore the necessity of solitude and profundity of nature through Katie O’Neill‘s meditative sound-poem ‘Message Green’. The latter half of the show is an eclectic mix dedicated to European and South African sounds; avant-pop, found sounds and jazz, alongside other enticements from across the musical spectrum.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This episode is bookended by long pieces from Simon Pyke and Marcelo Armani. It also features old friends of the Spirit of Gravity – including Fane, Thomas Stove, and Jonathan Higgins – plus a noisemaker who is new to us, Bantu.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe & Alex invite Anadol & Tayfun Aras to the show for a deep-digging psychy synthy masterclass. Anadol’s spectacular album ‘Uzun Havalar’ has been a staple at FT HQ this year, and Tayfun Aras runs Istanbul's renowned Deform record shop.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features a special guest mix from Anton Spice (Echo Location).

Mat Eric Hart presents a sedated sojourn through worldly and mystical sounds.

In this episode, a special broadcast of WOMB, by Kajsa Lindgren, an underwater concert of aquasonic poetry heard as a reminiscence to voices from childhoods once lived, of distant musics and imagined sonic ecologies.

The initial composition material of field-recordings of nature and body sounds, interviews and compositions has been re-recorded and re-amped underwater for broadcast on Resonance Extra, ahead of its imminent release via Berlin's Hyperdelia label on June 15th 2018. Recorded live at Stockholm bath-house Storkyrkobadet, supported by Kulturbryggan, Sweden.

A Hyperdelia label showcase.

Snores, text scores, album launches, gospel, illbient, Korean synth pop and endangered and iconic Mexican birds all feature on this rather full episode. Salomé Voegelin introduces her new album Paint your lips and sing your favourite pop song out Jan 27, we preview a little more of Whettman Chelmets Joan and take a first listen to Leena Lee and Vania Fortuna's Niebla, an examination of the quetzal bird.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

“Listen to them, the children of the night. What music they make!” - Dracula

On the sonic chopping block - juicy meat from the torso of Cinema, the mother of celluloid monsters.

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

This month, Foldable Sound's Daniela had the mad pleasure of interviewing Maria Abramenko (@mariabramenko) - an independent curator and art writer for Nasty Magazine.

We touch on sound art and sound curation in a "contemporary art" context, and talk about Palermo Art Weekend’s first edition (@palermoartweekend), a programme of digital and sound art in Sicily’s capital curated by Maria herself, to which Daniela had the pleasure of co-curating the research programme along with Giulia Anselmo (giulia__an).

As usual, the mix is punctuated by our open call submissions along with two pieces from Palermo Art Weekend by Gili Lavy (@gili_lavy) and Cyphr (@cyphrrrr). It’s cold out, so buckle up, rig your speakers and wriggle south - deep into the Med.

The Foldable Sounds Collective presents Foldable Soundbath. The collective formed during the April 2020 lockdown and is composed of three artists: Daniela Maria Geraci, Lucy Rose Cunningham and Isabelle Pead. Individually dealing with sound as an archival, performative and narrational tool, collectively they interrogate sound’s potential to sonically transport the imagination outside one’s four walls, drawing on a global need for freedom of movement.

This episode features a mix by Berlin-based DJ, vinyl collector, and producer, Eclectic Elektra.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

In this episode, James Gormley plays new music by OPLA, Nkisi, Gerald Cleaver (pictured)/Brandon Lopez/Hprizm, AVOLA, Zoe Mc Pherson, Andrew Cyrille and more.

New music with The Wire Magazine.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.