← Thursday 1st December 2022 →

The station is managed by Mark Vernon and Barry Burns and is funded through Creative Scotland’s Open Project Funding with additional support from CCA Glasgow and the Goethe-Institut.

Tonight's extract from the 2022 edition of the festival features the following artists and broadcasts:

The Concrete Acid Echo Tapes by Luke Pendrell (02:00 - 02:30am GMT)

"The Concrete Acid Echo Tapes (Dr Raypower vs. His Majesties Ludd Púca) by Dr. Raypower from Live at the Broadmarsh Shopping Centre Christmas ’92, produced by Ludd Púca. The Concrete acid echo tapes resurface buried signals, emitted by spectres now cast out. The brutal dance echoes like sonic plattenbau. Undergirds the Real with a fluid solvent."

Earthloops by Tom Scott (02:30 - 3:00am GMT)

"This work is composed of analogue material recorded in the early 80’s reimagined with recent field recordings in 2021. The work maintains the presence of looped tape material and field recordings are processed via spectral filters until eventually only the spectural shifts are present. It explores the relationships between the movements of the environmental sounds and the materiality of the processed audio.

How do you listen? Position yourself in stillness."

Solar Radio by Absolute Value of Noise and Anna Friz (3:00 - 5:00am GMT)

"Absolute Value of Noise and Anna Friz are collaborating to produce a new outdoor sound installation for Wavefarm (located in Acra NY) in 2022. The piece centers around an automated radio station that is powered by the sun. It responds to its environment and the state of the sun by playing with simple AI sound synthesis algorithms – imitating the sounds of insects, birds, frogs, the wind moving through the trees, rain falling, magnetic phenomena and various waves.

This radio piece mixes the synthetic sounds of the AI with radiophonic sounds and field recordings – featuring on-site recordings made on the land at Wavefarm. Anna Friz and Absolute Value of Noise (Peter Courtemanche) are Canadian sound and radio artists. Anna Friz creates self-reflexive radio for broadcast, installation and performance. Her compositions reflect upon public media culture, ecology and infrastructure (human and extra-human, acoustic, and electro-magnetic), time perception, and various fictions. Absolute Value of Noise creates radio and outdoor installations.

He likes to work with “gadgetry” – custom turntables, lamp filaments, wire coils, high voltage ionizers, magnetic transceivers, and “little electronic brains” that observe and respond to local phenomena. His outdoor works are a comment on bio-diversity, extinction, and fragility."

Thinning of The Veil by Helena Celle (5:00 - 6:00am GMT)

"Helena Celle is a Glaswegian artist and audio engineer. She is concerned with the participatory representation of the imaginal through the organisation of sound, image and language, and currently produces an hour (or more) of original work for patrons every month. She plays guitar in the band Herbert Powell (Lost Map Records), and previously played bass guitar in the band Anxiety (La Vida Es Un Mus Records)."

Radiophrenia is a temporary art radio station that broadcasts for two weeks each year from the Centre for Contemporary Arts in Glasgow – a festival exploring current trends in sound and transmission arts. The broadcast schedule features newly commissioned radio works, live performances and live studio shows, shorts and pre-recorded features, and selections from an international open call.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode opens with an hour of music from within the orbit of the spirit of Gravity Collective, including a long piece from our friend Simon James, plus some tracks from collective member Jim Purbrick, taken from his new Alien Alarms debut album "0 to 1", and a piece from someone new to us, Hannya White.

The second hour features a full playback of the latest release on the Spirit of Gravity Label, a re-issue of the 2008 compilation, Festival.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This episode features music from Hayward Versus Harmergeddon, Duchamp, BAG, Cerpintx, Pillars of Golden Misery, Minus Pilots and TFT.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

The Tyneside Sounds Society is a monthly broadcast dedicated to the recording and reinterpretation of the sonic environment and sound heritage of Tyneside in the North East of England.

Sydney artist Jannah Quill works in electronic installation and performance, exploring and exposing hidden energies, predominantly through the photo voltaic process - translating light into electricity and ultimately into sound and music. Through her work she begins to “uncase electronic music for what it really is”. In this episode of Out From Under, we talk to Jannah Quill about her work and her process, and listen to her solo sound works - including a set recorded for the Liquid Architecture event, Ritual Community Music - and works recorded under her WDK project with Laura Hunt from Sydney punk band Ghastly Spats.

Missed the show? Catch up on Mixcloud.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Mitamine presents a mashup of everything. Lots of feelings & emotions.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

This episode features a guest mix by Brueder Selke.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Where the Dead Voices Gather is an indeterminate process driven radio experiment that uses the book 'Where The Dead Voices Gather' by Nick Tosches as its starting point.

Songs are chosen from a series of libraries based on the structure of a haiku. Each show has 17 songs / sounds therefore each show represents a sonic haiku.

Where the Dead voices gather is exploring the sonic potentials of written text and the indeterminate.

In this episode, Phil England plays sounds and music by Band Nada Kentjana, Moin, Saul Williams, Balka Sound, Brackenbury/Bianco, Molly Joyce, Maggie Nicols and more.

New music with The Wire Magazine.

The Death of Nero was performed live to air at Hoxton Hall as part of Shoreditch Festival on 1st August 2004. Music by Benedict Drew, Alfredo Genovesi, Chris Weaver, Kay Grant, Viv Corringham, Johny Brown, and others. Interlude theme: Tom Wallace. Texts and lyrics by Ed Baxter.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.