Naviar Haiku Fest # 2022

with Naviar Records
Friday 13th September 2024 02:30 - 06:00 BST

A series of annual events by Naviar Records broadcast live on Resonance Extra, featuring workshops, talks and live performances focused on experimental music and haiku, exploring how these two art forms can influence and inspire each other.

2022's edition of the festival was an evening of music and poetry reading at London's iconic Café OTO on the 7th December, featuring performances by members and friends of Naviar, working in the fields of ambient, electronic, and contemporary classical music. Each set is introduced by a haiku selection recited by poets of The British Haiku Society.

Full lineup:

Daniel Green is an artist and educator. His artistic practice explores the objects and media we use to occupy our time, and how they are used to give our lives meaning. Daniel’s work has been exhibited within Campbelltown Arts Centre, Firstdraft, Pelt, Artspace and BUS Projects, and has performed at Electrofringe, The Now Now Festival, Liquid Architecture, Cementa and the Museum of Contemporary Art Australia.

Since 2014 Neil Stringfellow has released music as Audio Obscura - covering a variety of musical themes that touch on ambient, electronics and more experimental soundscapes. Audio Obscura albums have included a post-classical 'Anthropocene Trilogy' based on spoken word pieces around climate change, soundtracking the dystopia of George Orwells' 1984 novel, field recording in rural Norfolk Churches and recently a collaboration with a post-rock group themed around the NASA Voyager missions.

Leon Clowes is a transdisciplinary artist that messes about with his lived trauma for artistic endeavour. He started in music and sound and now does all sorts. Wherever. In music/sound, these days, he mostly tries for quiet and peaceable stuff but does occasionally revisit pounding queer past.

Encym explores un-guitaristic territory by layering, collaging and shaping improvised loops. Fused with polyrhythmic beats and noises to become cinematic, atmospheric, otherworldly ambiences, their grittiness owing to the many years Roland was based in London. George Crowley is a saxophonist, clarinettist, composer and promoter based in London. As a performer he is active across a range of styles, with improvisation at the heart of his work.

Born in London to mixed Indian/British heritage, Simon studied music at The Centre for Young Musicians and Morley College, then philosophy at Durham University, and is now based in Stroud, Gloucestershire. Simon has worked as a composer & sound designer in theatre, film & contemporary dance. His recent work is a combination of loop-based cello compositions and atmospheric improvisations, field recordings and modular synth.

Manja Ristić is a violinist, sound artist, published poet, curator and researcher. She graduated from the Belgrade Academy of Music (2001) and was awarded a PGDip as a Solo/Ensemble Recitalist from the Royal College of Music, London (2004). As a classical solo and chamber musician as well as a composer and an improv musician Manja has performed all across Europe and the US, and has been involved in collaborations with established conductors and performers, multimedia artists, poets, theatre and movie directors.

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